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It’s fun to go to themed places that make you feel like you’re in a movie. There’s Speakeasy and Tiki bars, or even Horror and Clown themed bars. For a spooky time, try The Jeckyl and Hyde Club in NYC, Donnie Dirk’s Zombie Den in Minneapolis, or Lovecraft Bar in Portland, Oregon. How about a visit to Toontown?

For some people, it’s more than fun. Night life is real life. Some places support subculture or identity like Gay and Leather bars.

Why not a furry bar? It’s a half-joke/half-suggestion I’ve been making for years. One night a month, you can do dances like Frolic in San Francisco, Foxtrot in Denver, Tail! Party in Long Beach, or Howl Toronto.  But what if there was a place to be your furry self almost any night?

There have been a lot of “fandom firsts” in a short while – some good, some bad. There was the first mainstream-accessible furry movie and the first Furry political scandal.  Now, new ground has been broken by a permanent establishment with a furry theme. It’s an idea that could go much farther, but take a look.

Sometimes I joke "there should be a Furry Bar." Then I heard about a furry-themed cafe opening in Japan. Open now: https://t.co/o4nb83h9Dr

— Dogpatch Press (@DogpatchPress) September 12, 2017

Hello! We are now open for business! Please come when you can. We're on the 8th floor opposite Gachapon Kaikan, Akihabara. Last order is 6PM pic.twitter.com/OgFpa8QBlo

— MONSTER PARTY (@MonsterPartyJP) September 12, 2017

ENGLISH VERSION
Tsukiyo here! In anticipation of the new Monster Party cafe opening soon in Akihabara, we want to hold a furry themed party! pic.twitter.com/ULLVT3WzPR

— Tsukiyo@MonsterParty (@tsukiyo_fur) September 7, 2017

Group Photo from @MonsterPartyJP opening! I had fun! #monsterparty pic.twitter.com/xQKDYPDRd0

— クルーン (@clunandseesaw) September 10, 2017

Thank you everyone for a wonderful evening! It made all the hard work worthwhile! すばらしい夕方に皆さんありがとう！それはすべての勤勉を価値あるものにしました！ pic.twitter.com/TCQP9uyj5j

— Tsukiyo@MonsterParty (@tsukiyo_fur) September 10, 2017

I asked Tsukiyo to help with questions about the cafe and furry stuff in Japan, but they were busy. Maybe someone else can help?

This reminds me of what FuzzWolf of Furplanet says he’ll do if he wins the lottery – open a permanent furry book store. Germany’s Fusselschwarm is an LGBT bookstore with a furry curator and furry section (or was, may be all-online now).

I’d become an angel investor in the fandom. Funding artists, open a brick and mortar furry store. Who cares if it loses money.

— Uncle Fuzz️‍ (@FuzzWolf) June 30, 2017

How about a furry-themed community center, maybe powered by a cafe/gallery to host art shows, movie screenings, and fursuit dances and classes? Like the furry-themed Artsplosion event at an LGBT community center in San Jose CA, but all the time. At some point, I’ll follow up with a post about “What would a fantasy furry store look like?”

This kind of stuff inspired my “Furry Good Ideas” article. I can’t wait to see some of these come true one day. Be ambitious, you loveable animals.

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Crossovers are all the rage these days, of course — so why not combine two cult favorite cartoon shows? That’s the thought behind the Adventure Time / Regular Show comic mini-series, recently unleashed by Boom! Studios. Here’s what they said: “It’s a crossover for the ages in this mash-up of two of our favorite Cartoon Network shows! When a powerful new villain threatens to conquer Adventure Time’s Ooo, Princess Bubblegum sends Finn and Jake on a desperate quest to find The Power that can save the land – a power that Skips from Regular Show just happens to be hiding! Finn and Jake’s arrival only exacerbates an existing tension between Mordecai and Rigby, and the trip back to Ooo threatens to tear two sets of bros apart … forever.” Written by Conor McCreery and illustrated by Mattia Di Meo, the first issue is out now.

image c. 2017 Boom! Studios

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"A woman discovers her animal nature when a wolf grows out of her own body and ravages her." This has got me be one of the oldest metaphorical journeys into furry ... but then it's french.
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Hello Everyone!

On this week's show we open with a discussion on Mobile Phones and relationships. In recent years, studies show that the higher the level of technoference (technological interference) in your relationship, the less fulfilled and happy you are in it. We talk about why this is and ways you can prevent phubbing (phone snubbing) your lover when you want to check your Twitter DMs.

Our main topic this week is all questions-- it's our seventh all questions show! We answer questions on topics of Fictiophilia, Expectations, Entitlement, Relationship Goals, and Potential Abusive Behavior. It's a wild ride as we tackle some of the more difficult questions we have in our queue.

We close out the show with some feedback from an individual who, in past years, was in a relationship with a Pick Up Artist. She offers her insight and advice on the community.

For more information, including a list of topics, see our Show Notes for this episode.

Thanks and, as always, be well!

FA 085 All Questions Show Vol 7 - Phubbing! Technoference! Questions! MORE QUESTIONS! INCREASE THE QUESTIONS! All this, and more, on this week's Feral Attraction!

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Pride of Parahumans, by Joel Kreissman
Knoxville, TN, Thurston Howl Publications, December 2016, trade paperback $11.99 (161 pages), Kindle $2.99.

