The International Animated Film Society (ASIFA) recently announced the nominations for the 2024 Annie Awards, celebrating the best of animation in 2023. Needless to say, there was a lot of anthropomorphic material being shown off last year! The shape-shifting little rebel known as Nimoma walked away with the most nominations: Nine in all, including Best Editing, Best Writing, Best Voice Acting (for Nimona herself, Chloë Grace Moretz), Best Storyboards, Best Production Design, Best Directing, Best Character Design, Best Character Animation, and Best Animated Feature Film (whew!). Not far behind was Hayao Miyazaki’s swan-song (heron-song?) The Boy and the Heron, with seven nominations including Best Feature. Teenage Mutant Ninja Turtles: Mutant Mayhem and Pixar’s Elemental followed with six nominations each. Rather a surprising one was Robot Dreams (directed by Pablo Berger) which brought in five nominations including Best Independent Feature Film — the latter shared by Earnest and Celestine: A Trip To Gibberitia and Four Souls of Coyote. Nominations for Best Animation in a Live Action Production include Guardians of the Galaxy Volume 3, The Little Mermaid, Transformers: Rise of the Beasts, and Cocaine Bear (!). Some interesting anthro films with one nomination each include Migration (Voice Acting), Super Mario Brothers (also Voice Acting), and Leo (for Editing). Over on the TV & Series side of things, the one to beat is Marvel’s Moon Girl and Devil Dinosaur, with four nominations, but there are also multiple nods for Hilda and My Dad the Bounty Hunter.

ASIFA-Hollywood just announced the nominations for the 2021 Annie Awards — known far and wide as “the Oscars of animation”. As has increasingly been the case the last few years, more and more anthropomorphic stuff has made its way to the top of the animation list! And 2021 was no exception. No less than three anthro films are up for Best Animated Feature, including Raya and the Last Dragon, Luca, and the recently released Sing 2. In fact Raya is one of the most honored films of the year, with nominations in Character Animation, Character Design, Effects Animation, Voice Acting, Music, Production Design, Storyboarding, Writing, and Editing also (whew!). Luca is not far behind, with nominations in Character Animation, Character Design, Music, Voice Acting, Writing, Editing, and Directing. Vivo has five nominations in various categories, while Wish Dragon and Spirit Untamed have one each (for Character Animation and Storyboarding, respectively). Over in the TV and Streaming categories, it’s more of a mixed bag. Best TV Show For Preschool includes Odo, Stillwater, and Muppet Babies (which is also up for Writing). Amphibia is up for Best TV Show For Children (as well as for Directing and Editing), while Tuca and Bertie is nominated for Best General Audience TV Show (and also for Writing). Arlo the Alligator Boy scored noms for Production Design, Voice Acting, and Editing, and Centaur World has one nomination for Voice Acting. In Sponsored Production (the new way of saying Best Commercial) there’s Featherweight (the music video by Fleet Foxes) and Tiptoe and the Flying Machine (from Macy’s).

ASIFA-Hollywood has announced its nominations for this year's Annie Awards. These awards are given for achievements in animation in movies and television. This year, Pixar's two movies, Inside Out and The Good Dinosaur, have together racked up 25 nominations between them.

The nominations for Best Animated Feature include Inside Out, with further nominations in Animated Effects, two nominations in Character Animation, Character Design, Directing, Music, Production Design, two nominations in Storyboarding, two nominations in Voice Acting, Editorial and Writing; The Good Dinosaur, with further nominations in Animated Effects, two nominations in Character Design, Music, Production Design and three nominations in Storyboarding; Anomalisa (the only movie nominated for Best Animated Feature with no claim to furry), with further nominations in Directing, Music, Voice Acting and Editorial; The Peanuts Movie, with further nominations in Character Animation, Directing, and two nominations in Voice Acting; and Shaun the Sheep Movie, with further nominations in Directing, Production Design, Writing and Editorial.

Your humble ed-otter and his mate were honored to once again attend the 2014 Annie Awards, honoring the best in animation from the year 2013.  The event at UCLA’s Royce Hall (on Saturday the 1st of February) was hosted by Patrick Warburton, best known as Kronk from Disney’s The Emperor’s New Groove but also appearing as a voice in the upcoming Peabody and Sherman movie. Though Disney’s Frozen won Best Feature and Best Directing (it was a favorite for both), no film or TV series really seemed to dominate the awards that night. Instead the honors were spread out over a wide swath of projects. Several furry projects — or projects with anthropomorphic characters in them, at least — were honored, which is good when you’re honoring a year like 2013 that, let’s face it, had rather a dearth of heavily furry works — especially compared to 2012. Overall Disney was one of the big winners of the night — no, not Pixar. Disney. Not only did Frozen take home the feature-length honors for Best Picture, Directing, Music, Production Design, and Voice Acting (Josh Gad as Olaf the snowman); but the Disney Mickey Mouse series of shorts won in TV/Broadcast categories for Editing, Character Design, and Music. What’s more, the popular Disney cartoon Get A Horse won the Best Short Subject award. Pixar was represented as well of course, both in feature awards (as Monsters University won for Storyboarding and Editing) and TV/Broadcast (where Toy Story of Terror took home awards for Storyboarding, Character Animation, and Directing).

Well, enough of the doom and gloom, it’s a brand-new, shiny awards season. This month, let’s look at how the race is shaping up at the Oscars. Maybe we’ll even spare a thought for the Annies.

Hey, it’s the two year anniversary edition of Furry Movie Award Watch!

