Chris Sanders has only directed four animated features (plus a live action adaptation Call of the Wild), and the previous three (Lilo & Stitch, How to Train your Dragon and The Croods put him in four way tie for most nominations without a win in the Best Animated Feature category at the Oscars. It feels pretty certain that The Wild Robot will be the movie that finally wins him that Oscar, but we'll keep such speculation to a minimum.

Sanders's first feature, Lilo & Stitch, is probably the only truly great movie to come out of Walt Disney Animation Studios in the first decade of this century. (To be clear, you're allowed to like other movies from that decade, but most were flawed.) Anyway, the upshot of Lilo & Stitch becoming a beloved classic is that its directors, Sanders and his writing and directing partner, Dean Deblois, were driven out of Disney by John Lasseter a few years later (I don't like that guy).

Sanders and Deblois took their talents to DreamWorks Animation, where they delivered How to Train Your Dragon to the studio, often seen as one of the highlights of its output.

I've often seen Sanders cast as the "idea guy" in the Sanders/Deblois partnership, as well as being the guy who brings a lot of unique visual aspects to his projects, while Deblois is the more story-driven member of the partnership, bringing in the emotional aspects. I'm not so sure about that, especially after this movie, which features an emotional story just as potent as Lilo & Stitch and How to Train Your Dragon, sans Deblois. The Wild Robot also features a visual design that echoes the original illustrations of the book it's based on, by Peter Brown, showing Sanders is more than just a recognizable art style.

Stuart Ng Books always have a fascinating booth at any number of fannish conventions. At WonderCon, they introduced us to Paisley Rabbit and the Treehouse Contest, an illustrated book for children that came out in 2018 from writer Steve Richardson and illustrator Chris Dunn. “Can a lone girl rabbit with all the odds stacked against her actually surprise boastful Jimmy Squirrel to win the big tree house construction contest? It is the end of summer and the beginning of a new school year, Jimmy Squirrel, whose dad owns the biggest construction company in the city, agrees to a tree house contest. To everyone”s surprise, Paisley Rabbit, who has never touched a hammer or a nail and has no one to help her, is a long shot to win. But the imaginative and determined Paisley, demonstrates her resourcefulness and strategic planning abilities that eventually amazes her friends and silences the smug Jimmy Squirrel.” The book is available now in hardcover. Check out the preview pictures — the artwork is gorgeous. Interesting note: Chris Dunn also illustrated an edition of Kenneth Grahame’s The Wind in the Willows. We’ll have to look it up.

image c. 2024 Impossible Dreams

"Can a robot turn a canvas into a beautiful masterpiece?"
"Can you?"
-The one good part of I, Robot

Bogged down in all the recent controversy about "generative AI" is that one of the reasons the research began was, in creating a program that can "create" a painting, we are theoretically trying to answer the evergreen science fiction question of whether a machine can become, well, perhaps not "human". Maybe a better word would be "anthropomorphic".

DreamWorks Animation's The Wild Robot will be coming to theaters September 20 of this year. Pretentious preambles aside, this movie is not just of furry interest because it has a robot that can be described as anthropomorphic; the trailer reveals plenty of animal characters who can also be described as anthropomorphic.

A deceptively simple concept lies behind this new black & white illustrated book. “Always there to comfort and listen, stuffed animals provide a reassuring presence in many a childhood. With Toys Talking, acclaimed illustrator and author Leanne Shapton explores their inner lives, to reveal that their thoughts and feelings are just as complicated as our own. The concerns of these bunnies, bears, and ducks range from the mundane to the existential, and with each new pairing of character and text, we see a deeper portrait of their pensive, quiet world. Shapton holds a mirror to our own lives, to our insecurities and concerns, by revealing that the objects who comfort us have worries of their own.” See what we mean over at Drawn & Quarterly. Then go digging in your attic.

image c. 2024 Drawn & Quarterly

Anthro animal animated features are sneaking up on us faster than we can announce them.

Here is the trailer for the 90-minute The Wild Life, due for American release on September 9, 2016. It’s very loosely based on Robinson Crusoe from the island's animals’ point of view; Tuesday the parrot, Carmelo the chameleon, Scrubby the goat, Rosie the tapir, Pango the pangolin and others. The animals decide to “help” the human castaway and his dog. Ha, ha.

This has already been released throughout Europe in February as Robinson Crusoe, and it will have been seen in most of the rest of the world by the time we get it. If nWave Pictures is involved, it’s a Belgian production. nWave’s animation studio is in Brussels. It does good work. nWave produced the 2013 The House of Magic, which was scheduled for an American theatrical release – it’s set in Boston – up to the last minute. It ended up as a direct-to-DVD kids’ release.

