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Book of the Month: Forest Gods

Furry Writers' Guild - Sun 5 Jun 2016 - 13:49

June’s Book of the Month is Forest Gods, the sequel to God of Clay by FWG member Ryan Campbell, and the second in his Fire Bearers trilogy.

forestgods_front-cover-lg

Cover by Zhivago

Kwaee, god of the forest, has turned all his power toward the destruction of the human tribe that he accuses of serving the treacherous fire god Ogya. Seeking reasons for the ancient conflict, Clay and Doto embark on a dangerous journey far outside the forest in search of savanna god Sarmu.

Meanwhile, in the human village, the healer Cloud fights new and terrifying threats from the forest and tries to help her people survive, but at every turn, she must battle prince Laughing Dog, who seeks to turn their king down a path that could lead to the end of humanity.

Along both their journeys lie dangers they never expected—and secrets that may have been better left buried.

Forest Gods is available in print from the publisher, Sofawolf Press, and in print and Kindle ebook from Amazon.


Categories: News

[Live] Curl Panic

FurCast - Sat 4 Jun 2016 - 22:59

Back after a several week hiatus we dive deep into the information security behind several popular furry art websites and read a ton of news. That and we drank some unicorn tears. Delicious.

Download MP3

Link Roundup: News: Email:
  • Neth Rusiki Azhti – “possibly some discussion questions… maybe… hopefully… possibly?”
  • Jaxson – “CJ and Fayroe”
  • Mystical Blue – “FAN EMAILS”
[Live] Curl Panic
Categories: Podcasts

Episode 317 - Defennecstration

Southpaws - Fri 3 Jun 2016 - 21:55
This week it's a fuller house than normal, with guest Halfwit joining the three of us for the show. We talk cons, conspire against Savrin, and get a handful of convention reports. Want to help support the show? We have a patreon! Patreon.com/knotcast Episode 317 - Defennecstration
Categories: Podcasts

ep 118 - Tag Team - new episode! Xander got a job! Xander and Alkal…

The Dragget Show - Thu 2 Jun 2016 - 22:11

new episode! Xander got a job! Xander and Alkali talk about a bunch of stuff and answer your questions. ep 118 - Tag Team - new episode! Xander got a job! Xander and Alkal…
Categories: Podcasts

Frameline Film Fest features two furry documentaries – furs invited to a red carpet event.

Dogpatch Press - Thu 2 Jun 2016 - 12:59

Frameline-1-212x300Wear YOUR best carpet!

  • FURSONAS – Sunday, June 19, 9:15 PM (86 min.)  Victoria Theatre, 2961 16th St, San Francisco.  “Through a furry fray of intimate dramas and dilemmas, the fascinating individuals and universal longings of furries—or folks who don anthropomorphic body suits for role-play—come into snuggly view.” Tickets here.
  • FURRIES – Monday, June 20, 9:15 PM (33 min.) Victoria Theatre, 2961 16th St, San Francisco. Info here: “Furries looks beyond the fur to discover the importance of identity, creativity, and the community’s people.”  Tickets here for the ONLY IN SAN FRANCISCO shorts program: “From dancing leather daddies and celebrated drag kings and queens to the imaginatively sexy and romantic and a trip to a Furry convention, this batch of shorts truly embodies the “only in San Francisco” spirit.”

Screen Shot 2016-05-17 at 12.24.39 AM“I can’t believe it – we’re right next to Michael Moore’s latest on Google Play,” said Fursonas director Dominic Rodriguez.  “It finally got real for me when I realized you could watch it on planes.”

I checked the “documentary” category, and there it was, the second most popular movie. Since mid-May, it’s still on the front page.  That’s quite a step up from all the years when Dominic was working on just another student project made for passion.  He said the crew still felt like students even when they were accepted to the Slamdance fest, where a distributor picked up the movie.

There’s more greatness to come.  And the public is loving it as much as furries who praise it. (Not all, since it is polarizing in some ways – but man, it is special to read outsider opinions like this.)

“…a tender and nuanced meditation on a community that’s still trying to find itself… a noteworthy achievement for having the skill and will to let the narrative breathe.” – Criterioncast.com

The next greatness?  Frameline Film Fest is the oldest ongoing festival for LGBT cinema.  During the height of Pride month in San Francisco, 80,000 people come out for this world class queer art event that’s now getting Furries in the mix. What an honor.  Not just for the Fursonas crew and supporters, but also for Ash (Eric), director of Furries:

“I am very proud to announce the film festival debut of my documentary, FURRIES, at Frameline40 in San Francisco!