The Pride of Parahumans starts with a small, cramped prospecting spaceship in the Asteroid Belt in the late 2100s or early 2200s, crewed by four parahumans (bioengineered anthro animals); Argentum, the black fox mineral analyst (and narrator); Cole, the raven pilot, Denal, the red panda mechanic, and Aniya, a human-wolf-possum mix taur rescue/medic. They’re exploring asteroids, looking for a big strike. They may have just discovered one when they’re attacked by an unknown pirate spaceship. They shoot back and destroy it, killing its one-parahuman crew.

Unfortunately, they (and probably the pirate) are from the Ceres Directorate, the major Asteroid Belt and parahuman government. And the Ceres Directorate has a draconian law against killing. Self-defense is no excuse. Anyone (and in this case the whole crew) who kills has all assets seized and is sentenced to fifty years at hard labor. They agree to keep everything secret and return to Ceres.

“Naturally, we got the first indication that things on Ceres were about to go wrong just as we were leaving the cavern.” (p. 24)

The Pride of Parahumans begins as an okay space opera, full of action and suspense. Unfortunately, it seems very similar to Kismet by Watts Martin, which is also about an anthro space pilot involved in action and suspense in an asteroid belt full of furry characters and space governments, published at almost the same time. And Kismet is MUCH better written.

There are differences. Argentum is a bioengineered experiment, designed to be without genitals and androgynous. (The pronoun zie is used.) The other furries have genitals but they were made sterile (they reproduce by cloning), so they can indulge in lots of sex without worrying about getting pregnant. (Argen qveches that zie’s missing out on the fun.) The Asteroid Belt governments are more chaotic and dictatorial – they all seem like wretched hives of scum and villainy — which increases the suspense, but are less logical.

In almost every respect in which The Pride of Parahumans can be compared with Kismet, it comes off second. Pride begins with huge expository lumps to describe the parahumans and their Asteroid Belt culture:

“Anyways, that brief history of Ceres does not do justice to the wonder that is the market caverns. As the corps mined out the dwarf planet they dug huge holes miles beneath the surface in order to get to the largest concentrations of mass in the asteroid. These tunnels were a minimum of two meters tall to accommodate the miners and their equipment, but the caves that had held the most valuable minerals often reached five meters in height and a football field or two in length or width. Since there was plenty of pre-existing living space in the worker barracks and tunnels, many of these caverns had been reinforced with long titanium columns and filled with multiple levels of storefronts. The .028 gravities made it easy for most people to simply jump from one level to another through holes in the rickety paneling placed in front of shops so the customers had something to window browse from. It’s rather incredible, in a ramshackle slum kind of way.” (p. 21)

Kismet blends the setting into the action smoothly. Kismet’s third-person narration is more natural to a novel, while Pride is narrated by Argen in a conversational style that makes you constantly wonder who zie’s supposed to be talking to.

In Pride, the parahumans were bioengineered by human corporations to explore and mine the Asteroid Belt. They successfully revolted and set up their own Asteroid Belt nations. Kismet also has furry nations in the Asteroid Belt, but the animal types seem more reasonable for space exploration and exploitation. Rats, wolves, foxes, large dogs, the big felines. In Pride there are those, but also enlarged ravens and others such as “a heavy set spider monkey”, parrots, and octopi, that do not seem to be logical for space mining. The ravens have sort-of hands:

“His [Cole’s] wings were also modified with small claws at the ends, apparently a small atavism the bioengineers found that dated back to the earliest birds from the time of the dinosaurs. They enabled him to hang onto an overhead handlebar while his feet manipulated the flight controls. Apparently there was a prevailing theory among some of the corps that created us that creatures that evolved in a three dimensional environment would be better suited to navigating the depths of space than us terrestrials. So rather than adding some animal genes to a human baseline genome like most did for their deep space workforce, they took the genomes of dolphins, parrots, octopi, corvids, and seals – basically any aquatic or flying animal that showed a decent level of intelligence – and boosted their brainpower until they could operate a spaceship. I don’t know how well it worked but I do know that for all his annoying quirks, Cole was a great pilot.” (pgs. 4-5)

This is imaginative and more colorful – birds or octopi piloting spaceships? — but is less plausible than the big mammals of Kismet.

Another imaginative bit is the culture of cloning. Parahumans buy their “children”. Here the four protagonists have moved from Ceres to Vesta. They find that the manufacture of clones there is controlled by the Society for the Preservation of Parahuman Species.

“Then he [Denal] paused as if in contemplation. ‘Hey, maybe we should all get clones. We can be like one of those human families. Me and Cole can be the dads, Aniya can be the mom, but what would that make you?’

I snorted derisively. ‘Save it until we have enough money to actually buy clones. I doubt they would charge a bunch of prospectors fresh from Ceres anything less than full price. And last I checked, clones were expensive.’” (p. 53)

And then, slightly less than halfway through, The Pride of Parahumans swings in a completely new direction! The quality of the writing improves (the expository lump is over), and the plot becomes entirely original – not just in comparison to Kismet but to other s-f. What had seemed like a pale imitation of Kismet becomes impossible to guess at – and very worth reading.

The Pride of Parahumans (cover by Donryu) is still not as good as Kismet, but you wouldn’t believe how two novels that begin so similarly can become so different. Read both, and if the beginning of Pride seems too similar to Kismet at first, stick with it. You’ll be glad that you did.

– Fred Patten

• Buy on Amazon

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Getting in on the ground floor here… At Long Beach Comic Con we came across Not Teddy Bears, a new art project created by Robert Ly. Is it a line of toys? A new on-line comic? A graphic novel? We don’t know! And the official web site isn’t very clear about that. But still, there is a story to be told here: It seems that teddy bears as we know them are not just cuddly little fuzzy friends for children, but physical representations we have created from our memory of small bear-like creatures who defend us from monsters. When our world is invaded by violent, evil forces, those creatures suddenly become very, very important once again.

image c. 2017 8vs8 Entertainment

The Animation Workshop recently did a few spots for the Danish NGO Plastic Change International. Aquatic furs don't get a lot of love so here is at least something.
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Submitted by Fred Patten, Furry’s favorite historian and reviewer.

