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Sábado, 26 de Septiembre, 2020 de Nuestro Salvador Jesucristo, Guayaquil, Ecuador-Iberoamérica (Cartas del cielo son escritas por Iván Valarezo) BAUTIZADOS en agua, TODOS somos SEMILLA SANTA del PADRE llena de amor, prosperidad y riquezas siempre en toda la TIERRA: El tiempo había

Hello there FWG members, it’s time for another monthly newsletter! Let’s dive right in because we’ve got a lot to cover!

If you’ve somehow missed it, Oxfurred Comma, an online convention for furry literature, will be taking place from October 17th to 18th in conjunction with Furry Book Month. Here are some of the other important dates you have to look out for:

• Panel Submissions Deadline: October 7th
• Dealer’s Den Submissions Deadline: October 7th
• Author’s Corner Submissions Deadline: October 7th
• Flash Fiction Contest Deadline: October 13th
• Slam Poetry Reading Signups Deadline: October 15th

We want to especially encourage panel submissions currently for the convention. We have the opportunity to take more specific writing panels than most conventions can offer. So share with the world your expertise, let us hear you read from your latest book, or do whatever else you can think of! 

We also want to let you know that NSFW panels WILL be accepted so long as they follow Twitch guidelines. The short version: if you’re offering educational content and not showing pornographic materials on screen? You’re likely good to go!

We are also proud to announce that Oxfurred Comma will also be presenting the Oxfurred Comma Inclusivity Award (OCIA). This award will be given to a person that has done work to advance recognition for marginalized peoples and groups within the furry writing community. We hope this will be a strong step in the guild’s continued work in uplifting marginalized voices within the furry community.

Finally, we have one last reminder about our ongoing discussions on requirements to join the guild.  We invite you to discuss this on the forum as well as on Discord in our guild feedback channel and on Telegram.

With guild business out of the way, let’s get to the fun stuff! We featured another two members this month on the blog for interviews that we hope you check out.

• Ana Vallens on Furry, Reporting, and Patreon Guidelines for Adult Content
• Khaki on The Voice of Dog and Recording Stories

We’d love to take this opportunity to mention we would love to feature more interviews like this, as well as potential guest posts on writing tips for our blog. Please contact a guild officer if you would be interested.

We saw a few new releases cross our path this month you might want to check out including:

• The Female Trackers (Poached Parody) by P.C. Hatter
• The Sky Fires by Frances Pauli
• Soup of the Moment: A Tale of BARSK by Lawrence M. Schoen

There’s also a kickstarter currently running for Difursity 2! Let’s support BIPOC furry authors and make sure this gets funded.

• Difursity 2 from Thurston Howl Press

Remember, we now have our Promotion Tip Line to submit to if you have new releases coming out, so don’t hesitate to fill that out so we can feature your book in our next newsletter!

You can find all of the open markets for furry writing in our Furry Writers’ Market! Currently, these markets are open:

• Oxfurred Comma Flash Fiction Contest (Deadline: October 13th, 2020)
• Reclamation Project: Year Two (Deadline: October 31, 2020)
• The Vore Studio (Deadline: October 31, 2020)
• Dogbumps Academy of Wayward Wixards (Deadline: November 1st, 2020)
• 1921: Furries In Fedoras (Deadline: November 1st, 2020)
• Dancing With Devils (Deadline: November 30th, 2020)
• Electric Sewer 2: Boogie Nights (Deadline: December 1, 2020)
• The Howling Dead (Deadline: December 15th, 2020)
• Can You See Us Now? (Deadline: January 1st, 2020)
• Difursity 2 (Deadline: January 1st, 2020)
• iPawd – A Furry Music Anthology (Deadline January 10th, 2021)
• The Fox Spirit Book Of… Love (Deadline Unlisted)

We also want to let people know we need more stories for Microfiction Monday as we’re almost out! So get those submissions in here. 

I would like to end this month’s newsletter with a special request. Both Can You See Us Now? and Difursity 2 opened for submissions this month. For BIPOC writers reading this, I would love to encourage you to submit. For those that aren’t, I want to ask that you promote the submission calls in any spaces you can. Here is a tweet about Can You See Us Now? and one for Difursity 2. 

I want the word spread to as many people as possible so that the resulting slush pile will be massive beyond all reason. Let’s all take this time to help uplift marginalized voices and help them share their stories. Keep well, stay safe, and keep on writing.

– FWG President Linnea “LiteralGrill” Capps

It's been an interesting summer. We take some time in our podcast to talk about "Black Lives Matter" and how it seems to have affected everything. Episode 31: "Black Lives Matter" (2020-10-01)

Welcome back to another FWG interview. Today we’re featuring Khaki from the Voice of Dog. Don’t know the Voice of Dog is? Ever wanted to learn a bit about recording your own stories? Then read on and enjoy the interview!

FWG: For those that may not know you, tell our readers a bit about yourself.

