Chris Sanders has only directed four animated features (plus a live action adaptation Call of the Wild), and the previous three (Lilo & Stitch, How to Train your Dragon and The Croods put him in four way tie for most nominations without a win in the Best Animated Feature category at the Oscars. It feels pretty certain that The Wild Robot will be the movie that finally wins him that Oscar, but we'll keep such speculation to a minimum.

Sanders's first feature, Lilo & Stitch, is probably the only truly great movie to come out of Walt Disney Animation Studios in the first decade of this century. (To be clear, you're allowed to like other movies from that decade, but most were flawed.) Anyway, the upshot of Lilo & Stitch becoming a beloved classic is that its directors, Sanders and his writing and directing partner, Dean Deblois, were driven out of Disney by John Lasseter a few years later (I don't like that guy).

Sanders and Deblois took their talents to DreamWorks Animation, where they delivered How to Train Your Dragon to the studio, often seen as one of the highlights of its output.

I've often seen Sanders cast as the "idea guy" in the Sanders/Deblois partnership, as well as being the guy who brings a lot of unique visual aspects to his projects, while Deblois is the more story-driven member of the partnership, bringing in the emotional aspects. I'm not so sure about that, especially after this movie, which features an emotional story just as potent as Lilo & Stitch and How to Train Your Dragon, sans Deblois. The Wild Robot also features a visual design that echoes the original illustrations of the book it's based on, by Peter Brown, showing Sanders is more than just a recognizable art style.

Robot Dreams (trailer) is a 102-minute animated film released in December 2023, made by Arcadia, Lokiz and other studios. Based on a 2007 graphic novel (Amazon US - UK - Spanish edition) by Sara Varon, this Spanish-French production was written and directed by Pablo Berger, who had never worked in animation before, so he collaborated closely with art director José Luis Ágreda and storyboard artist Maca Gil for a year and a half to plan the project. It worked out really well!

Two neat things: it's a 2D film in an overbearingly 3D market, and there's no dialog. It takes place in a slightly alternative version of New York City in 1984, a funny-animal one. The main character, "Dog", lives in a Manhattan apartment. He's extremely lonely. One day he sees a TV ad for robot friends, so he orders one; after putting it together - he's not lonely anymore! Aside from this modern leap in artificial intelligence and robotics, the film is as early-80s as it gets: boomboxes, cassettes, VCRs, and Walkmen.

"Can a robot turn a canvas into a beautiful masterpiece?"
"Can you?"
-The one good part of I, Robot

Bogged down in all the recent controversy about "generative AI" is that one of the reasons the research began was, in creating a program that can "create" a painting, we are theoretically trying to answer the evergreen science fiction question of whether a machine can become, well, perhaps not "human". Maybe a better word would be "anthropomorphic".

DreamWorks Animation's The Wild Robot will be coming to theaters September 20 of this year. Pretentious preambles aside, this movie is not just of furry interest because it has a robot that can be described as anthropomorphic; the trailer reveals plenty of animal characters who can also be described as anthropomorphic.

The Transformers movies are hardly thought of as either particularly furry movies, or particularly good movies in general. Because of the latter, nobody has really argued the former, despite the fact that the Transformers are definitely anthropomorphic robots. If, as some furries argue, anthropomorphism by itself is of interest to furries, the near complete lack of said interest in this franchise from furries would seem to contradict that hypothesis.

But, as far as Transformers: Rise of the Beasts is concerned, some of the robots turn into animals instead of cars, as is traditional in the series. So, Acadamy Award winner Michelle Yeoh voices Airazor, a giant hawk robot, for instance. So that’s kind of neat.

Transformers: Rise of the Beast is the seventh film in the Transformers series of movies, and the second prequel movie not directed by Michael Bay, this one being directed by Steven Caple Jr. I have seen the first two of Bay’s movies, but tapped out after that.

I didn’t feel like I was missing much need to know information.

When some Western furries hear about anthropomorphic content from China they may typically think of web pages that sell knock off fursuits, but F.I.S.T. is here and gives that stereotype a good solid punch in the face. This original property developed by the Eastern developer of Bilibili for the PlayStation (4 & 5) and PC pounds in the action and exploration of any player willing to fight on behalf of the furtizens being oppressed by the Legion’s mechanical beings.

Furtizens, by the way is not my word, but the game’s own neologism describing the furry citizens. It is such a simple word, and it amazes me that of all things a game would be the etymology of it and not from popularization from furry fans (visa vi: fursona). The story’s main conflict is on two rabbit characters: Ray and Cicero.