Dawn of the Planet of the Apes: Firestorm, by Greg Keyes. Based on the screenplay written by Mark Bomback and Rick Jaffa & Amanda Silver, based on characters created by Rick Jaffa & Amanda Silver.
London, Titan Books, May 2014, paperback $ and £7.99 (304 pages), Kindle $7.99 and £3.99.

Dawn of the Planet of the Apes: The Official Movie Novelization, by Alex Irvine.
London, Titan Books, July 2014, paperback $ and £7.99 (313 pages), Kindle $7.99 and £3.79.

La Planète des Singes, the original novel, was written by Pierre Boule in France and published in January 1963. Forget about it. It has almost nothing to do with the movies except inspiring the first of them.

Planet of the Apes, the first movie, was produced by 20th Century Fox and released in April 1968. Boulle’s novel was so extensively rewritten by numerous hands as to create an original plot. It was mega-popular, launching numerous theatrical sequels, TV spinoffs, novels and novelizations, and comic books. The comic books have arguably birthed the most bizarre variations in the form of authorized teamups. Tarzan on the Planet of the Apes. Green Lantern on the Planet of the Apes.

But we digress. All (with one exception) of the movies and TV series have had paperback novelizations and authorized prequels or sequels. Beneath the Planet of the Apes, the first movie sequel, was novelized by Michael Avallone. Most of the other books have been by different authors. Here are the two written for Dawn of the Planet of the Apes, the next to last movie.

The Planet of the Apes movies can be roughly divided into two groups. The first includes the first movie in 1968 and its four sequels through 1973, plus two TV series. They are set in 3978 A.D. and the next few years, when time-traveling American astronauts find that intelligent chimpanzees, orangutans, and gorillas have replaced humanity. The first movie was remade in 2001. Not only did that have a novelization by William T. Quick, he wrote two paperback sequels. The second group, telling how the apes replaced humanity, began in 2011 with Rise of the Planet of the Apes.

Rise of the Planet of the Apes is the only movie that did not have a book, only a six-issue comic book prequel. In the near future Will Rodman is a scientist at Gen Sys, a San Francisco biotech company testing ALZ112, a viral-based drug designed to cure Alzheimer’s disease. The drug is tested on chimpanzees and unexpectedly greatly increases their intelligence. Rodman’s superior has the chimps killed, but Will and his assistant discover that a female had just had a baby. Will names the infant chimp Caesar and raises him as his own son. Events result in Caesar being taken from Will and imprisoned in the San Bruno Primate Shelter, where he learns to distrust humanity except Will. Gen Sys experiments with ALZ113, a more powerful aerosol drug. Caesar escapes, steals the ALZ113 from Will’s house, and returns to the shelter to raise the intelligence of all the apes there. They all escape under Caesar’s leadership, add apes from Gen Sys and the San Francisco Zoo, and form an army to battle the humans as they cross the Golden Gate Bridge into nearby Muir Woods. Will goes after them and begs Caesar to surrender since the apes cannot defeat all humanity, but Caesar’s loyalty is now with the other apes. However, mixed with a few earlier scenes and the movie’s closing credits is a foretelling that while the ALZ113 increases apes’ intelligence, it creates an Ebola-like lightning fatal pandemic in humans.

Dawn of the Planet of the Apes: Firestorm is “The Official PREQUEL to the Dramatic New Film from 20th Century Fox”. It was “The all-new bridge between Rise of the Planet of the Apes [released August 5, 2011] and Dawn of the Planet of the Apes,” published two months before Dawn was released on July 11, 2014.

Firestorm tells several stories simultaneously. It begins less than a week after Rise. San Francisco is calming down after “Monkeygate”, the strange simian escape across the Golden Gate Bridge, and focusing on the coming mayoral election between incumbent Mayor House and ex-police chief Dreyfus. The news is claiming that only ten or twenty apes have escaped, not hundreds. And the first deaths come from the new disease.

The interlocked stories, all sympathetic, are those of the apes under Caesar to reach a place of safety; a team sent to catch them, including primatologist Clancy Stoppard and a Congo expert ape tracker, Malakai Youmans; Dr. Natalia Kosar of one of San Francisco’s major hospitals, who is the first to get patients of the new plague; Dreyfus, the mayoral challenger; and the biography of the chimpanzee Koba, one of Caesar’s lieutenants.

Clancy and the older Malakai, who become friends, become aware that all the others on the team sent after the apes are not police or animal experts but professional hunters employed by Anvil, a private paramilitary contractor. Anvil’s team leader, Corbin, is impatient with the two “civilians”, and there are doubts that their rifles are only tranquilizer-dart guns. Caesar and his closest newly-intelligent lieutenants, the chimpanzees Koba and Rocket and Maurice, an orangutan, try to escape without harming any humans, but as they become increasingly desperate, the risk of deadly violence increases. The apes cannot talk in speech; they use sign language. Talia Kosar, an ER doctor, sees her accident and crime patients replaced by the new plague patients, who quickly overwhelm the hospital. In less than two weeks, San Francisco has over ten thousand fatalities, and there is widespread panicking. Dreyfus, the mayoral candidate, uses the plague in his campaign but he is genuinely concerned for the city’s welfare, and he provides the leadership that the incumbent mayor doesn’t. Koba’s life story before Caesar frees the apes and they become intelligent is full of human mistreatment and brutality. This justifies the apes’ escape, and also explains Koba’s hatred of all humans.

