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Our crew visited the Long Beach Comic Con, and as usual the Artist Alley did not disappoint. Among our discoveries were Rachel Walker and David Cone, two artists who paint (and make other goodies) under the name Edge of the World Art. “We are purveyors of things strange, magical, and fashionable.” And, it seems, big fans of cats — especially black cats. Visit their web site and see what we mean. As you can see, if you’re in Southern California you might find them displaying at several locations around the area regularly.

image c. 2018 Edge of the World Art

Species: Foxes was published in 2018 by Thurston Howl Publications and edited by Thurston Howl himself. The anthology holds thirteen short stories centered on one of the the cleverest species, the fox! The book opens with the first and oldest tales about the fox. It is from those that we can see where the myth of the cunning and clever fox originates—a kitsune tale, a story of Reynard, and an Aesopian fable—before coming to the modern furry stories, starting with Mary E. Lowd. “Fox in the Hen House” by Mary E. Lowd is where the fox stories turn to modern authors, though the story’s exceptional quality could easily mark it as a classic. Henry, the newly orphaned fox, is adopted by Henrietta and the other chickens in her coop. The story tackles the nature of a fox and raises the question of can we really choose to become anything other than what we are? Told with a nostalgic style, this story reads like a modern fable or folktale. It is easily one of the best-written in the collection. Next is “The Harvest Moon Ceremony,” written by NightEyes DaySpring. The first time reading the story left me confused, though a second reading managed to clear things up. The story shifts between perspectives of Maleekie and Rata, and it is not distinguishable right away who we are following, as the time also shifts between past and present. Coming from the White Moon tribe, Maleekie is Rata’s rival, a fox capable of magic and a protective brother. Tying their paths together is their love of Aki, a songstress. After forbidden love ends in tragedy, it splits the two foxes even further apart. While the shift in perspectives and time skips are troublesome, I say the story itself is worth a read. “A Part of The Family” by Kittara Foxworthy was an interesting story. It’s a futuristic story, though that’s not immediately apparent. While it doesn’t do much for the story besides the setting, a sentence about a fourteen-year-old bearing a child made me pause, just from the sheer lack of set-up. Victor and Terry return from a family trip with their kits to discover that Terry’s grandmother has passed away in their absence. Being gay and therefore the black sheep (or fox in this case) of the family, Terry and his partner are distanced from the family. Though a nice story, with a message of love and acceptance, there wasn’t much reason why it centered on foxes. “Face Value” by Jasen Devlin Jaden Drackus is set in the era of the the Mafia bootlegging business. Sam, a fox thief, is hired to disrupt Salvatore Russo’s, who is top of the gangster food chain, ball and allow for Caprio to take over. Sam however has other plans. In the true nature of the fox archetype, the story holds a cunning twist. The author himself was clever to use animal senses to lead to this story’s reveal. “A Trustworthy Fox” by Colin Leighton leads the reader into the story by playing the “untrustworthy fox” card but keeps the reader in with twists that follow through until the very end. Another art thief, this time by the name of Lesley Delavinge is preparing to make his name as a member of the Granger Gang. Gaining the trust of Alec Granger, the master thief, Lesley has to lead the thieves into Lord Redmayne’s estate and make off with his artwork. The story stood out to me because, just when you think you have the plot figured out and the story is about to end, it keeps going for another jerking twist and leaves the reader satisfied by the end. “Songs in the Garden” by Matt Trepal is written as delicately as a painter’s brush movements on a canvas. The world in which it takes place appears alive and pops out of the pages with its details. The construction of the story made me feel that there was more history to the work than presented, like it was part of a novel. Brolio, a traveling musician, is invited by the Duchess herself to perform at the palace for the Summer Festival, where an evil plan is to be enacted. While the story’s plot is simple, it is well-written and satisfyingly executed. Taking a slightly different and darker turn, “Street Fox” by SignificantOtter surprised me for its theme and how it dared to be different. Maple is a con artist, forced by his addict father to hustle on the street with his games and sleight of hand. A change happens in Maple’s life when Danny offers to team up with the fox and save enough money for a better life. The story deals with abuse, addiction, and hurting yourself to protect the ones you love. I thought this story was not only relateable but also memorable for its boldness and satisfactory for its concept. “The Fox-Man” by Amy Fontaine is the only story in the anthology to feature humans, though the story is not to be taken lightly. Muties, animals with the ability to turn into humans, are at war with their creators. Hidden under a force field in an abandoned theatre, the group of actors practice and perform plays for an invisible audience. The Fox-Man has a unique plot and fits well with the theme of the anthology. It holds fragments of a Greek tragedy, and the story is written like a play that could be performed by the actors themselves.“Pictures” by TJ Minde calls the phrase ‘love thy neighbour’ to mind, and it makes me mad because we all know that one person who is exactly like the character Frank Jones in this story. Jack Thomason’s story is told in a time shift between past and present. We watch the fox find joy and lose it. Jack holds onto memories through his photographs, the present reminding him of his past. When Frank Jones turns out to have alternative motives, I found myself rooting for the the main character, hoping that they would find a way to win. TJ Minde does a fine job in making the reader care about the characters and the crosses they bear.Species: Foxes features many good stories, and, while they vary in quality and memorability, they all make for an enjoyable read. Most stories play on the stereotype of the trickster fox, the clever one who is always trying to put one over everyone else, but others only scratched the surface of that idea and instead focused on going in a whole other direction. Thurston Howl from Thurston Howl Publications has done an excellent job in picking the featured stories and editing the anthology, and I am sure he will continue to do so in the future.