It is one of three furry games I played released in 2021, and is certainly going on my list of nominations for this year’s Ursa Major. It is a game of two main elements that have been blended together quite well. Combat is intimate and has the feel of a brawler game of old like a more polished Double Dragon, but it takes place in an open and explorable world where your weapons can double as traversal items, putting it in the Metroid space. So it’s part brawler and part metroidvania and it blends these two elements seamlessly.

The long running British science fiction television series Doctor Who has somehow managed to avoid a film adaptation in this day and age when any property with even a bit of brand recognition is getting an expensive cinematic treatment, or at the very least a gritty reboot (admittedly, it was adapted back in the 1960s). However, K9, the robot dog who guest starred with the Doctor back in the 1970s, will star in K9: TimeQuake, which is planned to be released in 2017, which will mark the 40th anniversary of the character.

At this point, the only name (besides K9's, of course) attached to the project is that of the writer's, Bob Baker, who originally created the character (along with writing partner Dave Martin). Writers for Doctor Who were allowed to retain rights to their creations, allowing them to use the characters for their own purposes, so Baker can spin-off K9 (sometimes variantly written K-9). Besides his work on Doctor Who, Baker is probably best known for his work on the Wallace and Gromit series of animated films.

After what can only be called a very successful year in 2014, Five Nights at Freddy’s creator Scott Cawthon has announced that Part 3 is in development and will be released very soon for computers and a variety of mobile devices. According to an article at Cinema Blend, this new chapter takes place 30 years after the horrific events of Five Nights at Freddy’s 1 and 2 have resulted in Freddy Fazbear’s Pizza being shut down and demolished. But now, someone has come up with the bright idea of building a brand new theme park attraction based on Freddy Fazbear’s! Even better, they decide to use some of the old parts from the original animatronic characters for this new dark ride. As you can imagine, things don’t go as planned… No word yet on a precise release date, but the article does feature a very creepy teaser trailer for the new game.

image c. 2015 Scott Cawthon

Furry art community Fur Affinity has announced restrictions on the use of automated watching scripts, which they termed "watchbots".

While staff had been "addressing botters on a one-on-one basis for several weeks", to the tune of "roughly two dozen" accounts, they faced a growing number of users who were unaware of their position. Some also became concerned upon being watched by "TheNSA".

The trend appears to have been started by Mishka Burr, who claims to have watched over 160,000 users using a script on a Raspberry Pi. Several other accounts running a published watch script inspired by Mishka's work had over 40,000 on their watchlists prior to clearing.

Korean animation looks enough like Japanese animation that it is usually lumped together as anime. But I don’t think that even the Japanese have made an animated feature like The Satellite Girl and Milk Cow, directed by Jang Hyung-yun and released in February in Seoul.

Jerry Beck’s Animation Scoop announces this South Korean release about a pianist (male), transformed into a cow (female) by Merlin the Magician in the form of an anthropomorphic roll of toilet paper, and pursued by a villainous incinerator that wants to incinerate him/her; while a communication satellite falls from space, becomes an Astro Boy-like robot girl, and saves the cow from the incinerator and its secret agents. It falls into the you-have-to-see-it-to-believe-it category -- and Jerry has the trailer, so you can see 1'22" of it.

Read more: Review at TwitchFilm.com

The last time I met Osamu Tezuka was at Daicon V, the 25th Japan National Science Fiction Convention, in Osaka on August 24-25, 1986. He was in a good mood, and told me through a helpful fan interpreter that he had just started a new manga that I was sure to like, considering my fondness for funny animals. It was a new version of Astro Boy – turned into a cat! “WHY?”, I asked. He chuckled and said something like, “Why not? It’s important to not take yourself too seriously.”

Tezuka had created Tetsuwan Atom (Astro Boy) in 1952 and drawn his adventures until 1968, including the five intense years of the TV series (1963-1966, with production starting in 1962). After that, Tezuka was “Astro Boyed out”, and turned down numerous requests to create new adventures of the robot little boy. He had other stories that he wanted to develop in manga and anime. So, when he got a request from the children’s Smile Comics in 1986 to produce a new manga for young readers, why did he return to Astro Boy, but as a kitten; besides “Why not?”

