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Submitted by Fred Patten, Furry’s favorite historian and reviewer.

High Steaks, by Daniel Potter.
El Cerrito, CA, Fallen Kitten Productions, January 2018, trade paperback, $13.99 (373 pages), Kindle $1.99.

This is Book 3 of Potter’s Freelance Familiars series, following Off Leash and Marking Territory. It follows the events in Books #1 and #2 without a What Has Gone Before, so you really need to have read the first two. Or just dive into the action.

Thomas Khatt, an unemployed librarian in Grantsville, PA, leaves a coffee shop (along with another customer) after sending out job résumés. A hit-&-run driver kills the man standing next to him, and Thomas suddenly finds himself transformed into an unanthropomorphized cougar.

In Off Leash, Thomas learns that he has been transported to “the Real World beyond the veil” that is ruled by magic. He is given the power of speech, but that’s all. He is told that he is expected to become the familiar of a wizard or witch; an involuntary magical assistant – in practice, a slave to a magus, for life.

“Yet one thing had become crystal clear; I wanted no part of this world. Losing my thumbs, my house and my girlfriend in exchange for the chance to be sold off to some pimple-faced apprentice did not sound like a fair deal to me.” (Off Leash, p. 35)

To quote from my review of Off Leash:

“Thomas decides to take charge of his own life, even if he is not familiar with the Real World yet. He faces the dangers of our “world beyond the Veil” […], and of the Real World, refusing to join the TAU [Talking Animal Union] or to become bound to a magus – or to an apprentice – as a familiar.”

“To stay off the leash, he’ll have to take advantage of the chaos caused by the local Archmagus’ death and help the Inquisition solve his murder. A pyromaniac squirrel, religious werewolves, and cat-hating cops all add to the pandemonium as Thomas attempts to become the first Freelance Familiar.” (Off Leash; blurb)

Thomas solves the murder and gains an ally; Rudy, the wise-cracking pyromaniac squirrel. In Marking Territory, Thomas becomes involved in magical politics, his werewolf girlfriend is turned into a werecow, and Grantsville is destroyed in the magus’ crossfire. Now it’s eight months later. Thomas and Rudy have led the survivors to Las Vegas – or under it:

“Into this [the Las Vegas underground flood tunnels] had walked about nine thousand people whose town – my town, Grantsville – had been put into a blender, along with six other realities. With help, I’d managed to get most of them out before everyone got liquefied into a refreshing transdimensional smoothie. In the eight months since, those with mutations that could be covered up or which had simply faded with time had found jobs in the above city or had migrated away. The less fortunate had founded small communities in the tunnels, each sustained by donations from those who had left.

The Ranch was the largest of those communities. The residents had all been blended with animals generally found in the barnyard. Trevor and I approached the gate to the Stables, the portion of the Ranch that housed those Grantsvillians whose mutations had gotten worse instead of fading. So complete were their transformations that the lucky ones – the dogs and cats – had been taken on as familiars by the magi above. The rest – the prey animals, those with hoofed feet and limited binocular vision who made poor familiars – were down here without much hope of ever leaving.” (pgs. 14-15)

There are plenty of human-animal blends:

“I threaded around a pair of horses that were playing chess on a high table and nearly tripped over a chicken. […] Horses, cows, goats, and a few sheep loitered in the central aisle, socializing and talking trivialities. […]

A black goat with a pencil in his mouth looked up from the laptop he had been prodding. ‘H-e-e-e-y freelancers!’ he bayed.

‘Hi, Jet.’ The goat was one of the few residents of the Stables who showed no fear in my presence. I came to a stop and blinked. His horns had been painted glow-in-the-dark green.

‘Nice horns. Really goes with the black,’ Rudy snickered.

The goat grinned. ‘Somebody from above sent us a case of the stuff, and now some of the young ‘uns are trying to scrounge up black lights. I’ll let you know when the dance party begins. Gonna be eighties all the way.’ His ears flicked with amusement, and his tail waggled.” (pgs. 17-18)

But the Grantsvillian animal-people are going stir-crazy living hidden in the drainage tunnels underneath Las Vegas. In the Real World, Las Vegas is openly ruled by the Council of Merlins, the five magical Houses (the Council knows the Grantsvillians are there; it apparently doesn’t care), and its allied Talking Animal Union run by Oric, an owl. Officially the TAU is a labor union for familiars that makes sure the familiars are not mistreated by their magi. In practice, Oric and the TAU make sure that the familiars do what the magi tell them to do.