You can catch the film, paired with various shorts, as part of their “Only In San Francisco” shorts program… I’m told that special seating arrangements are being made for those wanting to attend the premiere in their fursuits!

I can’t express in words how much of an honor this is. I simply cannot wait!”

Fursuiters in the audience will probably be stars as much as the movies. While sadly Dominic can’t make it, Ash will be there to help present and make a great fandom event.  That’s the coolest thing about this – furs are invited to a big event, but the movies are their own home-grown labors of love.  Just like everything else they do. This is going to be a great match for previous years of Furry floats in the SF Pride parade.

Ash explains more:

“I’m excited to finally share the film with audiences at Frameline, the world’s largest LGBTQ film festival. Frameline is excited too…very exited, in fact, that the Bay Area has such a big, local group of furries. They are hoping for a furry audience at the premiere.

Both Dominic and I explored the fandom in different ways, allowing both films to feel like unique experiences that (although there is SOME overlap in defining certain terminology) our films are not mutually exclusive. Collectively, I think they cast a wide net of understanding over the furry experience.”

Categories: News

Mouse Mission, by Prudence Breitrose – Book Review by Fred Patten

Dogpatch Press - Thu 2 Jun 2016 - 10:34

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51Nw6dacHlL._SX331_BO1,204,203,200_Mouse Mission, by Prudence Breitrose. Illustrated by Stephanie Yue.
NYC, Disney•Hyperion, October 2015, hardcover $16.99 (266 pages), Kindle $9.99.

Mouse Mission is The Mousenet, Book 3; the conclusion of the trilogy that began with Mousenet and Mousemobile (both 2013). To repeat the events in the first two books, 10/11-year-old Megan Miller learns that the mice of the world are as intelligent as humans, but are too small and fragile to create a civilization. They’re isolated in small groups; and they can’t be heard by humans unless they scream all the time. The mice learn that Megan’s uncle, Fred Barnes, is an electronic tinkerer who has invented a miniature computer just for his own amusement, but which would be ideal for mice to communicate with each other throughout the world; and with humans.

In the first two books, Megan and Uncle Fred become part of the Humans Who Know about the Mouse Nation, and the mice figure out how the five humans can mass-produce the Thumbtop computers, supposedly as toy keychains but actually for the mice to use. Megan’s uncle and step-dad, Fred Barnes and Jake Fisher, create their home-run Planet Mouse factory in Cleveland, ostensibly to manufacture only a tiny number of miniature computer toys, but actually with a secret assembly line of seven hundred mice making Thumbtops for mice all around the world.

One of the Humans Who Know is Megan’s mother Susan Fisher, who is an environmental activist. Breitrose unfortunately allowed Mousemobile to become very preachy about the danger of Climate Change, which the five Humans Who Know and all the mice are very passionate about. The message of Mouse Mission, Saving the Rainforest, is fortunately integrated into the plot much better.

Susan Fisher’s current environmental campaign is saving the rainforest that covers the fictional island-nation of Marisco in the Indian Ocean (a pastiche of Madagascar).

“This was one of the last forests on that part of the planet that was still completely wild, and it had been kept that way by the government of Marisco until recently, when a group of generals seized power. A month ago, mice had found a document on the generals’ computers – a document that revealed their plan to sell the rights to the forest to Loggocorp, a huge international timber company.” (p. 16)

Susan has been working with ex-President Pindoran’s government-in-exile in London, which has been in touch with rain forest experts through London University. They hope that together they can prevent the generals’ plan to sell off Marisco’s forest and maybe even restore the previous government. But Loggocorp has hacked into Pindoran’s computer to keep track of his plans to keep them from getting the forest, and they have learned of the forest experts including Susan’s plans to stop them. Loggocorp has hired some of the best computer hackers in the world to eavesdrop on the experts (including Susan’s and, through her, the mice’s secret e-mails), so nobody dares send e-mails any more. Worse, Loggocorp has hired one of Fred’s ex-acquaintances, an individual fired for hacking, to snoop around. A delegation of humans and mice go to London to coordinate with the forest experts in privacy – but Loggocorp is waiting for them.

“For the first time since they’d known him, Sir Quentin [a mouse] spoke in a rapid burst of MSL [Mouse Sign Language, which mice usually use to talk with humans], ending with signs simple enough for the humans to understand. Pointing to a watercolor painting labeled St. Paul’s Cathedral at Dawn. Pointing at an ear. Paw to lips. Hush. St. Paul’s Cathedral at Dawn is listening.

