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Ep38 – Plus Three Wizard Pen - We discuss role play and how you can use it in relation to writing Original Air Date: Apr 12, 2015
Ep 37 – Protagonists - Time to talk about your heroes and story makers: protagonists! Original Air Date: Mar 18, 2015
Ep 36 – Burnt Out - We talk about burn out. How you get it and what to do to work through it. Original Air Date: Feb 28, 2015
Ep 35 – Horror Extravaganza - We bring on special guest @IanusJWolf to discuss Voice and his favourite genre: Horror! Original Air Date: Dec 3, 2014
Ep 34 – World Building - We talk about world building in your stories Original Air Date: Dec 3, 2014
Ep 33 – Post RF Grab Bag - We discuss some random topics after our time at RF 2014 Original Air Date: Nov 17, 2014
Ep 32 – SWS – Fonts and Claws - EXPLICIT WARNING! We have our usual round table author talks where we talk about anything and everything at RF 2014 Original Air Date: Oct 20, 2014
Ep 31 – Networking at RainFurrest - We discuss how to network at our panel at Rainfurrest Original Air Date: Oct 5, 2014
Ep 30 – Big Bad Guy - We discuss antagonists! Also there’s a small intro about defaults in writing before discussing. Original Air Date: Sep 24, 2014
Ep 29 – Fan Fiction - We discuss why fan fiction shouldn’t get a bad rap and tips for writing it Original Air Date: Sep 9, 2014
ROAR 9, ed. Mary E. Lowd
The ROAR anthologies are always an impressive collection of quality stories, and ROAR 9 continues that tradition with contributions on the theme of “resistance.” The table of contents includes more than a few powerhouse furry authors, and the stories inside are, for the most part, explorations of very serious themes and often heartbreaking situations in which individuals rise up in a spirit of resistance against oppression, discrimination, and bigotry.
"Saguaros" by Watts Martin is an exquisitely written story about a rabbit who lives in service to a coyote woman. This is a tale of magic, illusion, and rebellion that has such a sweet, poetic note to it that it is a delight to read. As an opener to the anthology, it set the bar very high.
Thankfully, the rest of the stories had no problem holding up that standard.
"Ghosts" by Searska GreyRaven features a pizza delivery girl with a crush on one of her customers and a dangerous paranormal secret. The story is touching, sweet, terrifying, and masterfully written.
"Froggy Stews" by A. Humphrey Lanham tells the story of a frog attempting to share living space with a sea lion. Another piece with really stellar writing, this is one of the few stories in the book in which the resisting protagonist isn’t the clear-cut “good guy.” That being said, I found it charming and hilarious despite the somewhat grim ending.
"Post-Isolation" by Ellis Aen is a non-linear story and takes a bit of effort on the reader’s part, but of the lot, I think it is one of my absolute favorites. It is heart wrenching in its plot, beautiful in execution, and saying too much more about it would ruin it for the reader. A stellar tale.
"Resistance" by David M. Sula is another heartbreaking but lovely story about a lion and a human living together in a time of plague. Considering that ROAR 9 was published in 2018, this story has some eerily familiar themes to today’s reader. It might be a tough read, but it’s well worth it. I did see the ending coming a little way in, but it was still very impactful.
"The Hard Way" by Val E. Ford is an unusual exploration on the idea of soulmates that ends up being a strange blend of tragedy and humor. I found it fascinating and delightful with its bizarre mixture of violence and affection.
"Coyote Magic" by Ryan Campbell is another one that quickly became a favorite even while it broke my heart. In a world where everyone has magic, a boy must come to terms with a disappointing manifestation of his power. As a lifetime fan of old man Coyote, this story perfectly captured for me the concept of trickster magic. I loved it.
"The Last Roundup" by Amy Fontaine explores a clash between environmentalism and tradition in a beautiful, nostalgic way. The story has a bittersweet tone that is just delicious and does a fabulous job of showing a situation in which there is no easy, clear-cut answer. Fontaine describes it with a sensitivity and authenticity that is amazing on the page.
"Safe Mode" by John Giezentanner is easily the best, most visceral portrayal of social anxiety I’ve ever encountered on the page. A pangolin is the perfect vehicle for communicating what it feels like inside a panic attack, and the topic was dealt with so sensitively and adorably that it’s impossible not to fully embed in this story. An easy favorite.