By immemorial tradition, an animal familiar is bound to a human wizard or witch for life. Thomas wants to change that. If he has to be a cougar, he wants to be able to pick his magus, and to switch from magus to magus at his will – to become a Freelance Familiar. By refusing to join the TAU and coming to Las Vegas, Thomas and his only two allies – Rudy the squirrel, and O’Meara, a disbarred witch – are openly challenging the whole Council of Merlins and Oric.

Officially, Thomas and Rudy sign a contract as the Freelance Familiars with House Picatrix (which is headquartered at the Luxor) to do one temporary job. Unofficially, it will prove that familiars don’t need the TAU. Behind the scenes, some of the magi (but which?) plus Oric are trying to kill the cougar and squirrel (and their lone witch ally). The three Freelance Familiars, and the semihuman Grantsvillians beneath Las Vegas, are in for the supernatural fight of their lives against all the organized wizards and witches who rule Las Vegas, plus the TAU’s corrupt owl, not to mention the werewolves and vampire ghosts.

The animals are mostly unanthropomorphized except for being intelligent and able to talk:

“There, pulled up to the curb, was a pristine white limo that would have been quite classy if not for the line of bullet holes that raked its side. Before either of us could recover, the passenger door of the cab popped open, and a capybara in a smart-looking chauffeur’s cap leapt out. He had a plastic water bottle clasped in his jaws. The dog-sized rodent hurried down the length of the limo and splashed water against the silver door handle. There was a hissing sound, and steam rose from the metal. The bottle bounced on the ground while the capybara popped open the handle with his teeth. With a quick backwards hind-legged hop, the door yawned open. Rudy lay sprawled belly up on the seat next to a martini glass full of shelled hazelnuts.

He waved.” (p. 77) [The two Capy Bros. run the limo service. One steers while the other works the gas and brake pedals. The water bottle doesn’t have any magical significance; it’s hot outdoors in daytime in Las Vegas!]

“‘It is far too early for an employee to be drinking.’ A smooth voice pulled my eyes away from the woman and back to the doorway of the bar. A cheetah stalked toward me. His body appeared to be thin and breakable, but his motions spoke of supreme confidence. The patrons of the bar shifted uneasily; mugs of golden liquid were quickly pulled out of his line of sight. The tension in the bar ratcheted up several notches, and the air around us threatened to snap in half.” (p. 84)

“Where Bobby had sat, a coyote the size of a horse flashed an omnidirectional grin. She tossed her head back and howled like a hurricane. A downpour of power surged through the room, pinning me to the stool. Glasses shattered, the beer running over the tables as the employees desperately covered their ears. The howl faded, and Bobby trotted out into the casino, past the fallen linemen.” (p. 190)

High Steaks (cover by Ebooklaunch.com, which presumably means that Potter paid Amazon/CreateSpace the maximum to have it printed, well proofread, cover-customized, and published under his own imprint) features necromantic attacks (“‘You can’t be too paranoid in Vegas.’”), bar brawls, assassinations, pathos (“A crying cow was not a pretty sight.”), a sorcerous heist caper, a deadly romance between Thomas and another cougar familiar (a feline femme fatale), the Freelance Familiars vs. the TAU (Thomas vs. Oric), Rudy firing bombs and rockets (“‘Booooooom, baby!’”), and all the talking animals that a furry fan could want. Don’t miss the Fallen Kitten Productions’ website for a free Freelance Familiars short story.

– Fred Patten

• Buy on Amazon

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.

Autumn Frederickson is another fantasy artist whose work involves a watercolor style — and lots of animal characters. “Autumn has been creating fantasy worlds since childhood. As she got older, crayon scribbles of unicorns gave way to stylized watercolor paintings of a variety of pop culture characters, wildlife, and the occasional yeti.” Recently, she’s been branching out with a new project she calls Pocket Pandas. She’s still working up a full web site for the various panda products she plans to produce, but so far the web site already has many of her designs up.  Keep checking to find out when she has more.

image c. 2018 by Autumn Frederickson

Today we have a nice FWA music video put out by Little Dragon Productions. So cute! "Spring wouldn't be compete without the wonderful Furry Weekend Atlanta. This years convention was a lot of fun and this little highlight clip shows how much fun it really was! This year I finally got some great footage of Renn!"
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Hello, Papabear,

Thank you for addressing my letter. 