Now there’s a new full-color graphic novel for young readers, written and illustrated by Graham Annable (director of The Box Trolls). Peter & Ernesto: A Tale Of Two Sloths — pretty straightforward, yes? “Peter and Ernesto are sloths. Peter and Ernesto are friends. But Peter and Ernesto are nothing alike. Peter loves their tree and never wants to leave, while Ernesto loves the sky and wants to see it from every place on Earth. When Ernesto leaves to have a grand adventure, Peter stays behind and frets. The two friends grow even closer in separation, as Peter the homebody expands his horizons and Ernesto the wanderer learns the value of home.” It’s available now from First Second.

image c. 2018 First Second

A full spec episode, plus a live interview with the creator of an upcoming art commissioning platform and escrow service.

Download MP3

Watch Video Interview:

Fox from Artconomy.com joined us to discuss his upcoming art commissioning platform and escrow service.

Link Roundup:

• Photos of CJ being a Good Boy
• Bad Dragon sponsors race car
• Jury Fines Man $1 USD For Punching Charlottesville Rally Organizer
• Bojack Season 5 Returns September 14th

News:

• Virginia man erects electrified fence near school bus stop to keep kids off property
• Horny Dolphin Causes French Beach to Close
• Police Arrest Man For Allegedly Having Sex With Dying Beaver While High On Methamphetamine
• Mystery Kangaroo in Austria still on the loose
• Googly Eyed Fish Fraud
• The Never-Ending Race To Concoct The Bluest Blue
• Extremely Unlucky Beachgoer Gets Hooked In The Genitals By A Stingray

Emails:

• Kodi – Thanks for everything!
• Lieutenant Foxx – Just a few things I’d like to say…

FC-306 Pineapple Centrist - A full spec episode, plus a live interview with the creator of an upcoming art commissioning platform and escrow service.

A full spec episode, plus a live interview with the creator of an upcoming art commissioning platform and escrow service.

Download MP3

Interview:

Fox from Artconomy.com joined us to discuss his upcoming art commissioning platform and escrow service.

Link Roundup:

• Photos of CJ being a Good Boy
• Bad Dragon sponsors race car
• Jury Fines Man $1 USD For Punching Charlottesville Rally Organizer
• Bojack Season 5 Returns September 14th

News:

• Virginia man erects electrified fence near school bus stop to keep kids off property
• Horny Dolphin Causes French Beach to Close
• Police Arrest Man For Allegedly Having Sex With Dying Beaver While High On Methamphetamine
• Mystery Kangaroo in Austria still on the loose
• Googly Eyed Fish Fraud
• The Never-Ending Race To Concoct The Bluest Blue
• Extremely Unlucky Beachgoer Gets Hooked In The Genitals By A Stingray

Emails:

• Kodi – Thanks for everything!
• Lieutenant Foxx – Just a few things I’d like to say…

[Live] Pineapple Centrist

Patreon: www.patreon.com/thedraggetshow www.draggetshow.com Be sure to check our website for all Things Dragget Show! Podcasts, videos, merch and more! Also, don't forget we stream the D&D sessions Sunday at 7pm Central on YouTube! YouTube: www.youtube.com/user/DraggetShow 203 - god pissed on our pizza!!! - Patreon: www.patreon.com/thedraggetshow www.drag…