"Laotian Rhapsody" by Al Song tells the story of a young Dhole magician who wants to do something meaningful with his music. It illustrates the struggle of a young artist against the tide of commercialism and the solution comes from an unexpected source that makes for a lovely story with a very sweet ending.
"Qibla" by Bill Kieffer follows Cecil and Jinx, an alligator and a cat dealing with the difficulties and differences of being in a relationship together, facing religious and speciesist discrimination, and finding common ground to face their difficulties as a united front. The writing is top notch on this one, and I love the inclusion of a reptilian protagonist. The story is tough and honest yet still manages to be loving and hopeful. I enjoyed every moment with these characters.
"Dear Sis" by Matt Doyle is a story told through a letter to the protagonist’s sister. It is a lovely and intimate look at the struggles of the gender-fluid main character but is another one where the ending becomes clear fairly early into the read. Still a well written and beautiful piece.
"Every Last Paw" by Blake Hutchins is a surprising inclusion in a sea of super serious and somewhat dark stories. The tone of this one is much lighter, and though it’s a well written and fun story, it felt off theme mostly because of the sort of grim-dark feel of the pieces leading up to it. That being said, who can resist a fun adventure story featuring an adorable kitten?
"Mixed Blessings" by Kittara Foxworthy is another one that felt slightly out of step with the literary somberness of the rest of the anthology. It’s a sci-fi piece and definitely fits the idea of resistance, but had a younger, lighter tone than most of the other stories. I still enjoyed it, though I found a lot of the plot’s events tended toward very convenient solutions. It’s a solid story and a fun read, nonetheless.
"No Dogs" by KC Alpinus uses dog breeds as allegory for racism and is both a serious read and a heartwarming story with an uplifting ending. It fits well with the tone of the early stories in the book, but also provides a nice bridge from the preceding two as the young age of several of the characters gives it an almost middle grade feel in places. "No Dogs" does a fabulous job of tying up the end of the collection and leaving the reader on a high note.
Overall ROAR 9 is exactly what I’ve come to expect from this series. Quality stories with excellent writing that will definitely not disappoint. A great sample of furry literature and an inspiring peek into the many forms of resistance.
ROAR 9, ed. Mary E. Lowd
Cats… Saviors of the Universe
Another animated series for the young fans — and where-have-WE-been, it’s already getting into its second season! This from Animation World Network: “Nelvana and Discovery have greenlit a second season of redknot’s inaugural series, Agent Binky: Pets of The Universe… Based on the bestselling Kids Can Press graphic novels (written and illustrated by Ashley Spires), P.U.R.S.T. agents Binky, Gracie, Gordon, Loo, and Nola are back on the case and ready to protect their human families from even more aliens, robots, and interstellar threats. Certified and ready for action, the team is determined to go where no pet has gone before! Equipped with even more gadgets, the agents set off on exciting adventures, exploring new locations, and meeting new friends.” It’s scheduled for later this year in Canada, but no word on a date for the USA.
image c. 2021 Nelvana
Raptors on the Range
And more new TV series for the younger folk. This time it’s Dino Ranch, coming later this month to Disney Junior. “The animated series, produced by Industrial Brothers and Boat Rocker Studios, follows the Cassidy family as they tackle life in a fantastical, ‘pre-westoric’ setting where dinosaurs roam. As the young explorers learn the ropes, they discover the thrill of ranch life while navigating the great outdoors through unpredictable challenges.” Seriously, sometimes all you need to do is take a look at one picture and it’ll tell you all you want to know about a series! For the rest, visit Animation World Network.
image c. 2020 Boat Rocker Studios
Bearly Furcasting #37 - Timber Puppers, Jabberwocky, Really Bad Jokes
MOOBARKFLUFF! Click here to send us a comment or message about the show!
Voice Actor and all around fun pup Timber Puppers joins us this week on the Pod. We talk about how to break into the voice acting business as well as Timber's successes in this field. Taebyn cold reads Lewis Carrol's Jabberwocky Poem. Is Romania Hungry? What is a C.O.P.? Can you whip a chain? Why do we ask if we 'can't' do things? Join us and all our habitual listeners as we explore these things and more!