I have had problems with gender and sexuality for as long as I can remember, and they escalated during my adolescence. I was diagnosed with Obsessive-Compulsive Disorder, and have since tried my best to cure it. I have sought help from one of the specialists in my country, and the disease seems mostly controlled now, at the age of 24.

However, thoughts about gender and sexuality continue to plague my mind even today. I never had a relationship with a woman, despite the fact that I tried many times to have a stable and lasting relationship (though most of the times the women I was interested said they already had a boyfriend when I asked them on a date), but I have had experiences with men, though none of them lasting relationships. 

Not all of these experiences were pleasant, because although I did not mind oral sex, I have a immense fear of penetration and its consequences.

But back to gender, the main problem.

It seems like I am particularly sensitive to transgender-related topics. There are no transgender news that I won't read about, or transgender characters that I won't take an interest in, or transgender videos that I won't watch.

When I come into contact with this topic, I start to wonder and ruminate about being female, how would I feel, what it would take, and if I wouldn't regret it. I have tried female clothing in the past and I have liked it. I often fantasize about being female (or at least feminine). I am a bit scared of the implications of being female in society, however.

For some time, I joined a transgender help group, but left because I felt like I was going down a path that I would regret, that would destroy my relationship with my family. I was always their 'golden boy', and they have always supported me. But telling them about this, or having Sex Reassignment Surgery would be my ruin.

I tried talking about my therapist about this, but I feel like she is a bit transphobic herself. I once talked to her about a MtF that was my friend, and she insisted that she was a man. Seemingly shoving it down my throat at every possible opportunity. Still, I can't search for another therapist because my parents like the progress regarding OCD I made with this one. They insist I remain with this one, and if I don't, they start arguments with me.

Last year I decided to burry this 'transgender business' as I called it, and tried to move forward. Most days, I am happy with being male, and even acknowledge that being a man has it's advantages. Other days, I feel an unavoidable need to be feminine.

These cycles come and go: Some days I discard it as being ridiculous, about not passing as or even wanting to be female (I wonder if it has something to do with having a conservative and transphobic family). Even consider wether or not this fixation on femininity is part of my OCD. Other days, like today, it's so strongly present in my mind that it leaves me depressed. I look at my body and feel discomfort. I lack breasts, and looking down I can't see a vagina. 

I can't get it out. I can't get any closure. And I am always so confused.

Can you please help me?

Thank you,

Anonymous (Portugal)

* * *

Dear Furiend,

Please forgive my late reply. I had to take a month off from my column for personal and work reasons. I hope it is not too late to reply.

This is a difficult letter to address because you have already taken a number of recommended steps and have not found satisfaction. You have sought therapy and you a help group to no avail. I agree with you that if you are not comfortable with your current therapist you should look for another one, and then we run into the parents issue. Evidently, they are paying for your therapy. While that is great that they are trying to support you, it's not so great that they won't let you switch therapists. Noting that you are 24, though, one has to wonder why you are not out on your own by now and managing your own life. Are you still in college and living with your parents? Is there any way you can pay for a therapist yourself and, thus, make your own choice as to whom you should see?

While your OCD is not directly related to your transgender issues, it might, indeed, be making it more difficult for you. But even if you didn't have OCD, you probably would still be thinking about your gender and sex a lot. Understandable. I don't believe your desire to be female is going to go away if you ignore it, so it is something you will, at some point, have to hit head on.

One step at a time, though.

It is clear that your parents and your therapist are holding you back. Therefore, the first thing you must do is become an independent adult who is in charge of his own income and medical care. You are 24 and it is time that you do this (unless there is something you aren't telling me that is preventing you from being independent?)

I'm sorry to say that I am not familiar with health care coverage in Portugal other than that there is a National Health Service there that helps cover many, but not all, expenses. Perhaps you have already researched this, but if not, you should find out whether and by how much MtF surgery is covered. (By the way, if you are really considering surgery, this is better defined as being transsexual.)

Another thing you can do is look for another transgender/transsexual support group. Since your English is excellent, you don't have to limit yourself to groups in Portugal. As you might imagine, there are many that are based in the USA.

Finally, you need to get over the fear of disappointing your parents. You don't have to be "the Golden Boy" all your life. That's too much pressure and it's not realistic. It is much more important that you just be yourself, and your parents need to accept that. And here's where your OCD is also probably kicking in: you are obsessing that being transgender (or transsexual) is going to "ruin" you and your whole life. You run through it over and over in your head until this fear paralyzes you.