Now Sir Quentin was making the unmistakable signs for ‘Follow me!’ and he headed for the bathroom. With one last sign. Bring the Thumbtop that Jake had left on the coffee table.”

(The mouse had stayed behind in their hotel room when the humans had gone out to see London, and he was there when a man broke in and planted an electronic bug behind the painting. p. 92)

The Humans Who Know and the British mice hastily organize a fake Rising Sea Level Conference to disguise the meeting of rain forest experts, at Buckford Hall, the palatial but run-down estate of the Duke of Wiltshire, with ex-President Pindoran posing as a concerned sea level scientist from Fiji (where the islands really are threatened by rising sea levels). But Loggocorp infiltrates that, too. A lot of hugger-mugger ensues throughout the Duke’s estate, but every time it looks like Loggocorp is about to steamroller over the Humans Who Know, the mice devise a strategy to save the situation. Okay, it gets a bit juvenile – the Mousenet trilogy is written for 8- to 12-year-olds – but it’s satisfying to have the animals save the situation rather than to have the human children save it for them.

Mouse Mission will appeal to furry readers more than the usual talking-animal children’s fantasy because the animals are not supporting characters to the children. It’s the mice who advise The Humans Who Know. The Humans Who Know – three adults and two pre-teens – are all equal partners. The kids don’t run things, and there are several mice who are also equal in planning. The mice, whose squeaking language is impractical for humans, communicate with them by Mouse Sign Language where necessary, and by computer – the mice using Thumbtops and the humans using laptops — as soon as they can.

As Stephanie Yue’s cover shows, the mice don’t wear clothes since they have fur. Breitrose’s Mousenet trilogy is like Robert C. O’Brien’s Mrs. Frisby and the Rats of NIMH in this respect (and very unlike Don Bluth’s movie, where the rats imitated the humans as much as possible). They only use what they need. There are other more sophisticated touches, such as the mice taking advantage of the humans’ inability to tell an unclothed mouse male from a female. And Ken, the London mouse with a Cockney accent.

“‘Yeah, yeah, yeah,’ said Ken, climbing out of Jake’s pocket, where he’d been riding. ‘Lovely stuff. ‘This blessed plot, this earth, this realm, this England.’ We all had to learn it. Shakespeare, innit? Richard the Second. But now we got a job to do. Right? Take a message to that Sir Brian about where them experts should be delivered, from the airport.’” (p. 88)

Mouse Mission is a satisfactory end to the trilogy, and is better than the message-heavy Mousemobile. This is another book recommended for furry fans with children more than for adult fans.

Fred Patten

Categories: News

Redbubble Resident

In-Fur-Nation - Thu 2 Jun 2016 - 01:50

Redbubble has discovered another fine artist whose work includes quite a bit of animal interest. Her name is Ruta Dumalakaite and she’s from Lithuania. Recently, Ruta was selected to be the Artist In Residence for the Redbubble office in Melbourne, Australia. Her shop at Redbubble features her works (animal, human, and just plain fantastic) on not only prints but t-shirts, tote bags, and other goodies. (There are links to her Etsy shop and Tumblr there as well.)

image c. 2016 by Ruta Dumalakaite

image c. 2016 by
Ruta Dumalakaite

Categories: News

FA 021 Introduction to Kink - Kinks are an important part in a relationship, but what exactly are they, where do they come from, and what is a healthy way to act on them?

Feral Attraction - Wed 1 Jun 2016 - 18:00

Hello Everyone! 

We open tonight's show with a discussion of a recent scientific paper about what scientists currently know about sexual orientation and identity. It's a fairly long read (60+ pages), so we rely on Viro giving us a breakdown and going through the relevant portions. It's almost like Viro is a PhD Science Collie...

Our main topic is an introduction to kink, and, to a lesser extent, an introduction to Kink Month. We wanted to set the stage for the following episodes by going over commonly used terms and defining them — as we have said numerous times, it's important for everyone to be on the same page when discussing sexual activities. 

The furry fandom is enriched in media that portrays various kinks, whether that's artwork, stories, or even videos of fursuiters engaging in various forms of play. As perhaps the only fandom that exists without a pre-existing narrative or established universe, for many furries the sexual content is their primary focus and involvement. For other furries they would rather not acknowledge that this portion of the fandom exists. 

As a community, it's important to understand how to share our sexual interests in a way that is healthy and appropriate for the context and location the discussion is occurring in. As individuals, it's important for us to learn how to communicate our likes and dislikes to our sexual partners in order to meet everyone's wants and needs and to ensure that no boundaries are crossed without enthusiastic consent. We discuss this and how to be more open minded about kinks you had either previously never expressed interest in or believe yourself to not be interested in.