Thanks to all our listeners and to our staff: Bearly Normal, Rayne Raccoon, Taebyn, Cheetaro, TickTock, and Ziggy the Meme Weasel.
You can send us a message on Telegram at BFFT Chat, or via email at: bearlyfurcasting@gmail.com
Teen Is Fearful of Becoming Bitter towards Friends
I've always had this bitter feeling between me and my parents. It's not hate or spite. It's just a unpleasant. I feel like it has to do with differences in political views. I hate this feeling. I feel unwanted in this world in I'm around my parents or any authority figure. The only people that make me feel whole and wanted are my friends. I love my friends, they make me feel wanted, like I deserve love. However, there's this fear in my head. I'm afraid of that bitter feeling and I'm afraid of that bitter feeling spreading. I mean, I've had friends with different political views but I never had any feeling of bitterness with those select friends. All of my friends, and I mean; ALL OF MY FRIENDS make me feel whole and wanted. What I'm afraid of is that the bitterness would spread in some friendships. I absolutely don't want that. I don't think I can bare such an oppressive feeling. I have a good feeling that it will NEVER happen. But I still fear it. So what do you think is the deal? Why is it that my parents and authority give me that bitter feeling? It confuses the hell out of me.
Maxi (age 18)
* * *
Dear Maxi,
It is quite natural for teenagers to resent, disagree with, and even sometimes hate their parents. I would, however, be hesitant to believe that you "always" felt that way. I'm sure that when you were a baby and little kid, you loved and looked up to your parents. As you got older and started to form your own opinions and worldview that didn't mesh with your parents' views--and, also, found them to be authority figures who restricted what you wanted to do (i.e., your "freedom")--you began to dislike their company. This pretty much always happens. My theory is that Mother Nature plans it this way because fledglings eventually have to leave the nest, and it is easier for parents to kick their kids out of the house (or to see them go on their own) during a stage in their lives when they become obnoxious, disrespectful, and petulant.
You see, Maxi, growing up comes in three phases: 1) infancy and childhood, when you depend on your parents as your sole source of nurturing and comfort and you believe they know everything and they are your world and you crave their attention and love; 2) puberty and the teen years, when you suddenly know everything, you're always right, and your parents become utter morons who should be put in an institution for the sake of public safety; 3) adulthood, when you realize that both you and your parents have good and bad points, know some things and not other things, and you are all basically good but flawed human beings. You are currently in Stage 2.
Stage 2 is also characterized by the forming of close bonds with your peers, who you feel more closely reflect who you are, what you think, and how you feel. All of you are in the phase when you resent your parents as authority figures, and this is often expanded to all authority figures (teachers, bosses, police officers, politicians, etc. etc.)
As your friendships progress, you will lose some friends along the way (they will move or you will stop sharing interests or you will find out they are jerks), but you will also form new friendships. Do not become distressed by this because this is also perfectly normal. Do not be upset if you become "bitter" about some of these lost friendships. That is also normal.
Do you see a theme here? The theme is: You are normal. Everyone goes through this to a greater or lesser degree. You are not suffering from any weird psychological or emotional disorder. You're fine.
Eventually, as you mature, in all likelihood you will realize you are not as smart and cool as you think you are and your parents aren't as despotic and mean as you think they are. I feel quite confident that you are not unwanted and that your parents actually love you quite a lot. Over time, you will also get better at forming true, lasting friendships and recognizing which people are just fair-weather friends or, perhaps, even users. You will form better friendships and your relationship with your family will get better (this, again, is a typical pattern but there are always exceptions, but I see nothing in your letter at this time to indicate it will progress otherwise).
I hope this makes you feel better, Maxi. You are just at the beginning of exploring deep, meaningful relationships because you yourself are becoming a more mature, complex, and interesting person. Roll with it.