Khaki: Hey! I’m Khaki. I used to go by “Alex Vance”, and I’ve done a lot of things in this here fandom, except Fursuiting and Con Staff.

I founded Bad Dog Books, FANG and ROAR, wrote and produced the graphic novel series Heathen City (and won an Ursa Major for it!), guested on the Furry Basketball Association and Bad Dog Book Club podcasts, and was privileged to be asked as Guest of Honour to Rusfurence in Moscow, JFTW in Bristol and CesFur in the Czech Republic.

Nowadays I’m a professional photographer, and at furry cons you’ll always find me with my trusty camera and a big dumb grin.

FWG: What do you think makes a good story?

Khaki: Oh dear. What makes a good meal? Not the wine or the dessert, though they can diminish or lessen the experience!

I think the thing that a story is most dependent on is its characters. They don’t have to be “people”, but they have to be interesting, comprehensible, and real — which is to say, as a reader, you can feel when a character only exists to further the plot, and isn’t fueled by internally consistent motivations, even if you don’t yet know what those motivations are.

Now, if only it was that easy to recognize while you were writing them…

FWG: From your introduction, it’s clear you’ve been involved in the world of furry literature for a long time. Can you tell our readers about The Voice of Dog and what inspired you to start the project?

Khaki: I retired from writing some years ago — nothing dramatic, I just fell out of love with writing. I still missed it in the years that followed, but I realized it wasn’t the writing itself I missed, but rather the furry writing community. And I’d also enjoyed doing story readings for the Bad Dog Book Club, but when that podfaded, I didn’t really have an outlet or impetus any more.

The Voice of Dog was, however, born from the COVID-19 pandemic. Early March, we were all feeling uncertain, and powerless, and stuck at home and isolated, and I knew some folks were feeling that much more than I did, and I felt powerless to help them.

It was rather spontaneous, honestly. I told my friend Rob Baird “Hey, I want to Make Something today. Can you give me a story to read?”

I was looking for something to do with the extra time I got now I didn’t have to commute every day, and specifically to do something that could give people a sense of hope, community and courage, however small.

I shared my reading of Rob’s Story, which was “Bad Dog!”, and an excellent story about defiance and courage in the face of systematic oppression. And I wanted more. I asked other writers for stories, anything they wanted to share, as long as they ended on a high note.

I picked the cheapest, easiest podcast host I could find to spend more time making it and less on overhead, and started releasing stories every day. I wanted my fellow furries to have something to enjoy, or to look forward to, or at the very least, to know that someone out there cared enough about them to make something every single day.

Of course, it was also a great way to give furry writers a boost and broaden their audience, so even after two months of 7-days-a-week podcast episodes, and the New Normal started to become clearer, I knew I wanted to continue.

Now there’s three stories a week, but they’re still passionate, excellent, diverse and, crucially, there’s no bummers.

FWG: Can you tell us a bit about the organizational process needed to put out multiple episodes a week?

Khaki: Certainly! Obviously I care about gear, like a good microphone and pop filter, but the challenge for this project wasn’t just cleanliness or even narration quality. I had to be able to produce multiple episodes a week, so comfort and convenience were also high priorities.

I’ve made submission templates, which authors fill out when they submit a story to The Voice of Dog, which includes stuff like their introduction, links to their credits, pronunciation guides and character voice descriptions, which saves a lot of overhead.

I have my recording set-up refined so that I can speak into my microphone while reading comfortably from my screen, with good posture to aid breathing.

FWG: Recording so many episodes must take a lot of editing. Do you have any techniques to help reduce the time it takes?

Khaki: I make a lot of errors! Mispronunciations, or losing my place in the sentence, a wee catch in my throat or the eternal struggle to do character voices consistently and authentically.

To save myself from the overhead of editing each recording afterward, I do the editing while I record; a technique called punch-and-roll recording. When I make a flub, I move the playhead in my recording software back to the beginning of the sentence. When I hit record, it first plays back the last five seconds of audio, so I can mouth along, and remember my intonation and breathing rhythm, and then immediately start speaking.

The edits aren’t always perfect, but they’re quick; I can record a single story in a single one-hour session, and that’s important when you have to produce several a week, every week.

FWG: What is one of the biggest challenges when trying to record the podcast?

Khaki: The biggest challenge is… quiet. Outside my room there’s a street, where there are often children playing, or adults talking, or cars driving past. Most of my recordings are early in the day, before it gets busy.

FWG: Can you offer any advice to someone interested in recording stories?

Khaki: When people ask me for advice, as a photographer, on which camera they should buy, I usually advise “one that you’ll have with you every day” and that’s the same for anyone who wants to learn to do this. If you have a budget, don’t spend all your money on the most expensive microphone; consider investments that make your life easier. An extension cable for your headphones, a desk arm so you can easily position the mic. A riser to put your computer’s screen higher, so you can read it more comfortably while recording.