Let’s hope that The Wild Life has better luck.

The French 2015 animated feature of Antoine de Saint-Exupéry’s The Little Prince will be released in America by Paramount on March 16, 2016. Its associated merchandising includes a plushie of the book and film’s talking fox.

The illustrated announcements on Amazon.com imply that the plush fox is poseable. One shows it standing on two feet next to the film’s Little Girl. Another shows it on all four feet.

The latter is priced $80.00 marked down to $19.99. The former is $14.99, and the order is for both figures. A foreign imported fox, clearly a different plushie, is currently unavailable and unpriced.

If you want a plushie of a talking fox (but how will you know it’s supposed to be of a talking fox?), here you go.

This is a review of the original French edition. My thanks to Lex Nakashima for getting and loaning it to me.

The young Alfred Bigoodee is only an assistant when he embarks on the seaplane of Lady Rozenbilt, the fabulously rich woman with tastes as fantastic as they are dangerous. This voyage will forever change his life.

A complete story about the man who will become Captain Bigoodee, one of the most striking characters of the series District 14, the prize-winning series of the International Comics Festival of Angoulême. (French blurb; my translation)

The French publisher’s American subsidiary in Hollywood has published the English translation, The Fantastic Voyage of Lady Rozenbilt, almost simultaneously with the original edition, but has declined to send me a review copy; so this review is of the French edition alone.

This 124-page hardcover album starts out as a prequel, so to speak, of Pierre Gabus and Romuald Reutimann's District 14, Season 1, which I described in my review as:

a Ridley Scott Blade Runner megalopolis (Reutimann’s art convincingly portrays a huge but crumbling early 20th-century city) with Humphrey Bogart as the cynical private eye; and the inhabitants, each of whom has a dark secret, divided roughly into one-third humans, one-third anthropomorphic animals, and one-third outer-space immigrants in their flying saucers.

The humans are the upper classes of society, but that doesn’t mean that the humanoid animals are not at least as active when it comes to really running things.

One of this world’s supporting characters is the mysterious cat-man Captain Bigoodee; American- or English-accented in the French edition or French-accented in the American edition. This is the story of his youth, and of how he loses his innocence.

Paris, Les Humanoïdes Associdés, October 2013, hardcover €15.99 (124 pages).

Jerry Beck has just announced on his Animation Scoop website that Shout! Factory will release the December 2013 Belgian-made (for Christmas 2013 release in French-speaking parts of Europe) 85-minute animated feature The House of Magic, retitled Thunder and the House of Magic and dubbed into English, in theaters in U.S. “selected cities” on September 5. The selected cities include New York, Los Angeles, Atlanta, Boston, Houston, Miami/Ft. Lauderdale, San Francisco, and Washington, DC. Shout! Factory is primarily a DVD releaser, so presumably this will become a generally-available DVD release shortly after that.

Under either title, this looks like a kids’ CGI animated feature that furry fans will enjoy, with an anthropomorphized kitten, rabbit, mouse, dog, doves, and lots of Toy Story-type toys saving an elderly stage magician’s house from being sold out from under him by a greedy nephew. The movie is made by Brussels’ nWave Pictures, which made the 2010 A Turtle's Tale: Sammy's Adventures and the 2012 A Turtle's Tale 2: Sammy's Escape from Paradise features that have already become children’s DVDs in America.

M.R. Anglin’s author’s page on Amazon.com identifies her as a young Jamaican resident of the U.S.

“Fanfiction” has a particular place in her heart since she started by writing fanfics. She enjoys writing YA and middle grade fiction.

She has a different definition of “fanfics” than most other people, since her amateur fiction is all original, without anyone else’s copyrighted characters in it.

She says on FaceBook about Prelude to War:

Even though the main characters are animals, it is meant for an audience of 13+. I'd consider it Christian (or at least inspirational) fantasy fiction.

I assume that means she considers fiction with talking animals as being for young children; e.g., she is not familiar with furry fiction.

Besides these three Silver Foxes novels, she has written Lucas, Guardian of Truth, a Christian fantasy with a human 11-year-old protagonist. Anglin’s first two Silver Foxes books were self-published through Lulu.com. She has recently transferred them to CreateSpace, and finished the third novel.

From Facebook:

This year [2013], I've been working on revising and revamping book 3 in the series for print.

And it is here.

