One of the surprise hits at this year’s Cannes Film Festival was an animated film called Flow. It’s a CGI feature written and directed by Gints Zilbalodis, which features no humans and no dialogue. The synopsis goes like this: “The world seems to be coming to an end, teeming with the vestiges of a human presence. Cat is a solitary animal, but as his home is devastated by a great flood, he finds refuge on a boat populated by various species, and will have to team up with them despite their differences. In the lonesome boat sailing through mystical overflowed landscapes, they navigate the challenges and dangers of adapting to this new world.” And now, Cartoon Brew have let us know that Sideshow Pictures and Janus films have picked up Flow for distribution in North America.

image c. 2024 Sideshow / Janus Films

Let's review some computer-animated films! Here are trailers for:

Short version: The Tiger's Apprentice, action, one character has a tiger form, lots of Chinese culture, story is nothing great. Heroes of the Golden Mask, terrible. Rumble, wrestling-sponsored sports comedy, very formula loser-wins story, maybe of interest to furry macro fans.

More from that article at Cartoon Brew. This time it’s a new “hybrid” (live action / CGI) feature called Woody Woodpecker Goes To Camp. “Netflix hasn’t released many details about the film yet, but the streamer did say that accomplished kids and family TV director Johnathan Rosenbaum (Fraggle Rock: Back to the Rock, R.L. Stine’s The Haunting Hour) is helming from a screenplay by Cory Edwards, Jim Martin, and Stephen Mazu… A brief logline reads: ‘After getting kicked out of the forest, Woody thinks he’s found a forever home at Camp Woo Hoo — until an inspector threatens to shut down the camp’. The only casting details shared so far indicate that Eric Bauza is involved, presumably as Woody’s voice.” We can all find out more when the film arrives on April 12th.

image c. 2024 Netflix

Thanks to Cartoon Brew, we found out about several interesting new animated films coming soon to Netflix. Among them is Thelma the Unicorn. “Thelma is a small-time pony who dreams of becoming a glamorous music star. In a pink and glitter-filled moment of fate, Thelma is transformed into a unicorn and instantly rises to global stardom. But this new life of fame comes at a cost.” Don’t know much about this one otherwise, but it’s directed by Jared Hess (Napoleon Dynamite, Nacho Libre) and Lynn Wang (Unikitty!), and it’s due on May 17th.

image c. 2024 Netflix

We stumbled across this announcement in Variety recently: “Germany’s Studio 100 Media and Spain’s 3Doubles Producciones have teamed to develop animated adventure comedy Flamingo Flamenco. The script has been written by Rob Sprackling, whose credits include Shaun the Sheep Movie, Gnomeo & Juliet, and The Queen’s Corgi. Flamingo Flamenco follows the journey of Rosie, a young and exuberant flamingo, as she navigates personal loss and seeks to rediscover the joy of dance. The action is set against the backdrop of the beautiful Fuente de Piedra lagoon in Andalucía, Spain… The family-friendly entertainment feature ‘promises an enchanting and passionate blend of adventure, comedy and heartwarming moments’, according to a statement from Studio 100 Film, adding that the film ‘…emphasizes the importance of perseverance, self-discovery and the power of determination’. ” No word yet about any possible distribution in North America, but the film’s not scheduled to be completed until the fall of 2026. In the meantime, check out that poster! (Girl!)

image 2024 Studio 100 Media

Three foreign animated film reviews! Behold the trailers for:

All of these films successfully blend 3D and 2D animation in their own different styles.

White Fang is the most 3D, applying a brush-like texture to characters to create a 2D, painted look. Angel's main characters are 2D, with 3D designs used for the settings. Bears uses 3D for almost everything, then alters its visuals to look as 2D as possible.

This came to us out of nowhere, but now we’re very, very curious. John Krasinski has written, produced, and directed a new live-action/CGI fantasy film called IF, starring Cailey Fleming. She plays a young girl who discovers that she has the ability to see people’s imaginary friends (known as IFs for short). She also discovers that the mysterious Man Upstairs (played by Ryan Reynolds) has the same ability. Now a group of IFs are begging these two special humans to help them find new kids to be with now that their own have grown up and abandoned them. As you can see from the trailer, there’s a lot of anthropomorphic interest here. It’s scheduled to be released next May.

So to speak… We’ve been hearing about the new CGI film Under The Boardwalk for a while, but mostly about its release getting delayed again and again. (Seems to be a trend these days.) Now thanks to Cartoon Brew we found out it’s actually coming out — in a rather rushed manner, with almost no advertising. The movie will be coming to Paramount+ streaming in a few days, and today it begins a limited run in theaters… while also today, Paramount released the very first trailer to the Internet. ““When timid Jersey crab Armen meets bold tourist sea crab Ramona, it causes shell-shocking tension in the community. But when the duo are swept away by a storm, they embark on an epic journey to find home. Their courage unites their families, paving the way for great summers to come, Under the Boardwalk.” Director David Soren is known for animated films like Captain Underpants: The First Epic Movie and Turbo.

image c. 2023 Paramount Pictures

Cartoon Brew recently pointed us at a new upcoming animated film called Leo, being created for Netflix by Adam Sandler and his production company. “Netflix describes the film as ‘a coming-of-age animated musical comedy about the last year of elementary school – as seen through the eyes of a class pet. Jaded 74-year-old lizard Leo has been stuck in the same Florida classroom for decades with his terrarium-mate turtle. When he learns he only has one year left to live, he plans to escape to experience life on the outside, but instead gets caught up in the problems of his anxious students – including an impossibly mean substitute teacher. It ends up being the strangest but most rewarding bucket list ever…’ Leo’s animation is being produced by Netflix Animation and Animal Logic (The Lego Movie, DC League of Super-Pets)”. Look for it streaming on November 22nd.

image c. 2023 Netflix

Luck (teaser trailer) is a 2022 computer-animated movie released on August 5 on the Apple TV+ streaming service. It's the first animated film from Skydance, to be followed by Spellbound.