All those things are sources of stress, and the listener can feel those in the recording, even if they can’t hear them explicitly. When I record a story, I’ve made sure I’m physically and mentally comfortable, and ready to enjoy the story. I’m in a headspace where I’m genuinely eager to talk to the listener again, and I’m excited to see how the story will go.

I believe that makes story readings enjoyable to listen to. Just like music, as a listener we’re empathetic to the experience that the narrator or musician conveys, both through their performance and through their actual emotions. When I sit down to record, I do so with genuine love in my heart, for the story I’m reading and the listener who’s going to enjoy it.

FWG: So do you think anyone reading this, with a little effort and research, could record their own audiobook or story if they wanted to engage that way with readers?

Khaki: Certainly! I know several writers who’ve done just that — of course Mary E. Lowd, who reads short pieces on her Deep Sky Anchor podcast and recently Madison Scott-Clary started her podcast Makyo Writes, for the same purpose. Oh, and Huskyteer, Altivo Overo and Rob MacWolf have all read their own stories on The Voice Of Dog.

I know some people are uncomfortable with the sound of their own voice, or worry about speech impediments (I have a slight stammer myself), or that they don’t think they’re good enough actors to do character voices and accents.

It takes practice and exercise and a love of learning — much like writing itself! But I’m pretty sure that anyone reading this can make great readings of their stories that are a delight to listen to, if they’re willing to put a little time into refining and practicing.

Nobody starts out great, but as writers, we know that all too well. But it’s fun to do, and very rewarding.

FWG: Would you consider doing voice work for any authors who might still feel too intimidated to record for themselves?

Khaki: That’s one of the purposed for The Voice of Dog! That’s my baby, so I’m selective about the stories I accept; their length and tone in particular.

But I’m in talks with at least one writer, to do an audiobook version of their in-progress novel later this year. And I made an open offer on Twitter regarding the upcoming Oxfurred Comma furry writing convention: if there are writers who want to do a panel that includes a reading of their work, but they’re uncomfortable or uncertain about doing it themselves, I’m happy to do the narration for them, either live or pre-recorded, depending on when their panel is.

I always want consider stories before I narrate them of course, even outside of my podcast. It is, after all, my voice speaking those words, and I wouldn’t want my voice associated with something I don’t stand for. This goes for professional voice-over work I’ve done as well, for commercials and training resources. I’ve turned down paying jobs because there were things in the script that I didn’t want to say.

But I’ve done some 120 episodes of The Voice of Dog now, and I’ve never rejected a story for being “objectionable”. I’ve been amazed at the furry writing scene’s maturity and responsibility, and the breathtaking diversity of perspectives and stories, it’s truly wonderful.

But yes, to your question — yes, I’d certainly consider doing voice work for other authors.

FWG: Any last things you’d like to tell the readers?

Khaki: Getting back in touch with the furry writing community after a decade or so has been so wonderful, and I want to thank you all for being part of that. The young folks and the old folks, the patient and the passionate, the carefree and the contemplative, I’m proud to be among you and make another modest contribution to furry fiction.

I can tell it’s been too long since I retired from writing, because I struggle to find the right words to convey just what you all mean to me. So I’ll take advice I’ve given often myself, and steal someone else’s. In the words of Michael, the angel from The Good Place:

I’ll say this to you, my friend,
with all the love in my heart
and all the wisdom of the universe:
Take it sleazy

We would like to thank Khaki once again for the interview! Be sure to check out The Voice of Dog and if you’d like to hear more of Khaki’s wonderful voice you can check out Cover My Ass where Khaki and his friend K pretend to review a book they haven’t read every week. Until next time, may your words flow like water.

Previews let us know about Lupina, the new full-color graphic novel from Legendary Comics, written by James F. Wright and illustrated by Liana Buszka. “In the coastal town of Kote, recently brought under the yoke of the Addalian Empire, four-year-old Lupa spends her days getting bullied by her older sister and hiding behind her mother’s skirts. But when tragedy strikes, Lupa finds herself alone in a new world… alone until she’s found by the she-wolf, Coras, and sets off on a journey of discovery… and revenge.” It’s been serialized, but now it’s collected together in one place. Bleeding Cool has a preview from last year.

image c. 2020 Legendary Comics

Resources, Social Media & Donation Links
Follow Izzy
Weaselpress
Join Rhyner’s Telegram Channel
Can You See Us Now?

Originally recorded September 19th 2020.

On September 27th I sat down with Izzy from WeaselPress to discuss diversity in the fandom and why representation is important to furs of color. Originally, the episode was recorded the week previous, but due to a recording error we had to re-record this episode. It serves as a "highlight reel" of the questions asked from the original recording. 

Izzy is an esteemed writer, poet, and publisher with an upcoming collection of poems titled "The Audacity of Your Bullshit" coming out sometime next month. He prides himself in being an open book -- no pun intended! Sex, race, kinks, sexuality, and more he's open to discussing all of it. We scratched the surface in this interview digging deep into why being colorblind isn't as great as it sounds.

Thanks for listening! 

Support the Show.