However, I don’t feel much like celebrating; this wasn’t exactly a banner year for the column. Let’s see; I was late November, February, April and May. [This time, it was the editor's fault.] Oh, and there was the part where I only got one out of three awards I was supposed to guess right. And the movie that beat me was terrible; not even a fun terrible, like Avatar or Prometheus, but a boring terrible. I can’t even find myself really mad at the choice; I mean, it was a nice, safe pick, after all. Nothing interesting at all going on here.

So, anyway, no funny pictures of animals with party hats this year.

I love you, Annies. Never change.

Well, now Generic Rebellious Princess Syndrome: The Movie has beaten me twice. Hey, at least it wasn’t the worst possible nominee this time. Way to represent, Rise of the Guardians! I guess Brave does have its positive qualities; it had really nice hair and … uh … yeah … well, it had really nice hair!

Anyway, read on for my tentative stabs at this year’s Ursa Major nominees, and another trip into an alternate dimension which always had an Oscar for Best Animated Feature.

Sorry for the delay, folks; I know all five of my regular readers were on pins and needles (hi, mom!). See, GreenReaper emailed to tell me that Fred had linked back to my Cinderella review on the new Cartoon Research site, and just like the time he emailed me about some video game site which quoted my Pokémon Black 2 and White 2 review, my computer died. Obviously, there's some connection here. Anyway, it's all their fault. Shame on you guys.

Well, I must say, I am enraged at the Oscars.

Host Seth MacFarlane promised at one point that the cast of Prometheus, my pick for worst movie of last year, would be up to explain “what the hell was going on there”. I watched the entire telecast, and was disappointed to find out that MacFarlane may have in fact have been joking. I was hoping they would just break down after attempting to explain it and start apologizing. No such luck.

I guess some other stuff happened too. Should probably write about that.

The Annie Awards are often referred to as The Oscars of Animation. Presented each year by ASIFA-Hollywood (a division of the International Animated Film Society), the Annies celebrate the best in animated films and television as voted on by members of the animation industry from around the world. Needless to say, every year several anthropomorphic works are represented among the nominees — and sometimes even among the winners! On Saturday, February 2nd the Annie Awards for 2012 were presented at a gala ceremony at Royce Hall on the campus of the University of California at Los Angeles (UCLA).  Unlike in previous years, this year’s ceremony didn’t really have a “host”: Each presenter basically introduced the next presenter. In the feature film category the night largely belonged to Disney Animation’s film Wreck It Ralph, which won for Music, Writing, Voice Acting (for Alan Tudyk as King Candy), Directing (Rich Moore), and of course Best Animated Feature. Disney/Pixar’s Brave was also represented, bringing home wins for Feature Editing and Feature Production Design. Dreamworks’ Rise of the Guardians also took home awards in two technical categories, Feature Storyboarding and Effects Animation. Over in the TV categories, the biggest winner of the night was Dreamworks’ Dragons: Riders of Berk. In addition to a win for Best TV Production for Children, Dragons won for Storyboarding, Music, and Directing. Dreamworks’ Kung Fu Panda: Legends of Awesomeness won in a single category, TV Editing.

Due to technical difficulties on my end, you get two columns this month to make up for the zero columns last month. Anyway, this month sees the Annies announcing their nominees, so this column will be all about that.

ASIFA Hollywood (part of the International Animated Film Society) announced the nominations for the 2012 Annie Awards this morning. These are the Oscars for animation, folks: Chosen and awarded by members of the animation industry, from writers and artists to animators and directors. As usual, there are a great selection of furry-oriented works among the nominees. This year the nominees for Best Animated Feature include Brave, Frankenweenie, Hotel Transylvania, ParaNorman, Rise of the Guardians, The Pirates! Band of Misfits, The Rabbi’s Cat, and Wreck-It Ralph. Interestingly, two of the “furriest” films of 2012, Madagascar 3 and Ice Age 4, were not nominated for Best Feature — though they were both nominated in other categories. Wreck-It Ralph seems to be the film to beat this year — though both it and Brave were nominated for 10 awards each, Brave was not nominated for Best Directing while Wreck-It Ralph was. For the television categories, furry-notable shows receiving multiple nominations included Adventure Time, Dragons: Riders of Berk, Kung Fu Panda: Legends of Awesomeness, The Penguins of Madagascar, Teenage Mutant Ninja Turtles, T.U.F.F. Puppy, and Doc McStuffins. Once again, My Little Pony: Friendship is Magic was absent from all categories. What is up with that? Anyway, the Annie Awards will be presented in a gala presentation at UCLA’s Royce Hall on February 2nd of next year. The L.A.

It has begun. Oscar season is here; yes, it really starts this early. So, let's set the Ursa Majors on the backburner and take a look at 2012’s Best Animated Feature Oscar hopefuls.

On one hand, it’s going to be a full slate all but guaranteed. On the other hand, it’s such a weak year I am saying it’s a weak year. And, on the gripping hand, don’t expect three movies titled after talking animals in the final ballot this year. Maybe one, though.

Go crossie! It’s your birthday! We’re gonna party like it’s your birthday!

Okay, that’s enough of that, then. On to the column.

The Annies are done and the Oscars were last Sunday. Rango inevitably won Best Animated Feature, so there is really not much reason to go on about it. Meanwhile, the Ursa Major nominees will be announced next month, so guess what next month’s column will be about.

For now, however, we might as well begin the process all over again; that’s right, I’m going to call next year’s Oscars and Annies right now!

I mean, everyone knows it’s going to be Brave, anyway.