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submitted by cyberstormfox
[link] [2 comments]

submitted by IfYouWannaBe
[link] [9 comments]

submitted by Terwin94
[link] [11 comments]

Hey guys, I checked the rules and it seems like this would be allowed, so here goes. I don't have a huge following on FA and I'm impatient, so I don't want to wait for my FA followers to volunteer because I want to draw now and that would take a few days...

A while ago, I designed a thing called the "100 Fetish Challenge" which I've only done a FEW fetishes from, but I decided to do a few more today. I'm drawing the poses now, but I'm doing a squirting themed sketch and a rope/bdsm themed sketch.

Here are my two requirements:

1. Squirter needs to be female, BDSM can be female or herm w/breasts.

2. Digitigrade characters only. If your character isn't digitigrade that's okay, as long as you don't mind if I draw them that way.

3. You must have some form of art of your character.

I'll be picking the characters I like most within the next 45 minutes to an hour! I'll do sketches for both pictures first, then come back to announce who I chose. :D Please state which picture you're volunteering for or both, if you want.

In case you're afraid I'll sully your character, here's my FA.

Cross-posted to /r/yiff.

submitted by 8-BitBaker
[link] [16 comments]

submitted by Whozjama
[link] [2 comments]

submitted by crush-n-mush
[link] [116 comments]

submitted by yamicat
[link] [12 comments]

Well, I started to get into doing watercolors and I have nothing to do today and decided to draw things for you animals. If you would like you can leave a comment and a ref sheet, i'll try to get to all of you and I may not do all of them in watercolor. Thank you so much.

I will probably add these to my sketches on FA if its okay.

submitted by Newtballz
[link] [20 comments]

submitted by Kerri12
[link] [12 comments]

submitted by like-clockwork
[link] [4 comments]

submitted by __pixl_
[link] [76 comments]

submitted by Kkat_
[link] [7 comments]

Once again I’m confessing my ignorance, with something that clearly should have been on my radar a long time before it had a chance to hit it’s fourth edition. Buying directly from the big cartel site the combination of cheap price and page count had me convinced this would be another anthology where the contents outshine the production values. So I was surprised when it arrived a day later all glossy with it’s bookshelf worthy spine. It’s really worth pointing what a polished and professional production Dirty Rotten Comics is as anyone going through their proper website will see. The fourth edition of the comics anthology brings together over 40 comics creators over 90 pages and really encompases a wide range of styles, voices and approaches to the comics medium. While a few comics do have elements and themes in common, the intrusion of digital devices and irritating customers for instance, there really is no strict theme beyond a bunch of creative types having something to say.

Dirty Rotten Comics is a genre defying mix of different styles and approaches to comics including Fred Morris and Dominic Linton’s story “The Golden Leaf”, part illustration and part science textbook it’s one of many of anthologies stranger entries. Detailing various scientific processes connected to trees using simple illustrations. It’s an intriguing and oddly moving adition that dispute s what would be considered ‘comics’, or even if there is a proper definition anymore given the scope of the medium. There are several other additions that are a million miles away from the traditional strip or panel format such as Meckanical by Jack West-Oram comprising a single page illustration or Lydia Wysocki’s Gossip Girls that employs a striking wood cut print. All of them have a place in Dirty Rotten Comics and there is a genuine sense of inclusivity as newcomers and established artists share the same space.

I was extremely smitten with by Emily Rose Lambert’s Dreamscape. An achingly cute story of two adorable animal characters travelling through a series of dreamlike vignettes. It evokes the ephemeral nature of dreams and conveys that sense of disjointed dreamlike logic as the characters drift between seemingly disparate situations and emotions. Her sparse dialogue has the rhythm and mood of a fairytale. Sweet, whimsical and imbued with both trepidation and hope, it manages to cover a complete gamut of emotions in only two pages.

B. Mure and her wonderful pencil sketched diary comic about a week worrying about her sick, pet rat. Jey Levang’s tale of teenage demons and families, is another standout of the collection and reminded me of a Neil Gaiman short story, with the inversion of the dynamics between the ordinary and the occult. Dark, moody with an excellent punchline ending, Afterlife by James Wragg is a quirky rumination on the afterlife with an egyptian slant, while Harry Sussams equally delights with Press Start and it’s wonderfully cartoony art about the power of videogames to empower and bring people together.