We then talk about some of the most common kinks in the furry fandom. This is in no way scientific (and we pulled our information from a brief f-list search), but it helps to show just how diverse and enriched the fandom is in kink. Resources like F-List are great for communicating your sexual kinks and enjoyments for online roleplay, but if you plan on taking your online play partners on in the real world, ensure that they know which kinks are for online enjoyment only and, perhaps, consider creating a separate profile that lists your real world kinks and fetishes as they apply. We also have a brief introduction on BDSM, which we will discuss in greater depth next week.

We close out the show with a question about someone who has "literal feral attraction". We discuss our impending lawsuit for violating our brand and also whether or not fantasies should become realities.

For more information, including a list of topics by timestamp, see our Show Notes for this episode.

Thanks and, as always, be well!

FA 021 Introduction to Kink - Kinks are an important part in a relationship, but what exactly are they, where do they come from, and what is a healthy way to act on them?
Categories: Podcasts

Zen: Meditations of an Egotistical Duck, by Phicil – Book Review by Fred Patten

Dogpatch Press - Wed 1 Jun 2016 - 10:29

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

5193RSt5quL._SX349_BO1,204,203,200_Zen: Meditations d’Un Canard Égoiste (Zen: Meditations of an Egotistical Duck), by Phicil
Paris, Éditions Carabas, November 2015; hardcover €16,00 (80 pages).

Google’s automatic translator says that “un canard égoiste” is “a selfish duck”, but in this case “egotistical” is a better translation than “selfish”. Jean Plumo sees everything as revolving around himself, but he’s not particularly selfish once the needs and desires of others are brought to his attention.

The Patten-Nakashima conspiracy to get you to read French funny-animal bandes dessinées that aren’t likely to be published in English has probably let you down this time.

Jean Plumo, a mallard office-worker in a funny-animal world, is fed up with not only being yelled at by an unsympathetic boss, but at not getting the respect he feels that he’s due from his fellow deskmates. When he sees a copy of Bronzage (“Tanning”) magazine on his boss’ desk with an article about a luxurious vacation retreat to study zen meditation all day (implied under the sun; a good way to get a tan), he decides to sign up for it.

It’s not what he expects.

Zen: Meditations of an Egotistical Duck probably isn’t what you expect, either. Yes, there is a story here, but there is a serious lesson on the history and teachings of Buddhism and zen meditation as well. There are three long interludes in the story when Bernard, the master of the retreat (a Saint-Bernard dog), tells everyone a famous Buddhist legend: “Sur les Pas du Bouddha”, Prince Siddharta’s life and conversion into the Buddha in India (about 500 B.C.; Buddha drawn as a tiger); “Bodhidarma, l’Insaisissable”, one of Buddha’s “perfect disciples” (drawn as an elephant) introducing Buddhism to South China, and disappointing everyone by insisting that it’s impossible to know anything, and the secret of immortality lies in studying nothingness for the rest of your life; and “Asanga et la Sagesse”, about a famous Buddhist monk about 400 A.D. (drawn as a dog) spending a dozen years in meditation to become pure enough to see a spirit, then not recognizing one when it appears. There is a parallel in the spirits of Buddha, Bodhidarma, and Asanga appearing to Jean, and him dismissing them as just other students in the retreat. Does Jean get anything out of the retreat at the end? Well, yes – in his egotistical way.

1806_P1

Zen: Meditations of an Egotistical Duck is witty, but it seems more worthwhile for the student of zen Buddhism than for the average funny-animal fan. The French is more complex than usual, too; full of adult slang. There are probably better Buddhist primers for beginners available in English.

Fred Patten

Categories: News

Guild News: June 2016

Furry Writers' Guild - Wed 1 Jun 2016 - 08:00
New Members

Welcome to our newest member, Madison “Arara” Keller! If you’re interested in joining us, see this page to find out how.

Member News

Erin Quinn’s first novel Tailless has been released by Rabbit Valley.

Joel “Zarpaulus” Kreissman’s novel The Pride of Parahumans has been accepted by Thurston Howl Publications.

In short fiction news, several members have stories in Fred Patten’s upcoming anthology Gods With Fur, including Alice “Huskyteer” Dryden, Kyell Gold, Mary E. Lowd, Watts Martin, and Televassi. Rechan sold the flash fiction piece “Letter from the Front Lines” to Bards and Sages Quarterly.

Huskyteer won the Ursa Major for her short story “The Analogue Cat.”