Patreon: www.patreon.com/thedraggetshow www.draggetshow.com Be sure to check our website for all Things Dragget Show! Podcasts, videos, merch and more! Also, don't forget we stream the D&D sessions Sunday at 7pm Central on YouTube! YouTube: www.youtube.com/user/DraggetShow 204 - Draggets Having Fun??? - Patreon: www.patreon.com/thedraggetshow www.drag…

Last year we mentioned 44 Cats, an animated TV series from Rainbow Studio in Italy. Well now according to Animation Magazine (in their preview of the upcoming Brand Licensing Europe convention) it may just have found its way into North American markets. “44 Cats, produced in collaboration with Antoniano Bologna and Rai Ragazzi, follows the daily adventures of Lampo, Milady, Pilou, and Meatball – four adorable kittens who are part of a music band named The Buffycats. From their home in the Clubhouse (Granny Pina’s garage), they set out on to creative solve problems and help others while highlighting tolerance, diversity and acceptance. The show will debut on Rai Yoyo in November, whilst other broadcasting deals have been signed with Nickelodeon (multi-territorial), Discovery Kids (Latin America) and Super RTL (Germany). Major broadcasting deals in France, Russia, UK and many other countries are also in the pipeline.” Here’s hoping. Oh, the article also features a look at Mofy, a new stop-motion animated series from Sony Creative Products. “The story centers on Mofy, a fluffy, lovable rabbit who each episode learns about the world around her, discovers and understands feelings and emotions, and learns to be kinder and braver.” The show is already a hit with the preschool set in Japan.

image c. 2018 Rainbow Studio

It's my precious! Squeek!
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Jim Benton is a comic creator known for titles like Dear Dumb Diary, It’s Happy Bunny, and other titles for younger readers with a sense of humor. Now IDW is previewing his latest graphic novel, simply titled Clyde. According to Comics Beat: “Arriving in February from IDW / Yoe Book, Jim Benton’s Clyde is an original graphic novel that follow Clyde the Bear as he moves from Cubville to Grizzly City (with an ex-juvenile delinquent butterfly) to see if The Bad Life is for him”. It’s a ways off still, but look for it in paperback next February.

image c. 2018 IDW Publications

Here is a seriously indy furry music video from Snake Oil Salesmen and this one has me sitting here wondering if these guys are in the fandom or not. There is always an occasional music video where people run out and get bad costumes from a shop that just look like bad mascots but in this case I just don't know. Anybody know these guys?
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Meet webcomic writer Leilani. She’s interested in discussing furry webcomics, experience working with them, and how furry artists can be more successful with them. We chatted together with artists ABlueDeer and Kino Jaggernov about their project.

• LeiLani’s Twitter
• Leilani’s Patreon
• TheDepthsComic.com

What is “The Depths”?

The Depths is an adults-only webcomic featuring anthropomorphic creatures in a historical alternate-Earth setting from the 1920s through the 1930s. The narrator is Leilani Perierre, a beautiful, brave, and savage sea otter. The webcomic focuses not only on Leilani’s origins growing up on a remote paradisaical island, but also her tales of romance, mystery, and epic adventure – above and below the deep blue sea. “The Depths” doesn’t just relate to the sea, it also relates to the soul. The cast includes Leilani, daughter of a tribal chieftain in the South Pacific, David (Leilani’s main love interest), Malana (Leilani’s foil), Kalea (Leilani’s BFF), Jamie (antagonist and foil to David), and Thierry as a French detective whose story is mostly unknown.

The creators say:

The Depths hit the internet in March of 2017 and generated buzz immediately. While the project is now doing regular weekly updates, it was slow going until funding was gathered for artwork. At the time Leilani, the creator and writer, was struggling with a foreclosure on her and her cousin’s home, and a lack of clientele coming forward for her other line of work, social media marketing and PR. Everything seemed to change when she joined forces with artists ABlueDeer and Kino Jaggernov. Business picked up and the Patreon, which launched this past April, now has 49 subscribers. The Depths ranks among the top 100 Most Read webcomics, based on Belfry’s comic List, and ranks in the Top 20 on Top Webcomics’ list. Not bad for only 36 pages.