Hugs,
Papabear
Learning Experiences
Dreamworks Animation has a new streaming show out there for the younger set. Here’s what we got from Animation World Network: “DreamWorks Animation’s Gabby’s Dollhouse, now streaming on Netflix, is a mixed-media preschool series that follows Gabby as she unboxes a surprise before jumping into a fantastical animated world full of adorable cat characters that live inside her dollhouse. The series emphasizes personal growth, inspiring kids to turn their missteps and mistakes into something creative and beautiful. True to Gabby’s signature phrase ‘we failed fantastically’, every episode encourages flexible thinking and imaginative problem-solving through resilience and resourcefulness. Through DIY crafting projects, baking recipes, and brain games, every room of Gabby’s Dollhouse is filled with fun activities and magical adventures to keep kids engaged and entertained.” At least for the moment, there are clips up on YouTube.
image c. 2021 Dreamworks Animation
(IVÁN): The Father had ancient Israel turning Satan’s kingdom of darkness into His holy heart’s new sweet earth for you now:
Statement on the Attack on the US Capitol and FWG’s Stance on Hateful Ideologies
Yesterday, the United States Capitol was overrun in what can only be called a terrorist attack by fascists attempting to overthrow the US Government. The Furry Writers’ Guild is in no way a political organization. However, during times like these, the Guild must take a stand and speak out against hateful ideologies.
The Furry Writers’ Guild is an inclusive organization. Our members come from many countries and many walks of life — and we celebrate that diversity. It is one of our greatest strengths.
As our Code of Conduct says:
The FWG welcomes and supports all backgrounds and identities. This includes, but is not limited to, participants of any age, experience level, nationality, race, ethnicity, religion, ability/disability, gender identity and expression, sexual identity and expression, or level or type of participation in the furry fandom.
We oppose — and will take action against — any behavior that supports hatred. We will not accommodate hate speech, for doing so is no defense of free speech. It only silences the speech of others, and we cannot and will not turn a blind eye to bigotry no matter how artfully it is coded.
To make it perfectly clear: If you would denigrate or demean another person based on ethnicity, nationality, religion, sexuality, gender, disability, or lack of means, the FWG is no place for you.
Our Code of Conduct includes a section on reporting inappropriate behavior. I will personally guarantee, if I receive a message regarding dangerous conduct from someone currently in Guild spaces, that our staff will take it seriously and will be swift to act.
We have shown support for the Black Lives Matter movement in the past and will continue to support authors, publishers, and anyone else who is a part of a marginalized community. We always want our members to feel safe and to do our best to uplift their voices. If the Guild can do better in this regard, please get in contact with me or any member of the Guild Administration right away — it’s a top priority.
We know the world is a scary place right now so we want to make sure good stories can keep being released into the world. We hope our members and all furries will do their best at this time to support one another and speak out to support those who need it most. Stay safe out there, friends.
– FWG President Linnea “LiteralGrill” Capps
The Gryphon, by Paula Grover
There has been a glut of gryphon books recently: Jess E. Owen’s Summer King series, K. Vale Nagle’s The Gryphon Insurrection, Dire, by John Bailey, and The Gryphon Generation by Alexander Bizzell (not to mention my own Griffin Ranger series). So now we can add the simply titled The Gryphon to this list.
Stripped down to the basics, The Gryphon is a princess story. With a mostly female cast, it definitely passes the Bechdel Test. Sunsky is the princess, set to inherit the rule of Gryphonia from her wise grandmother Queen Heartsong. Gryphonia is a menagerie of gryphons and gryphon-type creatures. There’s the winged gryphons, who are all female, the opinici, who are winged, male, and have the front legs of a lion instead of eagle talons. Then there’s keythongs and kryphons, wingless male and female, who are doomed to sterile servitude to the winged ones. Then there’s winged hippogryphs, winged horses, and regular horses, who live in the Valley of the Outcasts. There’s also an isolated colony of humans, called hopahs by the gryphons.
This cast of species has an interesting biology, and can all interbreed with each other. Gryphons can give birth to live young, or lay eggs that they keep in a pouch, and produce both winged and wingless offspring from any given mating. Even though contact between the gryphons and equines is strictly forbidden (according to the Gryphonic Code), everyone in this story is very promiscuous (which is why there’re so many hippogryphs). So in addition to her two full sisters, Sunsky has a half-sister named Talona, the result of a ‘courtesy mating’ her father had with another gryphon. With a name like “Talona,” she’s pre-destined to be the bad guy, and her conniving mother wants her to inherit the queenship instead of Sunsky.