Fear of judgment from others is, in my view, the number one reason most human beings in the world do not reach their full potential or find happiness. Once you let go of that fear, you will be liberated. Sure, it is easy for me to write that down, and I realize that is a difficult road to travel, but it is one you must travel.

Accept yourself for what you are. Don't blame it on OCD. Don't avoid it because of your parents. Seek support from people like yourself. If you are on Facebook, you might try the Transgender Support Circle. There are literally thousands of people there for you to talk to.

I hope this helps you some. Please feel free to write again if I am missing something that needs to be addressed.

Hugs,
Papabear

Furclubbing: “A repeat/regular nightclub event by furries for furries.” The concept has been spreading since the late 2000’s. It’s a dance party independent from cons. It builds on their growth but takes things farther. It’s more ambitious than informal meets and events that happen once. Those can stay inner-focused, but this brings partnership with new kinds of venues, and new support for what they host. It crosses a line to public space, so a stranger can walk in and discover their new favorite thing. It encourages new blood and crossover to other scenes. It makes subculture thrive. It’s a movement!

Parties that give a Q&A get a featured article. See The Furclub survey for questions and party list. Here’s Fluff Party in Salt Lake City, from organizer Oaken.

The party launch: 

Fluff Party was started on April 28th, 2017, at Club Try-Angles then known as “Bar Night” in the local Utah Furry group. Fluff Party started out with a sizeable furry group, for a small major city, of around 25 attendees. During the 2017 AWU Convention in downtown SLC, “Bar Night” transformed into Fluff Party. The event, held on October 27th, ended up being the largest to date with nearly 75 attendees from Washington, Colorado, and Idaho. This was later eclipsed by the January 2018 Fluff Party which had nearly 100 attendees. In February 2018, the Party extended the weekend to include a Saturday event with its first ever After Party, held at Area 51 Club in Salt Lake City, an 18+ dance club.

Who is involved: 

Inspired by Tail! Party in California, Fluff Party was started by Oaken. Fluff Party uses the house DJ at Try-Angles. During the AWU Fluff Party, DJ zeroføx played.

What kind of party:

Fluff Party is a bar atmosphere with billiards going on all evening, fursuit dancing to DJ music. Styles of music depend on the DJ but range from old to current pop, electronic music.

When:

Fluff Party occurs every fourth Friday of the month. Originally, the party was coupled with Club Try-Angles’ “Leather & Gear Night”; however, due to lack of participation from the local leather community and immense support from the local Furry community, club ownership granted the furs their very own night. The first event occurred on April 28th, 2017.

Where:

Fluff Party is located at Club Try-Angles (251 West Harvey Milk Boulevard, Salt Lake City, Utah). Fluff Party’s After Party is located at Area 51 (451 South 400 West, Salt Lake City, Utah). Furries attend from Salt Lake and surrounding cities (Ogden to Provo). Several out of state furs have come in from Washington, Idaho, Montana, and Colorado.

How: 

Oaken first danced in fursuit at 2016 RMFC, and became inspired to provide an event for the local Utah Furry group– which already organized general regular monthly events at public location– that was geared more towards the adult furry crowd. After being convinced to finally overcome his fears of going to a gay club’s Underwear Night, Oaken found Club Try-Angles and the local gay community to be a welcoming one to all walks of life. Wearing his tail to the club a few times and getting a very warm response from the locals at the club, Oaken approached club ownership about having fursuiters come to the club. Many years prior, a few locals had gone to the club in fursuit but never in large numbers nor the immense support that Fluff Party has received from the local furry community. Fluff Party continues to grow and expand.

Vibe:

Unique to most major cities, Club Try-Angles is one of two identifying gay clubs in the entire state of Utah. Club Try-Angles plays host to many lifestyles, kinks, and fetishes. Supporting nights such as Drag events, Bear, Underwear, and Leather nights. The general public has received furries at Fluff Party in very good light. A review was even posted to the club’s Google page stating how they were going to attend Furry night! Local furs have mentioned going to events such as Pride events in SLC in fursuit and having the public mention the furry event at Club Try-Angles. Many general public attendees have become regulars at Fluff Party!