Interview With Izzy (Weasel) - Metal, Colorblind Racism, & Slam Poetry

Hello, Papabear.

First of all, I'm a huge fan of your site, and I'd like to thank you for being such an amazing, kind and wise person! Keep it up!

Now, I'm not here to complain about my issues since I'm proud to say that I'm really happy with myself and will continue to be happy! Thanks both to your knowledge and positivity and my efforts! I'm only here to share my view on why there's so much sadness in this "modern", "advanced" world and how realising this changed me for the better and rescued me out of a vicious circle of self-pity, anxiety and sadness.

I'll try to keep this short, and I'm sorry since English isn't my native language so sorry if it sounds weird.

So, everyone keeps bragging about how the world today is so "advanced" and "modern" and how science is this aaaamaaaazing thing that is only improving our lives and will continue to do so. But that, of course is not the case at all because, how I see it, science hasn't really solved any problems or made our lives "better" by any means, it only replaced previous issues with twice the time as many worse ones. Science didn't make us better, happier and compassionate... It only did the contrary.

Science doesn't "improve" our lives, it actively replaces our real, natural lives and experiences with simulation, replicas and failed attempts to surpass nature. In it's delusions of grandeur, science is shortsighted... It creates and invents more and more, always focusing on how it will "make the world better" but never on how these Inventions could be used for evil, or how they could backfire in the long run and destroy people's lives and so many other side negative side effects... Just because something can be invented, doesn't mean it HAS to be invented. Science invents things for the sake of it, always under the pretense that it will improve the world, while being blind to the counter effects.

This talk about science matters because science has removed all real life activities and experience with replicas and simulation of said activities and experiences. There is no more need for exploration, risk, real thrill, challenge... All is replaced and packaged into the virtual existence, or heavily roboticised and automated.

Why go outside and explore nature when, on a click of a button, you can immerse yourself into many virtual, idealised worlds without having to go into the real, "dangerous" world? Why go to concerts and enjoy a good time with your friends when you can simply listen to music on your phone, computer or TV, in the safety of your own home? Why indulge in dangerous, tiresome sport activities when you can play sport games or watch other people do sports, all the while eating snacks and not breaking a sweat? Why travel and see the world in all its beauty when you can watch other people travel on travel shows or just open up Google Earth? Not to go on any further, you get the point.

Science created a world free of challenge, risk, no major problems, everything made easier, everything made readily accessible... Served on a silver plate, all the while eliminating the need to even leave your house and socialize. You can do all those things, and many people thankfully still do, but that number is rapidly decreasing...

It is so horrible that we are allowed, in many ways forced, to live such sheltered, passive lives. "Lead" is not a proper word, "watch" or "observe" is more suitable. A life where nature and reality, failure and experience and all the great things that make life are made "obsolete" by the virtual, the packaged replica... In which there is no real consequence, no real failure, no thrill... no love. Most activities replaced by video games, relationships and romance replaced with over-idealised, readily available porn/anime/hentai (all of which replace the need and the want for real sex, because it's so "perfect" compared to the real deal and seriously skews the expectations of what people should be), real socialisation replaced by "social" media, real comedy, parody and jokes replaced by "memes" which bleed the humor dry, real labour replaced by machines and automatic processes.... Real reality, with all it's flaws and beauty, replaced by safer, risk free artificial copies that are more easy to access and provide no real repercussions to failing, which is necessary for growth. I do not live in the "first world", but this especially applies to it.

All of this combined, you get sheltered, deeply unhappy people with very unrealistic expectations due to overwhelming exposure to over-idealised fake reality, and with insufficient failure and experience from said failure due to resorting to risk-free alternatives, the same people, when faced with real problems or when comparing their own lives to that of a idealised ones they see in games, TV, anime, whatever, they start to feel empty, insufficient, "not good enough"... But overexposure to the fake world and insufficient exposure to the real world make those people not realise the difference between one and the other... I was one of those people, always depressed and anxious, ever sheltered and passive, always escaping to the virtual world in which I don't have to put any real effort or face real pain from failure... Always comparing my life to over-idealised ones I saw on social media, in film, games and anime and always thinking how I'm not nearly as "good enough", because due to not enough experience in the real world, I projected the picture perfect things I saw in the virtual to real life people which were only perfect on the surface. Many people do this, unfortunately... It was always like that until I got a grip on life, and on risk, and failure and grew stronger from it and realised that I'm not as weak and "useless" as I had thought and that other people weren't as perfect or as happy as I thought. That was all due to my skewed perception of what life is supposed to be, and what love is supposed to be, heavily skewed by porn, anime and other media, which is why I view anime and porn as especially dangerous due to the fact that it can skew expectations tremendously... Especially to the inexperienced youth. Another thing are the artificial and unrealistic beauty standards that come from western media that is especially troublesome and dangerous... Many people have gone insane with anger, bitterness and pity over them, but that's all just fantasy and NO ONE can achieve those standards. It just isn't realistic... I thought I was "ugly" all the time and constantly saw other people do the same, and even now they do... Thankfully, I saw through the bullshit and am much happier now!