Silver Foxes, by M. R. Anglin, Raleigh, NC, Lulu.com, April 2008, trade paperback $12.00 (134 pages).
Winds of Change, by M. R. Anglin, Raleigh, NC, Lulu.com, June 2009, trade paperback $14.99 (216 pages).
Prelude to War, by M. R. Anglin, Seattle, WA, CreateSpace, October 2013, trade paperback $11.99 (viii + 298 [+ 1] pages), Kindle $2.99.

Today there are many academic studies of talking animals in children’s literature. Animal Land was one of the first, and still is one of the best. Whether you look for the original British edition, its American edition (NYC, William Morrow & Co., March 1975, hardcover 0-688-00272-2 $8.95, 336 pages), or a reprint (Avon Books, March 1977, paperback 0-380-00742-8 $3.95, 336 pages), Animal Land is worth reading. You may think that you are already familiar with all the stories covered in it, but Margaret Blount has profiles of dozens that will be new to even talking-animal connoisseurs.

London, Hutchinson, October 1974, hardcover 0-09-118410-X £4.50 (336 pages; illustrated)

Roz Gibson reviews fiction of furry interest she read in 2013; her favorites included:

• The Tails from the Upper Kingdom series, by H. Leighton Dickson
• Sunset of Lantonne by Jim Galford
• Kavishar: Reflections In A Wolf's Eyes by Laura Kyle
• Rise of the Penguins by Steven Hammond
• Pandemonium by Warren Fahy
• I Was An Alien Cat Toy by Ann Somerville
• Nezumi's Children by T.L. Bodine
• Skyfire by Jess E. Owen
• Dragon Stones by James V. Viscosi
• Island 731 by Jeremy Robinson

This is credited as the Second Edition; but it went on sale at Anthrocon 2013, July 4-7, while the Kindle and Smashwords first editions have an August 24 and 25, 2013 publication date. That’s later.

Does anyone besides me care about this bureaucratic trivia? This is a good read, in a handy trade paperback edition for those who don’t want to read it on their computer. Get it in one format or the other.

But this is a direct sequel to Lowd’s Ursa-Major-nominated Otters in Space: The Search for Cat Havana. If there is any flaw with Otters in Space II, it is that you need to have read the first book to really understand it. Or at least read the review of it, in Flayrah on February 6, 2012.

Dallas, TX, FurPlanet Productions, July 2013, trade paperback $9.95 (227 pages), Kindle $6.99.

RedSilver: Nature’s Evolutions is a new anthropomorphic fantasy novel written by Steve Alford. It’s available now at Lulu.com. “When Red Sunset, an ordinary vixen from Devon, is chosen by Mother Gaia to defend the Heart Forest from attack, she can hardly believe what is happening to her. As one of the legendary Animentals, she can command powers she could only ever have dreamed of. But this is a far from idyllic situation. The Heart Forest is under attack by strange creatures unlike anything she has ever seen before. And if the Animentals fail, the consequences run far further than she could ever imagine…” The book is illustrated in black & white by the artist known as Silent Ravyn, who has also uploaded a collage of illustrations to their Fur Affinity page.

image c. 2013 by Silent Ravyn

Suddenly everyone is talking about Sanjay and Craig, a new animated TV series on Nickelodeon. It stars the voice of Chris Hardwick (comedian, bowler, and head honcho of The Nerdist Channel on YouTube) as Craig, the best friend of a young suburban boy named Sanjay. Craig, it turns out, just happens to be a talking snake. The Nerdist web site has more details, and you can check out the glowing review at Gerry Beck’s Animation Scoop, also. The series is up and running on Nickelodeon now.

image c. 2013 Nickelodeon

Each in turn may call this a fairy story, a dog story, an allegory or a satire, but all will be moved by the beauty and the meaning--a beauty and a meaning that seems to live within the realm of those books that go on and on making friends and spreading enchantment.?? Gissing, its hero, is a dog who searches the world for an ideal, and then finds in the smoke of his own furnace fire a hint of the heavenly blue that he had been seeking. (blurb, slightly edited)

It is difficult to tell after ninety years just what an author was thinking, but I believe that Christopher Morley, a popular literary essayist and novelist, just wanted to have fun writing about a world of talking dogs. His last message to the public, written when he knew that he was dying in 1957, was, “Read, every day, something no one else is reading. Think, every day, something no one else is thinking. Do, every day, something no one else would be silly enough to do. It is bad for the mind to continually be part of unanimity.”

Mr. Gissing, a gentledog of leisure contentedly residing in Canine Estates with Fuji, his butler (a Japanese pug), on an income of 1,000 bones a year, becomes dissatisfied and leaves home to search for where the blue begins (a purpose to life).

Garden City, NY, Doubleday, Page & Co., October 1922, [10] + 215 [+ 1] pages, $1.75.