Promotion: 

Initially, the event started out as a member meet, “Bar Night”, hosted by Oaken who is an administrator and event coordinator for the local furry community. Meets were created on the groups Facebook and Meetup pages as well as word of mouth due to the disjointed nature of the local community at the time. It later became named Fluff Party during the AWU convention where it was promoted with fliers and promotions. Before the January 2018 Fluff Party, a twitter account @FluffParty was created, which resulted in the event having the largest turnout to date. As well as increased exposure to nearby communities.

Follow @FluffParty on Twitter for most updated news. Thanks to Oaken for giving great responses and organizing this for the community!

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.

We have here a new Cartoon Network series by Adventure Time writer Julia Pott. I expect episodes to be shown between 23 hours of Teen Titans go. "Watch a sneak peek of Summer Camp Island! Oscar has to accept that his totally normal sleepover with Hedgehog isn't going to be totally normal."
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Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Snake’s Song: A Labyrinth of Souls Novel, by Mary E. Lowd.
Eugene, OR, ShadowSpinners Press, March 2018, trade paperback, $11.99 (210 [+ 1] pages), Kindle $3.99.

ShadowSpinners Press says, “Labyrinth of Souls novels must contain the idea of an underworld labyrinth. The form of the labyrinth and the nature of the underworld are left to the fevered imagination of the author. […] Most stories will lean toward dark fantasy but science fiction, horror, psychological thriller, Noir, mystery, etc. will be considered.” The Snake’s Song is its sixth novel, and its first furry one.

The Snake’s Song is a work of fabulism rather than traditional furry fiction. “The snake sang,” it begins. “The snake sang and mice knew better than to listen. Mice and rats and songbirds and frogs – none of them listened to snakes. Songbirds and frogs sang their own songs; mice and rats told stories. None of them listened to snakes.

And neither did squirrels.

But one day, a gray squirrel named Witch-Hazel stopped to listen to a soft hissing carried on the wind, a susurrus coming from a tunnel, hidden beneath a bush. With melancholy sighs and mesmerizing murmurs, the hissing voice sang a song of days gone by, days long ago when the earth and sky and underground were bound together with a river that flowed in endless, looping circles; tree branches embraced the heavens, and tree roots held the depths in their woody arms; and all the creatures of Earth could make a pilgrimage into the sky to meet the All-Being who had created every animal.” (p. 13, reformatted)

Squirrels don’t listen to snakes, but now Witch-Hazel does:

“‘Tell me about the All-Being,’ Witch-Hazel asked breathlessly.

‘The All-Being is why birds can fly, fish breathe water, beavers are builders, and bees can turn pollen into honey. Each of them reflects the glory of the All-Being.’

Witch-Hazel wondered how she reflected the All-Being’s glory. ‘How about squirrels?’ she asked.” (p. 14)

Is the snake trying to lure her into its underground lair? But she dimly remembers her mother telling her of the All-Being when she was a tiny kitten, and of the Celestial Fragments – the Sun Shard that grants strength, the Star Sliver that grants endless breath, and the Moon Opal that grants flight. Witch-Hazel is too wary to follow the snake into its hole, but she can’t stop thinking about the Celestial Fragments and the All-Being.

“Witch-Hazel pictured a creature with one bat wing and one sparrow wing; a green cat eye and a yellow coyote eye; a long rabbit ear and a round mouse ear; a deer antler and an antelope horn; a hoofed foreleg and a webbed paw; a mountain lion’s golden haunches and a squirrel’s silver tail – because no creature on Earth has a tail more beautiful than a squirrel.” (pgs. 17-18)

If she could find the Celestial Fragments, she could fly into the heavens higher than the birds and see the All-Being. Squirrels are used to missing treasures being hidden underground; that’s where they bury their nuts.

“She wanted to find the Celestial Fragments.

In her nest that night, Witch-Hazel felt the empty space all around her. The air flowed around her branch like the rivers the snake told her had once encircled the under-earth and sky. She wanted to travel those rivers.” (p. 18)

So the next day she packs a knapsack:

“Then she swiped a flask of pear cider from her biggest sister’s nest – her sister wouldn’t mind – and stuffed that in her knapsack too.