I'm sorry for my English, I might have forgotten to mention many of the things I wanted to, but I hope this makes enough sense. I see that the people in the west, especially the USA, live such lives with unrealistic goals and expectations provided by society and further abused by consumerism. Am I correct on that?

I'm just so afraid of what's going to happen to the world, science isn't going to stop anytime soon... It is a sad world in which the human experience is made obsolete by artificial, picture perfect virtual worlds. All of life packaged safely in a magical rectangle, all the knowledge in the world contained inside our devices, all at a click of a button, all in the safety and comfort of our homes... But science can never replace nature, a copy can never surpass the original... We are paying dearly for not realising that, aren't we? The spiritual made obsolete by the material...

Thank you for reading, Papa Bear!

​Theo (age 19)

* * *

​Dear Theo,

Thank you for your intelligent and well-thought-out letter. Your English is quite excellent, by the way, thanks to European education (you don't say what country you are native to, but pretty much all European countries excel over the USA's pathetic public schools). On to your question/statements....

My two initial reactions are: 1) it is dangerous to generalize about anything as being "all bad" or "all good," and that includes science; and 2) it sounds like your main concern is with virtual reality, the internet, and the media (TV and movies) giving a false impression of reality and depriving people of exposure to the real world, which leads to unrealistic expectations about life. Let's address these two issues.

Science is both good and bad. Medical science, for example, has come a long way in treating previously incurable or untreatable injuries and diseases. Physics, biology, astronomy, mathematics, etc. are teaching us the true nature of reality, which has helped explain the world in ways where religion has utterly failed. Science can solve problems such as how to deal with climate change and pollution (it's only politics and greed that get in the way). Yes, science can give us bad things, too, such as plastic waste and nuclear warheads. That's true with everything, though. There is always good and bad. Don't blame science; blame the people who use science for ill.

Going into the specific area of science and technology that you are complaining about: the way it creates a world that protects us from the real world. This can include everything from the internet to living in climate-controlled houses and cars. Yes, science has separated us from nature in many ways, as well as from social interaction. Religion does this, too, if you haven't noticed. Religions such as Christianity teach us that nature is "bad" and only heaven is good (which results in mankind treating nature like garbage), and it keeps us from understanding other people through mistrust. 

But, back to science. Let's focus on virtual worlds and social media and movies and such. What you say is, often, very true. I've seen people get immersed in gaming, for example, as a way to hide from a difficult world. It is far easier to be Zardok the Savior of the Fifth Realm than to be Edmund Peebles of Tiny Town, Iowa, who can't hold down a job at the local McDonald's. Likewise, with porn (and this is a huge reason why many furries are into furporn, I believe), it is more fun (and stress-relieving) to pretend you are a well-endowed muscle wolf who can ejaculate 10 gallons of spoo from your 5-foot-long penis than it is to be a lonely 20-year-old who is too nervous to ask a girl on a date because he is terrified that if it leads to sex he will be too nervous or awkward to perform. The fursona aspect of it is a way of wearing a mask--not to conceal your identity so much as to relieve the anxiety and tension that arises if one were to reveal one's true self, which leaves you exposed to being judged by others, and if there is one thing most people crave it is positive validation, not criticism.

Yes, movies, television, RPGs, and even comic books take us to fantasy worlds that are not realistic. This can be a lot of fun, but it is also very limiting. Let's go back to furporn for a second. While one can be a sexy furry with many partners online, the stimulus here is limited to the visual and the auditory.  Compared to real-world sex, you miss out on all the other senses: touch, smell, and taste. And so, you are only getting about 40% of an actual sexual experience. I, for one, would much rather have the real thing than sit and watch a naughty furry animation.

The same is true with experiencing nature. Yes, you can take virtual trips online or watch a travel show on TV, but again, you are only getting part of the experience while also neglecting some physical exercise. You can learn a lot of stuff from a documentary, but you don't get an experience you will remember. An example from my life: Ten years ago, my sister took me whale watching off the coast of Baja. Oh. My. God. You go out in tiny boats where the cow (female) gray whales are swimming gently about with their calves and these magnificent creatures come right up to the boats and interact with you! You can pet them, smell them, feel their presence. Far more amazing and memorable than watching a National Geographic special.

Neither online porn nor TV shows will ever replace the real thing, as you wisely conclude. Fortunately, they never fully will. Just as when people feared that the invention of Betamax and VHS tapes would keep people from attending the movie theater proved incorrect (except when you're in a pandemic), technology will never fully replace real life.

When it comes to furries, I believe that one reason people want to be anthros is because, deep down, they recognize how humanity has become separated from animals in nature, and this is their way of reconnecting with wildlife. Now, one of the greatest things to do as a furry is to go to furcons and furmeets, but the main reason the fandom has grown by leaps and bounds can be chalked up to the internet, which allows for communication throughout the world (as I am doing with you right now, my European furiend). Many furries can't go to cons and meets for one reason or another, so the internet allows them to do this. You can thank science for the ability of people to connect in ways they never could before.