The apes’ stories are outnumbered by the multiple human’s stories, but they are all fast-moving and dramatic:

“Then she [Talia] turned toward him. ‘What’s up?’

‘You went to that symposium on respiratory infection last month.’

‘Mm-hmm,’ she said. ‘Sexiest symposium ever. Better than that rectal bleeding thing, even.’

‘I’ve got a woman I’d like you to take a look at.’

‘What are her symptoms?’

‘She’s sneezing up blood,’ he said.

‘Allergic rhinitis?’

‘She says she never has trouble with allergies – I had a look, and didn’t see anything,’ he said. ‘I’ve ordered a CT scan, but they’re backed up. Plus, she has a temperature of a hundred and four. She’s also showing some signs of subcutaneous bleeding.’

Talia was about to take another grudging drink, but stopped with the coffee cup halfway to her mouth.

‘How old is she?’ she asked.

‘Thirty-two.’

‘Let me see her,’ she said.” (p. 20)

They are well blended so the reader does not know what is coming next.

The scenes with the apes will be of most interest. They do not have human vocal chords, but Caesar has learned human sign language from Will Rodman and he teaches it to what he thinks are the brightest of the apes that he gives “Will’s mist” to:

“Rocket spotted the helicopter first, and a moment’s observation showed the machine coming straight for them.

Find this many, he [Caesar] signed to Rocket, holding up six fingers. Go, and be quick. Then he raced back down, leaping from tree to tree, toward the main body of his troop. Most were in the middle canopy, and he searched through them, making low calming noises, until he found one [of] the orangutans, Maurice. Maurice knew the hand language that Caesar had been taught.

Calm them, he told Maurice. Make them quiet, and lead them in that direction. He pointed off toward a thicker region of the woods, away from the approaching helicopter.” (p. 30)

Dawn of the Planet of the Apes: Firestorm is both suspenseful and fatalistic. The reader knows that whatever happens in the story, the Simian Flu will ultimately kill almost all humans and destroy civilization. Greg Keyes is a New York Times bestselling author of both original s-f/fantasy novels and many novels set in movie & TV s-f franchises.

Dawn of the Planet of the Apes: The Official Movie Novelization is set ten years later. It is quickly obvious that Alex Irvine’s writing style is much wordier and more leisurely than Greg Keyes; filled with more description than dialogue.

The first chapters establish the apes’ village, in a rainy forest near San Francisco:

“Their home, which lay behind a wall of timbers and a heavy gate, spiraled around the flanks of the mountain. It was a place made for them.

Apes looked over the walls and hung from the timbers higher up the mountain, hooting out excited welcomes as they watched the troop approach. The noise increased as news of the hunting party’s return spread.

[…] There was a central open area anchored by a large fire pit. Around it scattered clusters of huts and lean-tos followed the natural shape of the mountain’s slopes, continuing along the edge of a steep canyon bridged by fallen trees. The sound of the river rushing through the bottom of the canyon rose and fell with the seasons. […]

The village was united by a network of paths along the ground and timbers in the air, running from higher slopes to the branches of larger trees that grew within the walls. These trees, which served as lookout posts and homes, were connected to each other by woven grass ropes and swinging bridges.” (pgs. 16-17)

The apes are still led by Caesar and his lieutenants, Koba and Rocket, and their almost-adolescent sons, Caesar’s Blue Eyes and Rocket’s Ash. The apes ride horses, and hunt the elk and bears that have multiplied since man’s disappearance. Maurice has become a teacher in their village. It is close enough to San Francisco that the human city can be seen in the distance:

“Caesar had gotten them off to a good start. He would lead the apes until he was no longer able, and then his children and their children would spread over the world.

Perhaps someday they would return to the city where they had come from. He looked over it now from the upper part of his house, the side that faced away from the canyon and toward the jumbled hills and the ocean, far away, gleaming orange under the setting sun. Caesar remembered the first time he climbed one of the great redwoods and looked at the city, back when Will was alive. There had been so much motion then […]

Now he saw the city from much farther away. The air was clear and nothing moved. In the shadows among the buildings, no lights came on as the sun sank into the ocean.” (pgs. 29-30)

“I wonder if they really are all gone, he signed.

Ten winters now, Maurice signed. And for the last two, no sign of them. He shrugged. They must be.

Caesar wasn’t so sure. Humans had been strong enough and smart enough to create great cities. They had made roads across the world. They had built machines that could fly. Will had told him once that humans had even walked on the moon. If they could do that, what could kill all of them off? He knew some of them had been sick when the apes had escaped after becoming smarter, but apes got sick sometimes, too.

Yet no sickness killed them all.” (p. 31)

The humans are not all dead, of course, but they don’t appear until page 39, in Chapter 9 that establishes that Blue Eyes and Ash are best friends, but Blue Eyes resents that Ash is allowed more freedom than Caesar gives him.

The few human survivors have coalesced in San Francisco and are just beginning, with their children, to spread out again. Their group consists of five adult men led by Malcolm, his wife Ellie, and his son Alex. Malcolm is a reasonable man, but one of the others, Carver, is trigger-happy. He wounds Ash and almost starts a new ape-human war. Caesar lets the human leave, but everything is new from there. The apes, with spears and clubs, have to prepare for a new confrontation with humans with guns and worse.