Finally, Witch-Hazel left a note in her own nest for her sisters and brothers, in case they came looking for her: ‘Gone adventuring. Don’t worry. – Witch-Hazel” (p. 19)

And she returns to the hole after the snake has gone:

“Witch-Hazel squeezed into the small round hole under the bush. She’d never entered a snake’s lair before. To her knowledge, no squirrel ever had. Once she was inside, the hole opened up into a passage large enough for her to walk upright. She kept her firethorns in front of her.” (p. 21)

What does she find underground? Think of Alice entering Wonderland. Think of Orpheus entering Hades’ realm looking for Eurydice. Think of Dante entering the Inferno searching for Beatrice.

There are animals, of course, or The Snake’s Song would not be reviewed here:

“Witch-Hazel leaned in close to the gold medallions and carefully examined the animal etchings. The same set of thirty animals graced each of them. Many of the animals were familiar – mouse, sparrow, squirrel, snake, otter, beaver, raccoon, deer. Some of them were strange – one had two humps on it back; another seemed to be like a bird, but it had long legs and a sinuous neck unlike any bird she’d ever seen; another had a nose like a snake, flappy ears, and legs like tree stumps. That one was the largest of the animals, so she tried turning the medallion until it was at the top of the starburst. Then she turned the second medallion until the mouse was on top.   Smallest and largest.” (p. 25)

This is only up to page 25. There is a whole novel to come. Witch-Hazel sings to herself/an imaginary friend to keep up her nerve:

“When she finished the song, Witch-Hazel said to her new imaginary friend, ‘Shall we sing a different one next?’

Her heart nearly stopped when her echo answered, ‘All right. Do you know ‘Hills and Trees Yonder’?’” (p. 35)

Not all the animals are mortal ones:

“The lioness’s face rose higher as the giant creature stepped forward on the rocky ledge beside Witch-Hazel. Her body resolved in shades of gray in the darkness – her head rose from a long slender neck that sprouted out of narrow shoulders, leading into a pair of delicately crossed human arms. She had a human woman’s torso, but beneath it was an entire four-legged lion’s body, complete with a swishing, tufted tail. ‘I am a kind of sphinx,’ the creature said. ‘Sister to the sphinx, precisely. My sister who was celebrated in Greece and Egypt usually claims the name. I am less well-known. I am a leontaur, and I don’t ask riddles.’” (p. 55)

The Snake’s Song (cover by Josephe Vandel) is eerie, wonderful, horrifying, marvelous, and above all, dreamlike. Dreams encompass nightmares. What is the All-Being?

“Dare to Enter the Labyrinth of Souls”

– Fred Patten

• Buy on Amazon
• Visit Mary E. Lowd’s Website

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.

Here’s a new animated feature in the works we found out about through Animation World Network. “Timeless Films will begin selling worldwide rights to Rodrigo Pérez Castro’s upcoming animated feature Koati, created and produced by Anabella Sosa Dovarganes from Upstairs Productions and Los Hijos de Jack Productions, at the upcoming Cannes International Film Festival. Golden Globe and Primetime Emmy award-nominee Sofia Vergara (Modern Family), is attached to star and will executive produce… Koati is an animated comedy film starring three unlikely heroes: A free-spirited coati, a fearless monarch butterfly, and a hyperactive glass frog who embark on a glorious adventure to stop a wicked coral snake (Vergara) from destroying their homeland and friends. ‘Koati is an invitation to celebrate, for the first time in an animated film, the magical realism of the Latin American jungles, of the Amazonian rainforest, and the fun, exotic creatures that call it home,’ says Vergara, whose voice is heard in The Smurfs and Happy Feet 2. ‘It’s a coming-of-age comedy starring a cool and real family of animals the world needs to meet.'” The article tells us to look for it in 2019.

image c. 2018 Timeless Films

I get this way in the morning as well, just not enough coffee.
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reminder that these stream SUNDAY @7pm on YouTube if you would like to join the chat! for all things Dragget: www.draggetshow.com Here is video of it at the con! -- https://youtu.be/CV2EFfUlnAA Our Patreon w/ great new rewards! www.patreon.com/thedraggetshow Telegram Chat: t.me/draggetshow Dungeons & Draggets #12 - reminder that these stream SUNDAY @7pm on YouTube…

ARTISTS WANTED! Please share. Artist of the month is a program to commission and promote furries. It’s paid by site funding with gratitude to patrons. There will be a headline post for the chosen furry, and regular comics may be added too. Here’s art that previously appeared, and this month’s banner and comic from Hugo the Pink Cat.