When Sunsky is injured and nursed back to health by a dashing winged stallion, of course mating with him is the only polite thing to do. Since she’d already mated with her promised prince, Dreamspinner, when she finds out that out that she’s expecting she hopes all the offspring will be gryphonic. Unfortunately one of the three offspring is going to be a winged hippogryph, and Sunsky is given a choice between renouncing her royal title and going to the Valley of the Outcasts, or turning the ‘choal’ (chick + foal) over to the hippogryphs to be raised by them.
She chooses exile, which sets off the main plot of the evil Talona becoming queen, while Sunsky (renaming herself Sunground) raises her offspring among the winged horses and hippogryphs. Skip ahead a lot of years, and (predictably) Talona’s reign has not gone well, and Sunsky is called on to reclaim her throne.
The overarching theme of this book is tolerance and forgiveness, where Sunsky chooses a Ghandi-type approach rather than a bloody civil war. All the characters and species have to overcome long-standing prejudices, and in some cases admit their own culpability when things go wrong. It is rare to come across such an aggressively non-violent tale.
Stylistically, the book is an odd amalgam of My Little Pony type princesses, with characters that really sleep around (no graphic sex, however). In other ways the cast of gryphon and equine characters reminded me of the excellent Firebringer books by Meredith Ann Pierce. The prose at the beginning is awkward and could use some work, but it gets smoother after the first couple chapters. Unusually, this is a self-contained story, and so a good choice for people who don’t want to commit to a long series.
If you don’t mind the character’s laissez faire attitude concerning fidelity, this is an excellent story for tweens, and a good addition to the growing shelf of gryphon-specific tales.
The Gryphon, by Paula Grover
Interview: Dajan Tafari on Spin the Bottle and Writing Vore
Content Warning: This interview contains discussions about adult works that include the topic of vore content.
Welcome back everyone — it’s time for our first interview of 2021! Today we sat down to interview Dajan Tafari, the author of the recently released Spin The Bottle from Fenris Publishing. Dajan is a lion furry who joined the fandom back in 2012 and was once the type to lurk while making pencil drawings in the fandom. Five years ago he began writing and drawing vore content and the rest is history.
With our introduction out of the way, let’s get to that interview!
FWG: What do you think makes a good story?
Dajan: Well I guess that depends on what you mean by “good.” I’ve read stories that were badly written that I enjoy, and I’ve read well-written works that were a slog to get through. When I write, I tend to prioritize the emotional arc. I know I’ve done a good job with a story if I’ve made my readers feel something: happiness, relief, grief, laughter, anger. I ask myself, what contributes to that final catharsis.
Everything is just one brick in the road that takes the reader to that moment to maximize the emotional impact. I want to read a story that affects me similarly. I want to be moved. The stories that move me are the most memorable, and I’d say that is the most important thing for me when judging if a story (either mine or someone else’s) is “good.”
FWG: You wrote what is likely the first vore focused novella out for the furry market. What got you interested in writing a vore story?
Dajan: Well personally liking vore is a big part of it. Most of the stories I’ve written for FurAffinity were in the vore kink, and I’ve done a fair number of commission vore stories. There’s a lot of great vore art out there, but a good vore story is harder to find. Because vore is such a niche community, often times people have to take what they can get. So you see a lot—and this is more true for non-furry vore writers than furry vore writers by my estimates—of flash fiction single scene stories that are made quickly to satisfy quickly. You get a lot of carbon-copy flashes without much substance.
The problem with that is you miss out on all the stuff that can make erotica so engaging: the tension, the anticipation, the relationship itself. A good vore story has that. Some of the best vore stories I’ve ever read are actually quite long; ten thousand words or more.
I write the kinds of stories that I want to read myself. Most of my works available on FurAffinity are pretty long for short stories. I like to take my time building up to the actual indulgent scenes.
Erotica is all about feelings: arousal, tension, suspense, anticipation, and release. And so writing erotica in general lets me really focus on that emotion-centric writing process. My long stories earned praise that told me that I was doing something right. People would comment on the length and say in one way or another that it contributed to the enjoyment.