Here’s a discussion with the team about The Depths, its growing success, and webcomics in general.

DP: What exactly is The Depths all about?

Leilani: Well, it started out as just a character. I had had the sea otter character for many years, and I’d written so many stories about her adventures on her own private South Pacific island. Finally, someone remarked on one particular story I did and mentioned how awesome it would look if illustrated. I’d grown up with comics all my life, in fact, my college thesis was on comic book censorship, so I got really excited about the idea. Of course, I lacked the artistic abilities.

ABlueDeer: That’s where we came in.

Leilani: Exactly. *laughs* I had known ABlueDeer for a while and we’d worked on a few comic projects already. So it was an easy choice, because he has a huge, loyal fan-base. The Depths is an erotic fantasy, but from a female point of view, and amidst the gratuitous sex and nudity, there’s drama, adventure, peril. And that’s really hard to find these days. I’ve written stories that feature sex and nudity, but they intertwine with drama, comedy, the supernatural, even horror, so I’m hoping my writing will translate well to The Depths.

DP: How did you two get into this?

ABlueDeer: Honestly, the main reason I got into this was because I wanted to help Leilani see the dream of seeing the comic become a reality. We’ve been friends for a good while already and I thought it was the least I could do to help her take the step forward. The idea of The Depths being an historical adventure in the 1920s, including mystery-solving, adventure, and some level of sexiness was very interesting to me too. I have a special weakness for stories that exist within an historical setting. And of course the share of drama that Leilani is giving the story makes it even more interesting.

KJ: Leilani and I have been friends for a long time too, and The Depths is her baby. When her comic needed a little extra help, I wasn’t going to leave her in the lurch. No way.

Leilani: A lot of people are already commenting that the webcomic reminds them of those vintage South Seas movies on television, or they equate them to the 1940s or 1970s pulp comics with a South Pacific Island setting or twist. I think that’s what’s really selling it so far, that it’s bringing the past back to life. It’s not a modern-day story, but the art really makes it look phenomenal and real and very modern.

DP: What’s your impression of the overall popularity and content so far?

KJ: It’s pretty amazing how fast it’s taken off. It’s only 36 pages old and already it’s got a pretty significant following. Leilani has worked very hard on the script, and I’m personally fueled by the drive to see this project succeed. As far as the content is concerned…well…I’ll admit, I have a fear of the ocean, of deep water. I’m terrified of it. So, you can draw your own conclusions, I think! *laughs*

Leilani: I think KJ’s been a real sport and is very courageous not to let fear distract from the art. Someone commented to me that when she views the comic, she truly feels like she’s underwater. That’s the kind of emotion I love to see, when a comic can take you to another world – even if it’s just under the sea.  That speaks highly for these two wonderful artists.

ABlueDeer: I believe any amount of attention the comic gets is well deserved. Not only because of my share of work, but of course because of Leilani’s writing and Kino Jaggernov’s incredible coloring and backgrounds. I believe the story has a lot to tell, judging by its most interesting and captivating arcs. But it is only starting, so it’s natural that there’s only potential in the future. I can only hope that it will keep running for years and years as Leilani wants it to.

Leilani: I just love seeing what I’ve written being brought to life each week in such bold, brilliant colors, and great poses and layouts. Before we even launched the project, we did a survey and managed to get responses from over 200 people. 95% thought The Depths would be a hit. So far, they’ve been right. I encourage anyone who wants to start a webcomic to first speak to a large online audience up front, at least 1,000 people, and offer a survey. Get their input, consider it, and if you love what they say, use it.

DP:   What’s your view of the webcomic industry today?

ABlueDeer: Spiky subject. I believe there’s not an industry per se right now. The Internet allows anyone to share their creations and points of view, and so it’s a very difficult market, with so much competition. But there’s probably space out there in the internet for webcomic creators to make a living from their webcomics, a bigger market that still needs to be explored and become efficient as an industry.

KJ: It’s certainly different than it was when I first started out doing comics. Back in the early 2000’s, everyone had these grand plans of being able to support themselves on their art alone. Most of them are either dead or the creators have just moved on. There’s still some awesome comics out there, but they’re a lot harder to find because I think a lot of people think, ‘Why should I spend hours of scripting and drawing each page which will be quickly read in a minute or two, when I can just play some video games badly, swear a lot, and post it to Youtube? I’ll get way more views!’ Webcomics hit a saturation point a long time ago, and the only ones left these days are the ones who don’t take it seriously or the TRULY passionate.