Twitter: HugoThePinkCat
FA: http://www.furaffinity.net/user/hugothepinkcat/ (some NSFW stuff)

“I’m 34 years old, from Montreal, been in the fandom since 1999 , active since 2001. Been drawing more seriously for the last 7 years. I don’t exactly have a college formation in arts but I’ve been self-taught for the last decade and take a lot of inspiration from European graphic novels and early western animation. “Ligne claire” and bright lively colours are my thing. I like to think I fill a nice little niche between cartoony and still somehow alluring. (Or so my friends say).”

TO APPLY please submit this to banners@dogpatch.press:

• One favorite piece, a one-paragraph bio, and your links.
• Your price for a banner for the top of this site.
• (Optional) price for one comic with artistic freedom (any format, a panel, strip, or page.)
• Price for a six month/six comic contract.

Banner should be at least 1000 x 200 (.jpg, png or gif). Toony furry characters never fail, but it doesn’t have to have characters if it says “furry news” somehow (a graphic design with a fur pattern or collage of headlines would work – experimenting is good.) If you need any idea about what the site is for, try the About page. A comic can be any format – strip, single panel political cartoon, or a story page. Use artistic freedom. It can have existing characters of yours, or just a funny joke. It could be about a story on the site from the last month, issues in fandom, or toon characters talking about stuff in the regular world. Try to keep it SFW. Happy subjects are great but criticism with a point is OK too.

Special shout outs to other artists for this fan art! 

@DogpatchPress: "-mossy swamp ghost gator with a battery powered smoke machine"

I was inspired! 2 ver gator suit & a made-up gator. #anthro #furryart #reptile pic.twitter.com/O3GLcEmlA4

— Jackqua (@Jackqua92) April 9, 2018

Fan art of @DogpatchPress @patch_packrat pic.twitter.com/Jvhv9E9Bml

— Wolf Tanuki (@jacobspencer04) April 9, 2018

@eddie_mote asked me a question in PM and I spent a while answering so he sent a drawing in his style. So cool! Was not expecting that! The floofy tail and ears are my favorite part :3 pic.twitter.com/M0W75LhqXo

— Dogpatch Press (@DogpatchPress) April 18, 2018

Gift art from @eddie_mote for answering some stuff in PM. No need to give anything for that, but I love it! This one is from my rat. (He forgot to draw part of the tail but I'm going to make that part of the sona, he's so sneaky he does the detachable thumb trick with tails.) pic.twitter.com/9B4rzQTSDP

— Dogpatch Press (@DogpatchPress) April 24, 2018

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.

And more kitty art, courtesy of artist Kevin Chan. According to his web site, HeyItsMeu.com, “Kevin Chan is a Los Angeles-based illustrator, designer and multidisciplinary maker.” In spite of the title he’s chosen, he doesn’t only do cats — you’ll find dogs, bears, sheep, and monkeys there too. Many of them available on pins, plushies, prints, and other items that he sells through his Etsy store.

image c. 2018 by Kevin Chan

I would totally go to Cats island.
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Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Chlorophylle et le Monstre des Trois Sources, by Jean-Luc Cornette (writer) and René Hausman (artist). Illustrated.
Brussels, Le Lombard, March 2016, hardcover, €14,99 (48 pages), Kindle €9,99.

Thanks, as always with French bandes dessinées, to Lex Nakashima for loaning this to me to review.

I am a big fan of the original Chlorophylle stories written and drawn by Raymond Macherot (1924-2008) in the 1950s and 1960s. They have all been reprinted in an attractive three-volume Intégrale set, which I applaud and recommend.

Today Le Lombard is having new adventures produced of many of its most popular comic strips of the French-Belgian “Golden Age” of the 1950s and 1960s, by the most prestigious artists of today. (You should see what has been done with Mickey Mouse!)

Both Cornette and Hausman have had long careers in the French-Belgian comic-book industry as both artists and writers. I will speculate that the main attraction of Chlorophylle and the Monster of Three Sources is Hausman’s detailed watercolor art.

I can appreciate it intellectually. But on a basic emotional level, it seems wrong. It’s like seeing a Donald Duck or Uncle Scrooge story by Jack Kirby or Art Spiegelman in their own art styles – or, contrariwise, a Captain America adventure or a Maus episode drawn in Carl Barks’ art style. But this is being done deliberately.