Again, good and bad, Yin and Yang, positive and negative. It is the dual nature of our lives.

To answer your last question about science and technology replacing the real world, no, I don't think it will--at least, not completely. There will always be people like yourself who want to go outdoors and do things, interacting with nature and other human beings. Look at what is going on now with the pandemic. Yes, people can watch football on the telly and they can watch movies and talk in chat rooms, but they are screaming to "get back to normal," go see sports and concerts in real auditoriums and stadiums. They want to hang out with friends in bars. They want to go to a beach, even a crowded beach, and enjoy the people and surf. Humans are social beings. They want to interact with real people. How many furries do you talk to who are sad that the conventions have closed? There is nothing like fursuiting in public and getting real hugs. A glowing screen will never ever replace that.

I am glad that you have wrested yourself from the virtual world to experience your life. That's a great thing. You needn't reject it completely, however, or label it evil. As will all things, balance is the key. Find what is good with technology and exploit it for good use. For example, I could not do my current job without the information I have access to when researching online. Yes, I could go to a library, but that is limited compared to the terabytes of information online.

Balance science with nature, technology with the spiritual, and temper it all with wisdom and compassion. That is the path to a happier future.

Hugs,
Papabear

Lightfall: The Girl and the Galdurian is the first graphic novel in the new Lightfall series, written and illustrated by Tim Probert. “Deep in the heart of the planet Irpa stands the Salty Pig’s House of Tonics & Tinctures, home of the wise Pig Wizard and his adopted granddaughter, Bea. As keepers of the Endless Flame, they live a quiet and peaceful life, crafting medicines and potions for the people of their once-prosperous world. All that changes one day when, while walking through the woods, Bea meets Cad, a member of the Galdurians, an ancient race thought to be long-extinct. Cad believes that if anyone can help him find his missing people, it’s the Pig Wizard. But when the two arrive home, the Pig Wizard is nowhere to be found—all that’s left is the Jar of Endless Flame and a mysterious note. Fearing for the Pig Wizard’s safety, Bea and Cad set out across Irpa to find him, while danger fights its way out of the shadows and into the light.” The book is available now in hardcover and softcover from Harper Collins.

image c. 2020 Harper Collins

Animation World Network recently had an article about some new animated series coming to Apple TV+ later this year — and at least one of them is something that furry fans might notice. “Based on the Scholastic book series Zen Shorts by Jon J Muth, Stillwater centers on siblings Karl, Addy, and Michael, who are typical kids with typical kid challenges – meaning that sometimes even the smallest things can feel insurmountable. Fortunately for these three, they have Stillwater, a wise panda, as their next-door neighbor. Through his example, stories and gentle humor, Stillwater gives the children a deeper understanding of their feelings as well as tools that help them face their own day-to-day challenges. Stillwater also brings newfound fun and adventure for the three, opening their eyes to the quiet wonders of the world around them, and guiding them to their place within it.” Stillwater is set to premiere on December 4th.

image c. 2020 Gaumont and Scholastic

Packed with lots of classic humor.

FurCast is sponsored by Twin Tail Creations. Use coupon codes REDWOLF or BLUEFOX to save up to 20% on silicone products during checkout. Free FurCast Themed Colorations are also available which can be applied as a color choice to your toy purchase.

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• Ekto VR invents VR Shoes
• Ending the lifetime ban on queer men donating blood made ‘no significant change’ to HIV rates in US blood banks
• LGR acknowledges their furry audience
• Wolves and ravens are friends
• Newly raised 11foot8(+8) bridge still takes casualties
• Nicegram update fixes NSFW content restriction topology change

News:

• Massachusetts man dies while hiking in New Hampshire
• Vietnam Condom Factory Recycling
• Man who erected a giant wooden penis on his lawn fights to keep it up
• 62 Year Old Python that has not seen a male gives birth to Eggs
• Disgusting Food/Beverage Museum

Emails:

• Brite — Britepaw Questions and Random Rambles

[Live] Randy’s Rubber Recycling

MOOBARKFLUFF! Click here to send us a comment or message about the show!

This week we sit down with Strobes (is he smelly?) and chat about being a dance champion! We hear Taebyn's latest song creation, chat with a fur during Five Minute Furs For Fun, and learn about Pascal's Triangle.  Of course always a healthy (is it?) dose of bad jokes and awful puns. Come spend an hour with Taebyn and Bearly, it will be an hour you will never get back!

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Thanks to all our listeners and to our staff: Bearly Normal, Rayne Raccoon, Taebyn, and Ziggy the Meme Weasel.

You can send us a message on Telegram at BFFT Chat, or via email at: bearlyfurcasting@gmail.com

Bearly Furcasting #22 - Guest: Strobes, Taebyn's Newest Song, Pascal's Triangle and More!