Some of the artists included are undoubtedly very new to making comics and some of the contributions are extremely rough and ready. Yet, Dirty Rotten Comics turns this to it’s advantage and they somehow fit into the anthology as a whole. It’s refreshing to see artists at every ability level and from different disciplines and backgrounds being given a space in which to showcase their work, especially those who are at the start of their comics making careers and will doubtless benefit greatly from the encouragement and exposure. Overall it’s the gloriously anarchic, thumbing your nose attitude to authority that comes with British comics that makes Dirty Rotten Comics such a rare treat.

Dirty Rotten comics is available from their website. The fifth volume is set to be released on August 14th. 

Once again I’m confessing my ignorance, with something that clearly should have been on my radar a long time before it had a chance to hit it’s fourth edition. Buying directly from the big cartel site the combination of cheap price and page count had me convinced this would be another anthology where the contents outshine the production values. So I was surprised when it arrived a day later all glossy with it’s bookshelf worthy spine. It’s really worth pointing what a polished and professional production Dirty Rotten Comics is as anyone going through their proper website will see. The fourth edition of the comics anthology brings together over 40 comics creators over 90 pages and really encompases a wide range of styles, voices and approaches to the comics medium. While a few comics do have elements and themes in common, the intrusion of digital devices and irritating customers for instance, there really is no strict theme beyond a bunch of creative types having something to say.

Dirty Rotten Comics is a genre defying mix of different styles and approaches to comics including Fred Morris and Dominic Linton’s story “The Golden Leaf”, part illustration and part science textbook it’s one of many of anthologies stranger entries. Detailing various scientific processes connected to trees using simple illustrations. It’s an intriguing and oddly moving adition that dispute s what would be considered ‘comics’, or even if there is a proper definition anymore given the scope of the medium. There are several other additions that are a million miles away from the traditional strip or panel format such as Meckanical by Jack West-Oram comprising a single page illustration or Lydia Wysocki’s Gossip Girls that employs a striking wood cut print. All of them have a place in Dirty Rotten Comics and there is a genuine sense of inclusivity as newcomers and established artists share the same space.

I was extremely smitten with by Emily Rose Lambert’s Dreamscape. An achingly cute story of two adorable animal characters travelling through a series of dreamlike vignettes. It evokes the ephemeral nature of dreams and conveys that sense of disjointed dreamlike logic as the characters drift between seemingly disparate situations and emotions. Her sparse dialogue has the rhythm and mood of a fairytale. Sweet, whimsical and imbued with both trepidation and hope, it manages to cover a complete gamut of emotions in only two pages.

B. Mure and her wonderful pencil sketched diary comic about a week worrying about her sick, pet rat. Jey Levang’s tale of teenage demons and families, is another standout of the collection and reminded me of a Neil Gaiman short story, with the inversion of the dynamics between the ordinary and the occult. Dark, moody with an excellent punchline ending, Afterlife by James Wragg is a quirky rumination on the afterlife with an egyptian slant, while Harry Sussams equally delights with Press Start and it’s wonderfully cartoony art about the power of videogames to empower and bring people together.

Some of the artists included are undoubtedly very new to making comics and some of the contributions are extremely rough and ready. Yet, Dirty Rotten Comics turns this to it’s advantage and they somehow fit into the anthology as a whole. It’s refreshing to see artists at every ability level and from different disciplines and backgrounds being given a space in which to showcase their work, especially those who are at the start of their comics making careers and will doubtless benefit greatly from the encouragement and exposure. Overall it’s the gloriously anarchic, thumbing your nose attitude to authority that comes with British comics that makes Dirty Rotten Comics such a rare treat.

Dirty Rotten comics is available from their website. The fifth volume is set to be released on August 14th. 

submitted by FreeThinkerComic
[link] [1 comment]

submitted by TakeMyKnot
[link] [18 comments]

submitted by HyacineDream
[link] [4 comments]

submitted by LJE_Shot1
[link] [4 comments]

submitted by MatrialEagle
[link] [3 comments]

submitted by dreamingwanderer
[link] [3 comments]