The story follows Sam, an extremely unlucky 18-year-old. After years in an orphanage and never being adopted, she moves into her first apartment. When she encounters a black cat, her luck suddenly changes, becoming good - and when it reverts to her previous bad luck, she follows the cat into the magical Land of Luck, the source of all luck in our world (both good and bad).

Most of the film revolves around Sam trying to regain luck - not for herself, but to help a younger girl at the orphanage - while a series of evasions and accidents escalate into circumstances that threaten the Land of Luck itself.

It's an ok film, with a really nice magical world, although the story has tons of holes if you think about it too much. Furry-wise, besides the cat, most of the characters are leprechauns. Here and there are some cartoony bunnies and pigs, plus a couple of other background creatures that you don't often see anthropomorphized (goats and root vegetables). And a large, pink, six-limbed dragoness, in charge of good luck. She's not in too many scenes, but she's definitely one of the highlights!

Interestingly, this film lacks a clear antagonist; most of the conflict is situational in nature. I wouldn't say this movie is a must-see, but it's fine to pass the time with, and I think it shows a lot of potential for what Skydance could make in the future, if they polish up their writing a bit.

(Spoilers and griping under this cut.)

Just today we learned of a new urban-fantasy miniseries streaming later this month: “Netflix has shared an official trailer and key art for the upcoming four-part animation/live-action hybrid series Lost Ollie, inspired by the book Ollie’s Odyssey by prolific author, illustrator, and Oscar-winning filmmaker William Joyce (The Fantastic Flying Books of Mr. Morris Lessmore). All four parts of the limited series hit the streamer on August 24… The series is an epic adventure about a lost toy who braves the many dangers of childhood as he searches the countryside to reunite with the boy who lost him; and the story of the boy who lost more than a best friend… Shannon Tindle (Kubo and the Two Strings, Coraline) serves as creator, writer, and executive producer. The series was directed by Academy Award winner Peter Ramsey (Spider-Man: Into the Spider-Verse), who also serves as executive producer.” Animation World Network has more information and the official trailer. Interestingly, the last time Mr. Ramsey directed a William Joyce story, it was Rise of the Guardians.

image c. 2022 Netflix

Hadn’t heard about this, ’till Animation World Network let us know: “Apple TV+ has released a trailer for the new live-action / CG animated hybrid kids and family series Lovely Little Farm from Darrall Macqueen, the London-based BAFTA Award-winning producer of hit series Topsy & Tim and Teletubbies. The show premieres globally on June 10. The series follows sisters Jill and Jacky as they love and nurture all the animals on their farm nestled in lavender fields. Being a young farmer isn’t easy, but every day brings these sisters adventure and a chance to grow. ILM provides the show’s CG animation that brings the series to life.” There is actually quite a bit of CGI and puppetry involved in this show, as it seems that the young ladies have the ability to speak to the non-human animals on the farm. Take a look at the trailer to see what we mean.

image c. 2022 Apple TV+

Does this sound familiar?

Pixar's newest movie is a woman-directed, coming-of-age film where a red-headed daughter finds herself rebelling against an overbearing mother during the course of an adventure involving human-to-animal transformation of a bear-like nature; that worked out so well for all involved last time.

Let's see: they replaced Brenda Chapman half-way through production, and her career still hasn't recovered; the movie was the first non-Cars Pixar movie to not reach a 90% on Rotten Tomatoes; and, most importantly, readers didn't like my review of it very much. Seriously, the best thing to come out of Brave was the line "She's from the other studio." in Ralph Breaks the Internet, which unfortunately was the best thing to come out of Ralph Breaks the Internet.

And so it begins. Again.

The long running My Little Pony is introducing its latest toyline "generation" with what was supposed to be a theatrical movie. Due to the whole "ongoing pandemic" thing, that was mostly canceled (it was released theatrically in a few regions) and the whole thing moved to the streaming service Netflix, where any further spin-offs will also be held. My Little Pony: A New Generation is directed by Robert Cullen and José Luis Ucha with co-director Mark Fattibene, and has been available on Netflix since September 24 in most regions.

Not to beat around the bush, but the last time My Little Pony launched, it was kind of a thing. I'm sure the vast majority of Flayrah's readership is well aware of the "brony" subculture, but if you somehow missed it, or would just like a refresher, this Ursa Major-nominated video by YouTuber Jenny Nicholson is recommended – though you could always troll through Flayrah's "My Little Pony" tag. The upshot: there are higher expectations attached to this series relaunch than usual.

Wish Dragon (trailer) is a computer-animated film from the Sony Pictures Animation International Initiative, a fancy way of saying "international co-production", in this case between Sony and several studios in China. Concept art made the rounds in 2018, and they hoped to finish it in 2019. For whatever reason, it didn't get released until January 15, 2021 - in China - so this review is of the Chinese dub with English subtitles.

A little backstory. When Kung Fu Panda came out in 2008, it had so much artistic attention to cultural detail that China kicked their animation industry into high gear. In the twelve years since then, they've become a powerhouse of animation. Recently, there's been a slow-growing effort to make their films more exportable. Some efforts have fallen flat, like the sadly-overlooked Rock Dog; but with Mosley and Wish Dragon I'm optimistic that there'll be more co-productions to come!