I think vore is an especially unique kink that can become incorporated into the world of the story itself. The way the rules of vore operate in a given scenario can influence the genre of the story. The way the society treats it can open up so many doors for plot. I’ve always been fascinated by the unique pred-prey relationships that can be afforded by furry fiction that you can’t see in human stories.
Vore lets me tell unique stories, and so after having moderate success in my freelance work, going to furry conventions and seeing people unashamedly buying vore-related art packs and merchandise from other artists, and then managing to have a vorish story published in Rechan’s and KC Alpinus’s “Thrill of the Hunt” anthology, made me want to go all the way. It made me realize that there’s not just a market for longer stories in the vore fandom. There’s a market for vore in the furry fandom.
When I started writing “Spin the Bottle” I imagined it would just be a short one-off story, maybe six to ten thousand words, but I became really invested in the characters while writing their earlier scenes, and I wanted to see how far I could take this. Once I was about thirty thousand words in, I knew this was the piece that I could take all the way. So I added some more vore scenes to help with the pacing, added a couple more characters to flesh out the arcs, and after a few months of rigorous edits and helpful feedback from my boyfriend, I had a working draft that I started to send to various furry publishers.
FWG: What challenges came with writing about a niche kink? Were there any concerns on if a publisher would pick it up?
Dajan: Oh there definitely was that concern. The furry fandom is wonderfully sex-positive in most regards, but you don’t want to push kinks on people, especially unsuspecting editors. So I started by reaching out via email to the various furry publications. They all have those emails listed to ask for submission guideline clarifications for a reason after all, so I started by just reaching out to see if it was even something they’d accept. It saved everyone a lot of time and potential discomfort. In the end I found two that were willing to publish vore writings at all, so the project basically had to get shelved until they opened for submissions. It’s just like writing any other book, except a single rejection would cut your prospects in half.
FWG: With those kinds of challenges in mind do you think it’s worth it for other authors to try and take on other specific niches similar to vore in their writing?
Dajan: I definitely think they should if for no other reason than to prove that niche material sells. The entire furry fandom is a living example of the good that can happen when people with a niche interest can come together and inspire each other to make great things. I doubt that what I wrote will do for vore what 50 Shades of Gray did for BDSM, but it’s a nice pipe dream. The furry fandom gets stronger when we share more unique stories not less.
When I submit non-erotic stories for publication in the fandom I often see that little blurb in the submission guidelines of “No foxes at Starbucks.” There’s already a desire to break away from clichés. What better way to do that then to open up more publications to these kinks? If more people are writing those stories, and more people are supporting those writers, I think the spaces will be made in one way or another to let non-traditional kink erotica have its place in the fandom. The furry fandom is already such an immense buffet (pun not intended) so why not strive to add one more side dish?
The barrier to entry is high right now, but I hope that if other erotica writers try to carve out the space for their work then maybe that barrier can whittle down over time. I hope that this is the start of a trend and not a lucky outlier, but time will tell. Personally I would love to fill my bookshelf with vore books by the authors I like. Writing is writing, but having something bound in paper adds a certain amount of legitimacy that I’d like to see extended to more furry authors
FWG: So do you have any other future projects in the works? A sequel to your already successful story?
Dajan: I always have future projects. “Spin the Bottle” IS going to get a sequel. The working title is “Truth or Dare” and it will pick up where the first book left off. As I mentioned before, I love exploring pred-prey relationships, and I’m looking forward to fleshing out—or I guess you could say fattening up—the world and side characters as well as exploring the notion of consequences, the effects and aftershocks of the first book’s events.
I also have a book of vore short stories in the works as well as adapting an old unfinished miniseries of mine into a book. And that’s just the erotica. I’ve got plenty of short stories, poems, and non-furry books to write that will keep me busy for a long time to come.
FWG: Would you have any advice for people who might want to write a vore story for the first time?
Dajan: I guess that depends on if the writer is into vore or not. If you’re into vore, you’ll know what you like (and there’s a lot of versatility to the kink). And because there’s so much versatility, if you aren’t into vore, if you’re approaching the kink as an outsider, you want to do your research. The aesthetics of vore tend to be obvious: big bellies, belches, bulges; you know, the three Bs. If you don’t know the nuances of what makes those things sexy (or comforting for my asexual vore-lovers), then you’ll step into the cliches that won’t spark joy.