Leilani: I think that’s what really makes me feel good about The Depths. It IS to be taken seriously, it’s not funny, there’s not much humor to it, so if it’s doing as well as it is, it must mean there’s some passion in the story and art here. We’re in the time when, KJ’s right, you can get your fifteen minutes of fame for doing almost absolutely nothing. So if someone wants to bring a webcomic to life, it shouldn’t be for the fame, much less the fortune. There are already lines formed around the whole planet for that. You should do a webcomic because you just want to see it done, and you don’t care what John Q. Public has to say about it. I know The Depths won’t please everyone, and that’s not the aim. The Depths pleases me, and a lot of other people. That’s what’s important.

DP: What kind of future then do you see for the webcomic industry?

ABlueDeer:  Well, we’re in a new era and industries seem not to be the future. So maybe, what we’re seeing now in the world of webcomics is what there will be in the future: plenty of small places and small communities supporting themselves to survive and become better, and maybe, in the long term, become popular enough throughout the world to become a larger part of the culture of the world as a whole.

KJ: The comic industry itself isn’t exactly doing well, despite the popularity of superhero movies. While there’s still a future for them, it’s a future that’s being kept alive by the truly inspired, because unlike movies or streaming video or games, the comic industry isn’t really seeing much, if any, growth. Should that passion die, the only webcomics that will be left will be small hobbyist strips, I think.

Thanks to these hard working furry artists for taking time for a chat! If you like what you see, visit Leilani’s Patreon to help make more of it.

Now we find out a bit more about Dragonkeeper, a new CGI film in development which we talked about recently. Animation Magazine just gave us an update: “London-based sales company SC Films International has snapped up international rights to Dragonkeeper, an upcoming animated family feature from Spain & China, based on the first novel of Carole Wilkinson’s series. The author is adapting her own text with director Ignacio Ferreras (Wrinkles), Rosanna Cecchini, Pablo Castrillo, and Xiamping Wang. Jianping Li is co-directing with Ferreras. [The] synopsis: In ancient China, dragons were once friends of men, but men’s greed and lust for power ended their alliance, and these wise and magical creatures were hunted down by the Empire. Years later, in a remote fortress, a young slave girl named Ping strikes up an unlikely friendship with Long Danzi, the last of the imperial dragons. Learning the power of Qi, Ping helps the dragon escape from captivity and together they journey across the Empire in order to save his lineage, chased by the Emperor’s men and pursued by even darker powers… Ilion Animation Studios, the Spanish shop behind Planet 51 and Paramount’s forthcoming Wonder Park, will handle production alongside China Film Animation and Dragoia Media.” Still no word on a planned release date, but at least we know it’s coming along. Stay tuned.

image c. 2018 Dragoia Media

Liam Lynch being his usual glammy self and looking like he is in an episode the the Mighty Boosh. Lyrics: Here comes a leopard and a raven Here comes a tiger. What’s he cravin’? There’s a spider, a coyote Creeping over, walking slowly A lion. A cheetah Laugh at darkness like a hyena The frogs sing with the crickets Be an owl an owl an owl Be an owl an owl an owl Be an owl an owl an owl Wolves prowlin’ in the night Sniff you out just to take a bite Be like an owl Awake while they howl Don’t blink til’ the daylight Some things can see you in the night Be like an owl Awake while they growl Here comes a leopard and a raven Here comes a tiger. What’s he cravin’? There’s a spider, a coyote Creeping over, walking slowly A lion. A cheetah Laugh at darkness like a hyena The frogs sing with the crickets Be an owl an owl an owl Be an owl an owl an owl Be an owl an owl an owl Be an owl an owl an owl While the bats are taking flight Hold your ground, you’ll be alright Be like an owl Be like an owl Be like an owl Here comes a leopard and a raven Here comes a tiger. What’s he cravin’? There’s a spider, a coyote There’s a viper, moving slowly A lion. A cheetah Laugh at darkness like a hyena The frogs sing with the crickets Be an owl an owl an owl Be an owl an owl an owl Be an owl an owl an owl
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Ready for a new season of furry drama and nihilism? Gotta love Mr Peantbutter:
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Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Cottons [1] The Secret of the Wind, by Jim Pascoe. Maps, illustrations by Heidi Arnhold.
NYC, First Second, July 2018, hardcover, $19.99 (242 [+ 22] pages), Kindle $9.99.