Well, Atomcat never pretended to be more than a humorous trifle. It was a self-parody, and also a parody of all the talking animal comics where a human little boy or girl has an animal companion to help him or her out. In Atomcat, young Tsugio is the only human who knows that Atom the kitten is not an ordinary kitten, and Atom protects Tsugio from being bullied. Yet Tsugio is such a coward and crybaby that Atom, exasperated, has to take the lead most of the time. Tezuka was very proud of having worked out the English pun Atomcat = A Tomcat, since he claimed not to speak English. He probably also delighted in naming the school bully who always picks on Tsugio, “Gaddafi”. Atomcat was published in the monthly Smile Comics for seven months, seven self-contained stories, from July 1986 to February 1987. The last couple of stories lacked the freshness of the first stories. I suspect that Tezuka had lost interest in Atomcat and was just hacking out the last few stories; he was probably glad to end the series.

I “read” Atomcat in Kodansha’s 400-volume Japanese Osamu Tezuka Complete Manga Works around 1997; that is to say, I looked at the artwork. This current Atomcat edition from Digital Manga’s Platinum Manga has enabled me to read it in English for the first time.

Gardena, CA, Digital Manga Publishing, April 2013, trade paperback $12.95 (194 [+ 9] pages).

“Richly endearing and full of surprises, Robot Dreams follows an ill-fated friendship between a dog and robot. After a Labor Day jaunt to the beach leaves Robot rusty and immobilized in the sand, Dog, unsure what to do, abandons him. As the seasons pass, Dog tries to replace his friend, making and losing a series of new ones, from a melting snowman to epicurean anteaters. Meanwhile, Robot passes his time daydreaming, escaping to better places…Through interwoven journeys, the two characters long to recover from their day at the beach.” Thanks to :01 First Second, this classic full-color graphic novel by Sara Varon is in print once again. It’s available in softcover on Amazon and elsewhere.

image c. 2013 :01 First Second

Lots of fandom folks (anime, furry, science fiction and otherwise) got excited this fall with the news that the team behind Cowboy BeBop had created a new, openly-silly science fiction anime called Space Dandy.  The teaser trailer started making the rounds on YouTube. Well now comes even better news: Thanks to the efforts of Funimation, Space Dandy will be the first ever anime to premier in Japan and dubbed on American TV, simultaneously. It’ll be part of Adult Swim’s Toonami collection. Here’s what the producers say: “Space Dandy is a dandy in space! This dreamy adventurer with a to-die-for pompadour travels across the galaxy in search of aliens no one has ever laid eyes on. Each new species he discovers earns him a hefty reward, but this dandy has to be quick on his feet because it’s first come – first served!

After a wildly successful run of Ratchet & Clank releases for the Sony Playstation, Insomniac Games have announced they are teaming up with Sony Computer Entertainment, Rainmaker Entertainment, and Blockade Entertainment to bring the planet-hopping lombax and his little robot companion to the big screen in a brand-new CGI animated film — set to be released in 2015.  According to an article in Forbes, Insomniac’s own TJ Fixman will be lead writer on the film, and voice talent will feature James A. Taylor as Ratchet, David Kaye as Clank, and Jim Ward as the lumbering human Qwark — all of whom are well-known from the game series. The article on-line also features a new teaser-trailer for the upcoming film.

image c. 2013 Insomniac Games

After a successful Kickstarter campaign, DMP Digital Manga will be releasing a translated version of Osamu Tezuka’s A-Tomcat this April. Tezuka, as if you didn’t know, was the creator of Kimba the White Lion — and many many other world-famous titles, including of course Astro-Boy. This one-shot black & white paperback is an off-shoot of the Astro-Boy Series. Try to follow this: ” Tsugio is a young Japanese boy who is very fond of reading the Astro-Boy manga series. One day he finds a stray kitten and persuades his family to keep it. But then, after an encounter with two aliens honeymooning on Earth (!),  suddenly the little cat not only looks like Astro-Boy, but has Astro-Boy’s Powers! Check out more at DMP’s order site.

image c. 2013 DMP Digital Manga

This is almost impossible to describe, even when you’re looking right at it! Check out this name: Chogokin Super-Combining King Robo Mickey and Friends. Then just check out the picture below! It’s a new toy created in Japan as a collaboration between Bandai Tamashii Nations and Disney. It features die-cast metal characters with names like Jet Mickey, Sky Minnie, Diver Donald, Aqua Daisy, Land Goofy, and Dash Pluto, who combine (along with other accessories) into the massive King Robot to fight… sheesh, we can only guess what! Take a look at the advertisement on Amazon to see more of what the individual component characters look like. King Robo Mickey (etc etc…) will be available internationally this April. Now all we have to do is wait for the TV series…

image c. 2013 Bandai Tamashii Nations and Disney