Caesar sends Koba and his lieutenants, Grey and Stone, to follow the humans and report back. In this movie and novelization, Koba’s hatred of humans is intensified to fanatacism. Koba at first considers himself a loyal follower of Caesar, but that Caesar is too peaceful and the humans too aggressive. Koba is determined to kill all the humans this time, if he has to kill Carsar, blame it on the humans, and take over leadership of the apes.

The human Colony, in an unfinished skyscraper in downtown San Francisco, is led by Dreyfus.

“The lower twenty floors or so had flooring, and had been turned into housing for the few thousand people who, for all they knew, were the last surviving humans on earth. The bottom six floors occupied the entire block, and enclosed what had been envisioned as an upscale mall and luxury office complex.

Dreyfus had chosen the location carefully. The triple arch of the building’s main gateway was easily defended, and other entrances had been blocked for years. At first they had built defenses against gangs and loose militias that had ravaged the city during the plague’s first years. As time went on and more and more people died, however, many of those marauders ‘came in from the cold,’ as it were, joining what came to be called the Colony.” (p. 62)

Under other circumstances Dreyfus would have been happy to ignore the apes, but the apes’ village is near a dam that the Colony needs for hydroelectric power. Also, if the apes have spears and clubs, now that they know there are human survivors, will they attack? Dreyfus and Malcolm want to prepare for defense of the human Colony if necessary, while Carver and his followers want to take warfare to the apes.

Malcolm gets Dreyfus to put him in charge of a peaceful mission to get the apes to let them restart the hydroelectric dam. Carver sabotages that, which is what Koba needs to shoot Caesar with a stolen human gun and lead the apes to attack the Colony. Read the novelization or see the movie for the details of what happens; but to summarize, Malcolm and his family nurse Caesar back to health, Caesar realizes that apes can be as corrupt and untrustworthy as humans, Caesar takes back leadership of the apes after a fight to the death with Koba, and the apes prepare to defend themselves against another group of humans from a military base with advanced weapons.

See War for the Planet of the Apes (2017) for the sequel. Its book prequel and movie novelization will be reviewed in the future. These two Dawn books are well-written and worth reading, especially Firestorm. The movie novelization, which is a bit slow, may be skippable for those who are familiar with the movie.

– Fred Patten

• Buy Dawn of the Planet of the Apes: Firestorm on Amazon
• Buy the Novelization of Dawn of the Planet of the Apes on Amazon

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This one passed beneath our radar (perhaps naturally!) but we managed to catch it at Long Beach Comic Con. Nathaniel Osollo is an underground cartoonist who specializes in black & white… and funny animal noir. His most famous creation is Dark Mouse, “a disgruntled mouse with drinking and violence problems and a penchant for lady mice”. Whew. His first collection on paper is called I Used To Know Dark Mouse, but you can read it entirely on line at issuu.com. His web site, Eye Draugh (get it?) has more of Dark Mouse and other creations.

image c. 2017 by Nathaniel Osollo

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Anthem.video (A Pittsburgh based production company) goes to Anthrocon 2017 and film the experience. I'm sure for ... reasons .... or something. http://anthem.video/ [1] [1] http://anthem.video/
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Ever wondered if you should attend a writing retreat? What happens there? What will I achieve by attending? Welcome to a part two of where we try to answer those questions and more!

Ocean flew off to RAWR 2017 and recorded two podcasts while there. It’s now the last night before everyone heads home. The retreat is almost over. The frantic writing, critiquing and comradery is coming to an end, so Ocean sits down to discuss the amazing experience with the other attendees: Buni, NightEyes, Ryft, Otter and TJ. They talk about what it was like, what they learned, and what this retreat did for them.

Currently applications are open for RAWR 2017
If you are interested in RAWR, find out more and apply at: http://www.rawr.community/
Or follow them on twitter at: @RAWRWorkshop

Find the other attendees at:
Buni
@TJMinde 
@Ryft_Sarri
NightEyes
@runningotter

Ep 76 – Post-RAWR - Ever wondered if you should attend a writing retreat? What happens there? What will I achieve by attending? Welcome to a part two of where we try to answer those questions and more! Ocean flew off to RAWR 2017 and recorded two podcasts while there.

Thanks to Summercat for this guest post.

The Tower and the Fox is the Kyell Gold novel I’ve been waiting for him to write for years, and it has been worth the wait.

Like many people, I was entranced with The Prisoner’s Release and the rest of the Volle stories, but most of Kyell Gold’s work did not resonate with me, as he primarily wrote for the genre of “Coming of Age Gay Romance”. There’s nothing wrong with the genre, and the struggle to find one’s place in the world in the context of romance (and lots of gay sex) certainly can speak to multiple generations of furries.

Only, I never had those struggles and I tend to skip sex scenes in my furry novels. The prevalent nature of the genre has turned me off to a lot of written Furry fiction, even to the point I hesitate to read what I know would be clean. Yet even then, I enjoyed Kyell’s worldbuilding and storytelling. I felt Shadow of the Father was a fine novel that would have been improved by the removal of the sexual content, and had hoped to one day see Kyell’s skill turned towards a more traditional fantasy.

There’s not even a romance subplot in The Tower and The Fox, and the story is stronger for it.

The Tower and The Fox takes place in an alternate and magical history, set sometime after the Napoleonic Wars have ended. The North American colonies remain part of the Empire, with the only mention of a historical figure being John Adams. However, this is a world of humans, and the Calatians – magically-created animal-human hybrids – are a minority, and an ill-treated one at that, for many humans see them as naught but beasts, with many rights denied to them.