So we found out about Wild Life, a new animated TV series coming to SYFY’s TZGZ lineup on September 26th. Animation Scoop put it like this: “It’s an adult, post-apocalyptic, talking animal, animated comedy… or as it’s been called by the creative team, “It’s like if The Walking Dead smoked a bunch of Adventure Time and binge-watched Friends.”” Wow, that’s a lot to take in. AS has an interview with series creator Adam Davies and his mates.

image c. 2020 SYFY

Hey, Papabear,

Where can you find a website for young furs? I try to go to furry websites but they always say you have to be 18 or older. I need a break from that. I wish I had furry friends to make online, and I just want young furs like me to have fun online too. I look at every furry website, but no young furs are allowed, so please make a website.

Peanut Butter (age 8)

* * *

Dear Peanut Butter,

You are 8 years old, so I am guessing you are not aware of furry history. You see, the furry fandom began back in the 1970s, when a number of sci-fi and comic book fans decided to start making art and writing stories featuring "funny animals" but with adult themes (mostly violence and mature situations, but sometimes involving sex). "Funny animals" are what people used to call talking animals in cartoons such as Bugs Bunny and Mighty Mouse. Anyway, the whole point of furry was to have talking animal characters featured in more mature stories. Now, this doesn't mean X-rated stories, necessarily. There was a lot of sci-fi stuff such as in the now-classic Albedo series. But there was also stuff with more sexual situations, such as the Omaha: The Cat Dancer comic books. As the fandom matured, more and more X-rated stuff has entered websites and publications and, no, it is not suitable for kids under 18.

The demographics (who is in the fandom in terms of age, gender, race, etc. etc.) have been evolving a lot over the last couple of decades. While the majority of furries are still people in their late-teens and twenties (mostly male and white, but there are more women getting involved, as well as non-Caucasian furries), more and more furries are older and more and more are quite young. Furries such as you probably enjoy anthro characters in Disney and Pixar cartoons and films, of course, and then you find out about furries by stumbling upon them online or perhaps hearing about furries from a friend. Anyway, you are not looking for X-rated art. You just want to have fun adopting a fursona and perhaps having some online RPG adventures.

Unfortunately, at this time, there are no social networking sites like FurAffinity or SoFurry that are specifically for cubfurs, especially as young as you. I would LOVE to design and run such a site (and thank you for asking and thinking I could) but I have neither the time nor technical know-how to do so. I do keep my eyes out for such things on the Web, though, and you can be sure I will write about it if I hear anything. 

In the meantime, there are still fun things you can do to meet furries in the virtual world. If your parents are okay with it, you can play online RP and other games such as Furcadia (just stay away from the Furrabian Nights adult section, but almost everything else is kid-friendly). You can roleplay while also meeting other furries. Here are some other games you might find enjoyable, many of which offer ways to chat with furries playing the game with you online (some are better for older kids, and some for younger kids):

• Starbound
• Armello
• Animal Crossing
• Night in the Woods
• Tooth and Tail
• Dreamfields
• Major/Minor
• Rivals of Aether
• Overgrowth
• Crash Bandicoot
• Sonic the Hedgehog
• Ratchet & Clank
• Starfox
• Spyro

Many furries meet other furries by playing such games, no matter what their age. In fact, it was in the early days of FurryMuck that contributed greatly to the growth of the fandom back in the 1980s. So, I would recommend you not worry about such places as FurAffinity and instead start playing some furry games. 

​THEN! Get an account on Discord.com, which is a place where you can hang out and chat with people about your favorite games.

Good luck!
Papabear

What the heck What's The Fuzz?! Is about.

Song: Catscratch - Swudlo - Fuzznet World

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What's The Fuzz?! Trailer

Photo by Samantha Swindler

Beware! Get scared! There’s a Sleestak on the street tonight!

This scaly, green, bipedal creature was originally from the 1970’s TV show Land of the Lost. (A live action children’s adventure show mixed with claymation animated dinosaurs, about a family trying to get home from an alternate universe.)

Through some dimensional portal, one Sleestak recently appeared in Portland, OR. He was then discovered by the news. Read a story about him from The Oregonian: The Portland Sleestak wanders the city for scares, smiles and general weirdness. Another from King5: Brent Marr pays tribute to a 70’s classic and reminds his hometown it’s fun to be weird.

I saw the news linked by Bawdy Storytelling. (A show for kinky stand-up performers, which often has furries like me.) Sadly, I must disappoint friends at Bawdy because the Sleestak is family-friendly and can’t go on stage with spicy stories. But he did answer a Q&A.

I was curious about the Sleestak’s inspirations, and why he appears on the street where you’d never expect a scaly creature. It reminds me of street fursuiting (my favorite thing.) Enjoy our chat about it.

Hi from Dogpatch Press! I love your look and want to know how you got it. Can you talk about your background and your art influences?

