Flow is about a black cat who lives alone, and then one day, it doesn't anymore. Because one day water came, too much water, and all the land was flooded. The cat ran away from the water, but it couldn't run forever, so it went to live on a boat with a friendly capybara. Together, the cat and the capybara followed the water, which flowed towards a giant pillar in the sky. It seemed like this would be the last dry land in all the world. Along the way, the capybara and the cat met a lemur, a dog and a secretary bird. Did they become friends? Probably.

There is no dialogue in this movie. Nobody explains anything to each other, for the convenience of the audience, because all the characters are animals, and they only say cat things like "meow" and dog things like "woof woof" and capybara things. If man could talk the animals, perhaps they would only find out that these animals don't really know what's happening either. Where did the water come from? Where did all the humans go? This is a world that has passed on.

The Voyages of Cinrak the Dapper is a collection of seven short stories written by A. J. Fitzwater centred around Cinrak, a lesbian, capybara pirate. It has a couple of strong elements as well as several weak points. I struggled with my thoughts as I read it and, in the end, I would say that, overall, I found it frustrating.

I will start this review briefly talking about politics. It might seem like an unusual starting point but the introduction makes clear that the book is political and it touches on several hot button issues.

Come for handsome, huggable Cinrak in a dapper three-piece, stay for her becoming a house-ship Mother to an enormous found family, the ethical polyamory, trans boy chinchilla, genderqueer rat mentor, fairy, and whale, drag queen mer, democratic monarchy, socialist pirates, and strong unionization.

What I do like about the way politics is handled in this book, is that it is not set up as a conflict between opposing ideologies; the book presents its favoured way of seeing the world and just leaves it as that. Even the religious character (and there is a fascinating take on religion inside) is played off sympathetically. However, by taking the stances it does, the book is also going to be, though it has no regrets about it, alienating for certain readers. If you can not tolerate a heavy emphasis on, and I quote, LGBTQIA characters, then this book is definitely not for you and you may as well stop here. On the other hand, if that’s what you crave, it may be exactly what you want and you should read further.

For historical purposes, a collection of links and other tidbits posted to Newsbytes in August.