Macherot made Chloro’s woodland village in “le petit bosquet” (the little grove) look like a little animal village in the forest. The houses in treetrunks and hillocks had front doors and windows. The mice and rabbits and crows wore scarves and hats. In Hausman’s interpretation, they are all unclothed animals living in bushes and tall grasses that are so spiky with twigs and thorns that it’s a wonder the smaller animals don’t spend their time caught up in tangles.

S. Salin in BDGest says that this is an homage, a makeover; not an imitation. Hausman knew and respected Macherot and his work, and he chose to draw Chloro and his northern European woodland grove in a more realistic style than Macherot did. This is Chloro and Minimum just before they abandoned the grove for the island of Coquefredouille and its animal civilization.

Chloro (dormouse) and Minimum (mouse) have had their adventure in a small human city (Pas de Salami pour Célimène, 1957) and returned to the little grove. Minimum has gotten a crush on Particule Piquechester, the youngest and prettiest of the three Piquechester mouse sisters. Particule has chosen to leave her sisters and build her own cabin on the shore of the lake of three sources (three small riverlets feed into it), where she goes swimming.

“‘Particule, do you know that we’re swimming in an enchanted lake?’ Minimum asks. ‘Do you know the legend of the lake of three sources?’ ‘No! I’ve never heard of it.’ ‘They say that the three riverlets are those of friendship… of love…and of separation. The water of the three riverlets mixes in the lake. When someone swims in it, they have to go to a place far from friendship and love to find separation.’” (pgs. 9-10) The next day Particule is missing and her cabin has been smashed to rubble. Chloro leads a rescue mission of Serpolet the rabbit, Particule’s sisters Olive and Vinaigrette, the beaver family, and others to find her (Minimum is too distraught to do anything practical).

To give away a major spoiler, Particule has been kidnapped by Caczor, a genuine Frankenstein’s monster sewn together from a badger and a hedgehog. But like the monster in Shelly’s original novel, Caczor is more a creature of pathos than of horror. The bittersweet ending leaves Minimum free to go with Chloro on future adventures.

Chlorophylle et le Monstre des Trois Sources is successful on its own terms as an-homage-and-not-an-imitation. It’s interesting to see Chloro the dormouse, Minimum the mouse, Serpolet the rabbit, Torpedo the otter, and others drawn in – well, not a realistic style, but more realistically than in Macherot’s funny-animal style. I certainly wouldn’t have recognized them if they hadn’t been addressed by name in the dialogue. Get it as a sample of René Hausman’s — a major European cartoonist’s – art style, in a rare example of his talking-animal art.

– Fred Patten

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La souris Pâquerette a disparu. Chlorophylle et Minimum comprennent très vite qu’elle a été enlevée par le terrible monstre du lac. Sans perdre un instant, les deux compères et leurs amis se lancent sur les traces de la créature. Mais la chasse au monstre leur réserve bien des surprises… René Hausman et Jean-Luc Cornette unissent leurs talents pour rendre un éblouissant hommage au héros culte de Raymond Macherot.

Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon.  You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward.  They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.

Nellie Le is another artist with a watercolor style and a very straightforward cartoony look — which she puts forward to good effect. At her web site she shows off her latest paintings and prints, but as you can see at her Shopify store she also offers her art on a variety of buttons, bags, pillows, and other household goodies. And, as you can see, many of her items are selling out fast!

image c. 2018 by Nellie Le

Jen Ena is another artist we met at WonderCon (it’s good for those!) As you’ll see on her web site she specializes in highly-stylized fantasy portraits of fairy folk and magical women.  But, if you follow the links to her “Miniatures”, you’ll see her other skill: Creating really, really small paintings of kittens, little dogs, and other fuzzy things. Many of which you can purchase at her Big Cartel store.

Image c. 2018 by Jel Ena

Ok, Vivziepop gets a lot of leeway here. Yeah, have to squint a bit for the furry side of this but it's the Die Young animatorso OMG!
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Author and “sit down comedian” Christopher Locke is back with his second novel, Vincent and the Dissidents. It’s the sequel to Persimmon Takes On Humanity, which of course we talked about before. “In Book Two, while Persimmon and The Enlighteners continue their daring efforts to rescue all animals who are suffering, little do they know that Vincent — the cunning mink who helped the team liberate a fur farm — has been assembling an army. Vincent and The Dissidents are conducting their own rescue missions, but their violent tactics against humans are quickly leading to catastrophic consequences.” Vincent is available now in paperback from Fathoming Press.

image c. 2018 Fathoming Press