(Portland Sleestak): I originally thought that I would end up being a comic book artist but never really found the motivation to pursue it seriously, so that evolved into portraits in graphite and charcoal, Primarily male nudes. I had some success with that but eventually eating became a priority and art went by the wayside.

I’ve always loved Halloween and over the years have made some great costumes. From a mash up of the twins from the Shining and Batman and Robin, to Heat Miser/Snow Miser, The Child Catcher, and Pinhead from the Puppet Master movies. Costumes have become a great outlet for creativity. (There’s a photo album for those on my personal Facebook page.)

I decided that I wanted to wear a Sleestak mask with a leisure suit as a Halloween idea but none of the masks I found were of any quality (no one was making Sleestak masks commercially).

I decided to try to make my own. I got a mannequin head and some modeling clay and began trying my hand and sculpting… the head ended up coming out so good that it stole my credit card and became something else… so I built a body too and that’s part of how I got here…

How does becoming the Sleestak feel when you’re in the moment doing a Sleestak attack?

Scaring each other was like a game in my family growing up, for me it’s fun to be startled, and it’s fun to scare people. That’s the main goal of the Sleestak Attacks, but certainly smiles, laughter, and nostalgia are great consolation prizes.

At Witches Castle at Forest Park

Do you have a monster family (helpers, people you will go out performing with, hosts for events, or bands you go on stage with?) What are they like?

I have a small group of mostly friends but sometimes volunteer fans of the Facebook page that help with everything from getting me into the suit, to taking photos and videos. As well as communicating via com system and providing me with security.

Beyond that, I only had just completed the second suit in January and was still doing test runs and trouble shooting when the pandemic began. We did a live appearance at a local bands Leap Day event but, clearly exploring what to do with this thing hit a snag so as you can imagine. I’m anxious to find out what we’ll do and where we’ll go.

Can you talk about the process of making him (and do you have any documenting, photo/video etc besides the short Oregonian video?) I thought it was especially creative to use security camera domes for eyes.

There are 2 photo albums on my personal Facebook profile page (Brent Marr) Sleestak Project and Sleestak Project 2.0 — I did the best I could to provide commentary and there are a few videos and tons of pictures.

Like Dr. Frankenstein’s lab.

I think your work could really inspire some furry fans who stick to a colorful cartoon aesthetic. Could you tell them anything about making different or more monstrous creatures than their usual kind?

Sleestak are all I have made so far, I had not used modeling clay since I was a child but had never attempted to really sculpt anything. I watched hours of mold making and countless other videos to get the end result. I traveled down several paths that had to be abandoned and rethought. And I ended up with a great suit that was very difficult to wear, so ultimately I made a second one from scratch and applied what I learned, with good success.

Are you content being the Sleestak or will you do more creatures?

I’m a fan of many things, and of course I’m tossing options around in my crazy head for future costumes, Sasquatch, Wendigo, and Murder Hornet are 3 at the top of my list.

I’m curious about your place in Portland… with the weirdness and protests in the troubled times we’re living in. How do you feel about being there?

It breaks my heart to see Portland in such turmoil. Why is working towards tolerance and coexistence so difficult? I don’t know the answer to that, but we have to push forward each day as if the earth will continue to spin.

Portland is strong. And is, by and large filled with hopeful, hard working, courageous, and good people that believe everyone should be able to live and love without fear.

So, if I can provide a moment of joyful distraction here and there until we reach the other side of this crisis, than that’s what I’ll do.

Like the article? These take hard work. For more free furry news, please follow on Twitter or support not-for-profit Dogpatch Press on Patreon. Want to get involved? Use these subreddits: r/furrydiscuss for anything — or r/waginheaven for the best of the community. Or send guest writing here. (Content Policy.)

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On September 20th I had the pleasure of sitting down with Koor a mixed race artist I've been following for years. We got to discuss everything from art, to fascist furries, and the dangers of capitalism. I gotta say, the guy knows his stuff! And of course he finally addresses what exactly he holds against FurAffinity and the site's director: Dragoneer. 

Thanks for listening out there, everyone! 

Support the Show.

Interview With Koorivlf - Capitalism, Art Tips, & Perpetual Apathy

Thanks to Furry.Today we found out about Curse of the Sea Rats — a new multi-player animated game currently in development. This “ratoidvania” (their word for it) adventure is interesting because the animation is actually hand drawn. Here’s what the web site says: “Curse of the Sea Rats is an epic hand-drawn ratoidvania starring a group of heroes transformed into rats by a pirate witch. Help Douglas, Buffalo, Akane, and Bussa to rescue the Admiral’s son, capture the evil pirate Flora Burn and break the magic spell. Curse of the Sea Rats packs all of the best features from the Metroidvania genre featuring beautiful 2D hand-drawn animation and 3D environments, combined with unique real-time combat mechanics, and of course, lots of rats!” The web site features a press kit, plus more information on the current Kickstarter campaign.

image c. 2020 Petoons Studio SL

中文：国际兽视对《国际兽视网络社区规则与条例》进行修改，今日正式发布