Watership Down is known for its creation of a language and religion for its rabbits. Cottons, a deluxe hardcover graphic novel trilogy, has a rabbit history, religion, geography, industry, currency, and “magic”. This is mostly presented as background information in the unpaged epilogue to this first of three volumes.

The story takes place in the Vale of Industry, one of two vales in the World of Lavender (which is much less realistic for rabbits than the rabbit world in Watership Down). The Vale has two main species of inhabitants, the prey rabbits (called cottons) and the predator foxes.

The main protagonist is Bridgebelle, an apparently ordinary doe working in Wampu’s carrot factory. The Industry page explains:

“Sometime during the Tooth Age, an industrious rabbit named Rekra had a wild idea: if rabbits eat carrots for energy, then there should be a way to extract the energy out of carrots in a more pure form. After many failed experiments, he discovered a method of refining carrots into a light orange powder called cha.” (p. [255])

“Wampu Industries”, where most rabbits work, refines carrots into the cha that powers all rabbit materialism. Also rabbit art, but creating art is considered a waste of needed cha. Due to the need for more and more cha, there are less and less carrots for food, leading to a growing hunger problem. Bridgebelle would rather be free to use cha to create objects of art (called thokchas), but this gets her a reputation of being lazy, frivolous, and wasteful of cha.

In addition, the foxes (all shown as evil villains) are trying to force the rabbits to turn the carrot factory over to them. They want the factory and the cha for different reasons: Marrow Winterborne to kill the rabbits and gain a supply of endless power; Sylvan to enslave the rabbits and use the cha to lead the foxes to the Black Sun and summon the Broken Feather King, the ruler of Empyrean, the cottons’ Hell (but it is in the sky); and Vor for the cha as an opium-like drug to which he is addicted.

Besides Bridgebelle, there is a large cast of cottons: Glee, the worker brother of the fox-killed Soozie, who was Bridgebelle’s best friend; Thom Croquet, an artist who encourages Bridgebelle irresponsibly, and Thom’ old father Jhon, a carrot farmer; Wampu the industrialist and his foreman Lavit, interested only in increasing production; Toriji, Loniji, and Samiji, three believers in the cottons’ Windist Curatus religion (they have their ears bound up); and more.

The convoluted plot is that Soozie is killed leaving a secret that her brother Glee tries to solve; Thom Croquet tries to make more thokchas in an attempt to “do something important” through his art; the foxes jockey for power among themselves – it’s all impossible to summarize; so much is going on. But it’s interesting enough that the reader is drawn to keep reading to find out what happens next.

What makes Cotton so appealing is Heidi Arnhold’s detailed, attractive art. She makes the carrot factory intriguing with all its workstations, dials, and gages. The cottons don’t wear clothes, but they do have harnesses to hold pockets, and there is a reference to their having worn clothes in the distant past. All the characters stand out sharply from each other. Both Pascoe and Arnhold are described as having experience in the comic-book industry. This trilogy is a bravura advance beyond that. The Hollywood Reporter has an animated trailer.

Cotton is described as a trilogy, so it’s not a surprise that this ends on a cliffhanger. Cotton [2] The White Carrot will be published in July 2019, and presumably Cotton [3] The Curse of the Vales is scheduled for July 2020.

– Fred Patten

• Buy on Amazon

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.

Alexander Henderson is head of a team of animators and film-makers with experience working for Disney, Netflix, and Amazon. Their first completed short film is called Breathing Space, which you can find on YouTube — and which just happens to have some anthropomorphic interest in it too! Now they’ve created a Kickstarter campaign to help finance their new film concept. “The Rhino and the Oxpecker is an action-adventure cartoon, featuring the story of Niles, a blind mercenary rhinoceros, and Redford, his neurotic-but-trusty guide bird. With Red acting as the eyes, ears, and brains of the duo, and Niles handling the action, the two work together to survive predators, poachers, and anything else the jungle can throw at them. That is, provided they can survive each other.” They’re trying to reach their current goal before Halloween, so hurry!

image c. 2018 by Alexander Henderson

My only weakness fursuits, the golden hour [1] and 4K footage. [1] https://en.wikipedia.org/wiki/Golden_hour_(photography)
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