The story’s narration follows Kip, a fox Calatian, as he enters the Prince George’s College of Sorcery to be the first Calatian sorcerer. He is eventually joined by his otter friend Coppy, and makes friends with other students, including Emily, who wishes to be the first female sorcerer.

The book covers the time between the student’s admission and the selection of the Masters for their apprentices. We see Kip and his friends have to deal with challenges from other students, their teachers, and their own personal issues, with the selection of students near the end.

The construction of the plot was nothing new or unexpected, yet Kyell’s work on polishing makes it seem fresh. In addition, the different struggles and prejudices the characters each face are displayed wonderfully without being preachy. The novel ends in a set up for a sequel while still tying many loose ends. There are unanswered questions remaining, but I was left knowing that the characters would get to them in time rather than wonder if they had forgotten.

In the end, I lost track of time while reading The Tower and The Fox, and didn’t put the book down until I finished it. If you are a fan of Kyell Gold’s work or interested in a Furry Colonial Fantasy, I definitely suggest picking up a copy.

– Summercat

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Dear Papabear,

I wasn’t really expecting to have to ask for help with this, but as it turns out, my emotions have surprised me, and I find myself in need of some help.

As you may or may not know, I’ve recently become a property owner for the first time, aged 23, with a little 1-bedroom house that’s big enough just for a single rodent. And, despite being a bit frightened of total independence to begin with, I’ve actually grown quite excited about having my own place. I’ve already been envisioning ideas of how to redecorate it to be something all my own (well, as much as it can be, given it’s Grade II listed), and also being able to plan life to my own needs.

Despite this, part of the reason I’ve had to get a place of my own is because my mum has been trying to sell the family home so she can downsize to something cheaper. The reasons for this are complicated and would need a letter all their own if I even attempted to explain it, so let’s just say this decision is for the greater good. And, less than a week ago, we’ve managed to find someone who’s made an offer for the house. That doesn’t mean its outright sold, but the chances of us officially selling are highly likely.

So now, pretty much being given the official word that I’m going to be moving out, a few fears have struck me by surprise.

For one thing, there’s the matter of adjusting to my new life in my new home. It might sound rather daft, but I think the thing I’m going to miss most about this house isn’t the memories of what I’ve done here or how big the rooms are, but it’s the layout of this place. I have my little routines attached here, like how when I come home from work, I instantly walk through the kitchen and utility room to my downstairs bedroom/office and check my updates on my tablet, which I usually leave by my bed. And, being autistic, any sort of change often becomes a stressful event, so repetition and sticking to routines is very much a comforter for me in a world where things can become so chaotic and disjointed. With my new home, it’s going to be a whole new routine of how I live my life, and I’m not sure how quickly I’ll be able to adjust to this place. When I went to the USA for my first ever FurCon, I gave myself over a year to book things and mentally prepare myself for the journey. All I’ve been given for adjusting to my new life is 12 weeks!

For another thing, I don’t know how I’m going to be able to support mum during the move. This was essentially her dream home, and she’s put her heart and soul into making this place both her home, and her business (we run it as a Bed & Breakfast). So, now that it’s going to be switching hands and that she’s going to have to remove all her belongings and will pretty much be barred from entering this house ever again, this is going to be a big emotional hit for her. She told me from the day she put this house on the market that she was going to cry when the time came that she’d move out, and I really don’t know how I’m going to be able to comfort her when that day comes. It always hurts me deep when I see her in pain, and again, 12 weeks isn’t long for me to prepare myself for this!

I should probably make it clear that this isn’t the first time either of us have moved. We moved to this place some 14 years ago, essentially moving countries in the process (England to Wales) to start anew. However, in those 14 years, in one way or another, we both have grown attached to this place. I have with my routines and habits, and mum has put her heart and soul into making it hers. And, now that those attachments we’ve grown are going to be broken, I’m not sure how either of us are going to be able to cope.

Sorry for making this somewhat two questions in one (I know you have your “One Question per Letter” rule), but I guess what I’m asking in general is how can I be able to cope with this move, both dealing with my own stress and my mother’s?

Thank you for taking the time to read my letter, Papa Bear!

Hugs,
Charleston

* * *
 
Dear Charleston,
 
Well, yes, in a sense this is more than one question, but they really are all related; they are all about the attachment to things. Buddhism teaches us that the attachment to things is the source of pain, and this is very true.
 
I’m familiar with what you and your mother are going through. I’ve moved several times after being attached to homes and it can be gut-wrenching. The move from my 1865 brick Michigan home to a kind of crappy apartment in Palm Springs was a huge hit on my heart. The Michigan home was a place I loved and the last place my wife and I lived together, as well as where my beloved dog Keisha spent her life and died. Moving to California was very much like moving to another country; it is culturally extremely different from the Midwest. I remember moving my stuff into the apartment. It was October, and a flight of Canada geese flew overhead, just like in Michigan, and I wept with homesickness.
 
But I got over it. And now I love my new home and have absolutely NO desire to return to Michigan, believe me.
 
Humans love the familiar because it is comforting. Familiar surroundings and routines give us a base of stability in a chaotic world. Big life changes like the one you are going through, too, are especially challenging when you are autistic.
 
Let’s address you first, and your new little house. The first thing I would suggest is to try and transfer as many familiar things to your new home as possible. Also, try and arrange it as close as possible to how you have it in your current home. The more familiar objects in your house the better. Right now, I bet, when you looked at the new house and decided to buy it, it didn’t look anything like your house now, and this might have made you a little anxious. Try to imagine it with your stuff in it. Picture this every day until you move there. Figuring out exactly where to put chairs, photographs, tchotchkes, and so on. You might try taking a paper and pencil, drawing out the floor plan, and writing in where you want things. A good mental exercise that could calm you. Keep in mind not only the objects, but also the paths they create when you walk between them. Try to make these paths similar to the current ones (although the multiple floor pathway is not an option). It won’t be exactly the same, of course. But you can make it similar. Paint the walls a similar color. Even put in light fixtures and light switch plates that match the current home.
 