In erotica, emotion is so critical. To go back to those infamous single-scene stories with no sense of build-up, I don’t typically come away feeling much of anything, especially arousal or satisfaction. So many of them are just, “Mean guy stomps in, says something demeaning to the prey, gulps them down, and then says something else demeaning.” It’s superficial. I’m not saying that those stories are made by people who aren’t in the vore community, but there are a lot of people in the vore community who wouldn’t make those pieces their go-to content, and outsiders who want to try their hand at the craft of vore stories would need to do their homework BECAUSE many people want more than that out of their vore stories.
I think any successful vore story needs to have some sort of arc to it (even if it’s something simple). It doesn’t need a big extravagant plot, but there needs to be a set-up, conflict, and pay-off whether physical, ethical, moral, societal, etc. Talk to vorephiles and come to them with a sense of curiosity. Even if you’re already into vore, talking to other vorephiles is critical. What one person might find sexy, another person might find offputting. Knowing turn-ons and turn-offs is especially necessary when doing freelance writing for others. And learning about the ins and outs of the fetish from other people can often enrich your own appreciation of it. Try to build a sense of community if you don’t have that. Make friends who you can talk to about it. Sharing and bouncing ideas off each other is great for inspiration and developing stories in the early stages.
Spin the Bottle wouldn’t have gotten as far as it did without my boyfriend and other good friends in the vore community to help edit and expand it. Talking to people about your ideas and desires, the things you want to try, other ways to approach the kink, and what you both love about other stories you’ve read is one of the most important things you can do to develop a deeper understanding and appreciation for the kink and its community so that you can create works that will bring satisfaction to others. No writing can happen in a vacuum, and that’s especially true for vore.
FWG: Any last things you’d want to tell our readers?
Dajan: So as I mentioned above, one of the things I love the most about vore is the versatility of it and the unique affordances that such predatory dynamics can add to the world and the story. If you aren’t into vore, definitely do some research and learn more about it. I think the kink is widely misunderstood. So I actually would encourage non-vore furries and non-vore non-furries to read vore.
The anime Beastars has been making waves in the furry fandom (and outside the furry fandom), and while I would argue that that isn’t vore, it does create a tense and intriguing story that can only be told with the predator/prey dichotomy of a furry world where civilized people consume each other. Vore can put a less grotesque spin on those dynamics.
I’m happy to say that two of my best friends who are not into vore or even furries at all both read my book and even though they don’t share the kink or even fully understand it, they enjoyed the story for what it was. One of them was even kind enough to write a glowing review about its plot and characters for my publisher’s newsletter (anonymously of course). Because vore is a kink and also a unique storytelling device, I would love to see it garner more legitimacy in the furry fandom rather than pushed aside as “the weird fetish.” I’m sure it will be a long time coming before it’s acceptable in the mainstream, but even if you aren’t aroused or comforted by the content, I think there’s a lot to be gained for “normies.”
I set out to publish the first printed vore book (that is to add not self-published), and now that I succeeded, what I want most of all is to see other people enjoy it for the merits of its story and characters that exist beyond the kink, and so it gave me great pleasure to see the Furry Writer’s Guild advertise Zarpaulek’s Vore Anthology (in which my next short story “Coming Out” will appear) over the summer and give more public attention to this sort of content, and I’m incredibly thankful that you took the time to sit down and have this chat with me.
Vore is a kink, yes, but (at the risk of sounding cheesy) there’s something magical and unique in the way it brings people together. After all, my boyfriend and I met online because he liked my vore stories and wanted to talk to me about them, and now we’ve been a couple for four and a half years. Somehow, writing in this niche kink on the internet has yielded some of my proudest successes and profoundest happinesses, and I look forward to keeping the momentum going and seeing not just where the vore fandom takes me but where I can take the vore fandom.
We would like to thank Dajan once again for sitting down with us for this interview. Digital and physical copies of Spin the Bottle are on sale now from Fenris Publishing. You can find Dajan to keep up with his future stories over on Twitter. If you’re a fan of vore be sure to keep your eyes peeled for the release of “The Vore Studio” when it likely releases sometime in 2021.