As for your mother, I’m guessing she is doing this move for financial reasons? Or perhaps the current home is just getting too much to maintain. Remind her, please, that the house is a home not because of its walls and windows and doors but because of who lives there. I’m reading between the lines here, but is this may be more about your moving out and her being alone than the house itself?
 
I’m not sure where your and your mom’s new homes are, but hopefully they are not too far apart that you can’t visit her. I know you are concerned about your mom and being there for her, so try to be there for her. During the move and soon after, you should visit often, but over time it would be healthier to gradually make the visits a little less often. Let her transition into this new phase of life slowly as you transition into yours.
 
For both you and your mom, focus on the positive aspects of this new phase in your lives. For you, this will be more independence and more self-confidence; for her, it will hopefully be less stress and a more peaceful, simpler life. Also, keep in mind you still have each other in your lives; that won’t change.
 
Life is about change. Change can be scary and nerve-wracking, but eventually we adjust to the new circumstances, which will, hopefully, make us stronger.
 
Hugs,
Papabear

Shreya Shetty (try saying that three times fast!) is an illustrator and concept artist with a history in Hollywood productions. She has worked for companies like Rhythm & Hues, Wizards of the Coast, and Toon Studios on projects as diverse as Life of Pi, Dreamworks’ Home, and Percy Jackson: Sea of Monsters. At her web site you’ll see many of her finished paintings of magical monsters and some cute familiar creatures, many of which she also sells as prints.

image c. 2017 by Shreya Shetty

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CJ redeemed his Good Boy™ qualities by actually showing up this week, though admittedly late. Lots of news in this one!

Download MP3

Watch Video Link Roundup:

• Boozy makes primer video about art contracts
  • Keen Firefox’s twitter comment
• @SashoWolf finds furry novel at local library
• Snickers Fantasy Commercial (feat. a centaur)
• JibKodi steals cookies!
• The Sun does a piece on Rainy Chaos
• 2017 is 69% complete
• Creator of Bojack Horseman tweets that he will be tweeting about Bojack Horseman a lot
• Adult Happy Dog Costume

News:

• Fur Affinity updates code of conduct to disallow hate groups
• New Milford councilman resigns after furor over “furry” activities
• Peppa Pig “Spiders Can’t Hurt You” Episode Removed From TV In Australia
• AI Trying To Design Inspirational Posters Goes Horribly And Hilariously Wrong
• Red Balloons Are Popping Up On Storm Grates Ahead Of ‘It’ Movie
• Delivery Driver Boxes in Owners
• Suspected Bank Robber Strips Naked
• Tinder Date Gone Wrong

FC-277 RIP Syndrome - CJ redeemed his Good Boy™ qualities by actually showing up this week, though admittedly late. Lots of news in this one!

CJ redeemed his Good Boy qualities by actually showing up this week, though admittedly late. Lots of news in this one!

Download MP3

Watch Video Link Roundup:

• Boozy makes primer video about art contracts
  • Keen Firefox’s twitter comment
• @SashoWolf finds furry novel at local library
• Snickers Fantasy Commercial (feat. a centaur)
• JibKodi steals cookies!
• The Sun does a piece on Rainy Chaos
• 2017 is 69% complete
• Creator of Bojack Horseman tweets that he will be tweeting about Bojack Horseman a lot
• Adult Happy Dog Costume

News:

• Fur Affinity updates code of conduct to disallow hate groups
• New Milford councilman resigns after furor over “furry” activities
• Peppa Pig “Spiders Can’t Hurt You” Episode Removed From TV In Australia
• AI Trying To Design Inspirational Posters Goes Horribly And Hilariously Wrong
• Red Balloons Are Popping Up On Storm Grates Ahead Of ‘It’ Movie
• Delivery Driver Boxes in Owners
• Suspected Bank Robber Strips Naked
• Tinder Date Gone Wrong

FC-277 RIP Syndrome - CJ redeemed his Good Boy™ qualities by actually showing up this week, though admittedly late. Lots of news in this one!

CJ redeemed his Good Boy™ qualities by actually showing up this week, though admittedly late. Lots of news in this one!

Download MP3

Link Roundup:

• Boozy makes primer video about art contracts
  • Keen Firefox’s twitter comment
• @SashoWolf finds furry novel at local library
• Snickers Fantasy Commercial (feat. a centaur)
• JibKodi steals cookies!
• The Sun does a piece on Rainy Chaos
• 2017 is 69% complete
• Creator of Bojack Horseman tweets that he will be tweeting about Bojack Horseman a lot
• Adult Happy Dog Costume

News:

• Fur Affinity updates code of conduct to disallow hate groups
• New Milford councilman resigns after furor over “furry” activities
• Peppa Pig “Spiders Can’t Hurt You” Episode Removed From TV In Australia
• AI Trying To Design Inspirational Posters Goes Horribly And Hilariously Wrong
• Red Balloons Are Popping Up On Storm Grates Ahead Of ‘It’ Movie
• Delivery Driver Boxes in Owners
• Suspected Bank Robber Strips Naked
• Tinder Date Gone Wrong

[Live] RIP Syndrome

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Tower and the Fox, by Tim Susman. Illustrated by Laura Garabedian.
Dallas, TX, Argyll Productions, June 2017, trade paperback $17.95 (265 pages, ebook $9.95.

Grump! This begins in media res, with 19-year-old fox-Calatian Kip Penfold grasping the locked gate of Prince George’s College of Sorcery in New Cambridge, Massachusetts in the early 1800s. Anything further that I say about it would be a spoiler.

Well, if the book’s blurb can give away several spoilers, so can I. The setting is a world like ours, but with magic. Think Harry Potter. Magic has apparently always existed. There were Sumerian and Akkadian sorcerers. The first Calatians (anthropomorphic animals) were created by magic in 1402. Magic helped win the War of the Roses in 1480. There has not yet been an American Revolution, and the British North American Colonies are still loyal to the Crown, although some people are restive about that. Others are unhappy with the social order of the times: Europeans › Colonists › Irish › slaves/Negroes › women › Calatians. The social order of the last four is uncertain; maybe females rank slightly higher than male Irish or Negroes, or Calatians are higher than them. But all four are definitely inferior to human Caucasian menfolk, Continental or Colonial. (Where the American Indians stand in this is uncertain.)

“He turned on his heel. Emily shouted after him, ‘Why do we have to prove ourselves?’ but he did not respond, nor turn, and this time she did not pursue him.

Kip felt a sinking feeling in his chest, watching the sorcerer walk away. ‘Because we always have to prove ourselves,’ he said. ‘Because of how we look.’

‘Rubbish,’ Emily said. ‘We’re living in the age of enlightenment, for God’s sake. There’s no reason a woman can’t be a sorcerer. Nor a Calatian, for that matter.’

‘I hope not.’ Kip rubbed his paws together. ‘But none has, not ever.’

Because of people like him.’ She didn’t have to specify whom she meant. ‘Because of people who think men are the only capable creatures God made. Only men can own property or have a voice in government. Can you own property?’” (p. 11)

In a sense, this is a typical British schoolboy novel in a fantasy setting. The main characters are the four “unnatural” applicants to the College: Philip “Kip” Penfold, a fox-Calatian; his friend Copper “Coppey” Lutris, an otter-Calatian; Emily Carswell, a human woman; and Malcolm O’Brien, an Irishman*. There have never been any but White (Caucasian) male sorcerers before, but an emergency situation has forced the College to open itself to a wider call for applicants – “any Colonist of magical inclination and ability may apply” – and the four take advantage of it.

Despite the official call for applicants, there are those among both the college faculty and the other students who consider it disgraceful that non-Whites (including Irish), animals/Calatians, and women are allowed to become students. They are determined to make them fail.

“The rest of the exam proceeded much like that; when Kip gave the correct answer, Patris said nothing. When he gave a correct answer that could be better worded, or was slightly incomplete, Patris corrected him with a slight sneer of condescension.

Forty-five minutes into the examination, Patris said curtly, ‘You are done.’ He made two more marks on Kip’s paper and then shuffled it aside.   He didn’t even look up to meet Kip’s eyes.

Kip walked out the back without a word, but had to walk back and forth to work off his anger before he could sit down with the others. Coppy had been treated much the same, but it didn’t bother him. ‘Least he listened to me,’ he said.

Emily, though, was still furious. ‘Whenever I didn’t know something, he would say, ‘as I expected,’ or he would just smile, and once I was so angry that I said. ‘If people would take the time to teach mathematics to women, they would find many willing to learn,’ and he said, ‘women do not have the proper parts of their brains to learn mathematics.’ Aren’t they supposed to be intelligent here? I expected him to start measuring my skull with calipers to see how in balance my humors were! It’s completely laughable.’” (pgs. 65-66)

The Tower and the Fox covers the first semester of the College of Sorcery’s new class. In addition to internal dissention, Kip has to face disapproval among his own Calatians in New Cambridge– some feel that he is putting himself above the place of Calatians by trying to learn magic at the College, and that social retribution will fall on all Calatians – and some in the government oppose letting any Calatians learn magic for fear they will join the growing revolutionary movement seeking independence for the Colonies from the British Empire. Kip just wants to learn magic for his own sake, but each of his friends and enemies have their own motives – and magic ensures that the College’s Masters do not know as much as they believe they do.

Tim Susman wrote or edited his first three books (Breaking the Ice, Shadows in Snow, and Common and Precious) under his own name from 2002 to 2007. In 2005 he began using the pseudonym of Kyell Gold, and has written two dozen books under that name, including many award-winners. Now he is returning to his own name with The Calatians, of which this is Book One. The Tower and the Fox has a cover and nineteen chapter-heading drawings by Laura Garabedian. It comes to a satisfactory conclusion, but the adventures of Kip Penfold and his human and Calatian friends and enemies – not to mention demons and elementals – are just beginning.

*If you think the Irish were considered White men by the British upper classes before World War I, I have some old British racist jokes for you. One stuffy British colonel to another: “I say, who do you consider the most reliable Colonial troops to be? The Gurkhas? The West Africans?” “Oh, the Irish, definitely. When led by White officers.”

– Fred Patten

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Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon, where you can access exclusive stuff for just $1.

This year at the Long Beach Comic Con we found a crafter named Dana Duncan who creates and sells art under the name The Pink Owlette. Yes, owls figure prominently in her designs, but so do cats (in space, or in cactus — go figure!) and foxes and unicorns, among other animals. She works those designs into enamel pinks, iron-on patches, and various fashion items and accessories. Check out her web site to see the latest of what she’s been up to.

image c. 2017 by Dana Duncan