(Members: Want your news here? Start a thread in our Member News forum!)

Market News

The third volume of the charity anthology Wolf Warriors is seeking wolf-themed fiction, poetry, and creative nonfiction through June 15, 2016.

Fred Patten’s next anthology for FurPlanet, The Dogs of War, is looking for original furry military-themed stories “preferably of 4,000 to 20,000 words.” The emphasis should be on military actions, not politics; Fred notes that despite the title, he’s looking for all kinds of anthropomorphic animals, not just dogs. Payment: ½¢ per word, on publication. Deadline: October 1, 2016. (Read the submission call.)

ROAR 8, FurPlanet’s annual general audience anthology, will again be edited by Mary E. Lowd. Next year’s theme is “Paradise.” It will be open for submissions from September 1, 2016 through February 1, 2017. (Read the submission call.)

Laura “Munchkin” Lewis’s charity poetry anthology, Civilized Beasts, is accepting submissions for a 2016 volume.

Remember to keep an eye on our Calls for Submissions thread and our Publishing and Marketing forum for all the latest news and openings!

Guild News

New FWG president, Watts Martin (“Chipotle”), took office on June 1. (Read Watts’s introductory post.) Everyone in the Guild offers thanks and well-wishes to outgoing two-term president Renee Carter Hall!

The FWG University is now open! Our next workshop, “Four Simple Ways to Strengthen Your Prose,” will open for registration on June 20. For more info on this and other upcoming workshops, see this thread.

Voting remains open through July 1 for this year’s Cóyotl Awards.

Want to hang out and talk shop with other furry writers? Come join us in the forum shoutbox for the Coffeehouse Chats, Tuesdays at 7 p.m. Eastern and Thursdays at 12 p.m. Eastern. More info on the Coffeehouse Chats is here. (Remember, our forums are open to everyone, not just FWG members. Come register and join the conversation!)

Elsewhere on the Internet, we have a Goodreads group with a bookshelf featuring books by our members. Feel free to add any members’ books we’ve missed so far (see the instructions here on how to do that).

Remember, we’re always open for guest blog post submissions from FWG members—it’s a great way to help out fellow writers. See our guidelines for the details.

Have a creative and successful month! If you have news, suggestions, or other feedback to share, send an email to furwritersguild@gmail.com, or leave a comment below.


Categories: News

Furry Network’s new content policy gets panties in a bunch.

Dogpatch Press - Tue 31 May 2016 - 10:12

Sorry, I couldn’t resist a flippant headline. I’m laughing with the subjects of the story. Some of the crinkly among us will consider panties and similar undergarments to be literally just something to wear. And who am I to judge? It’s not my place to “change” them.

This reminds me of an amusing topic at Reddit’s r/furry community. It asked, if furry fandom had a motto, what would it be? Winner- “Yes, I am into that”.

d68

There’s an endearingly permissive spectrum of Things Furries Are Into. At the far end is a topic that’s naturally going to be more uncomfortable than any other.  You see, quirky curiosities like Vore aren’t going to happen outside of fantasy and imagination.

voredThis one (let’s name names – “cub”, babyfur, littlefur, AB/DL, age play) is likely to be nothing but consenting role-play.  But people get squeamish.  We’ve all been vulnerable kids or responsible caretakers at some point.  I don’t like slippery-slope overreaction, but it makes an extreme test of the coexistence of two fundamentally different camps.

I call it the Big Umbrella from Disney to Dirty.  This shouldn’t have to be said but many furries want NOTHING to do with dirty stuff.  The divide of clean vs. adult is unresolvable with this hobby.  But you have to remember that your parents had sex AND raised kids.  Duality is part of life.  Handling it poorly is a problem with neurotic, puritanical America, where sex is scary and murder is entertainment. Torture-porn is box office gold but a TV nipple-slip is a scandal.

Role-play can be chaste, but adult art is a specific issue.  Pushing the limits of cute, pastel-hued character art has been a thing since many furs were still in di… uh, bad figure of speech.  Read Fred Patten’s discussion about 1990’s Tiny Toons fan art that provoked Warner Bros. cease-and-desist letters. Some furries get extremely prudish, and others get vehemently defensive: “We’re here, we’re crinkly, get used to it.”

It’s certainly not a thing you’d want associated with regular life or profession – like when a character in the documentary “Fursonas” was bullied out of a job.  To push it as a “rights” thing seems ill-conceived and embarrassing… but on the other hand, it’s not fair to be scapegoated about harmless private quirks.  In 2015, the Rainfurrest convention shut down due to vandalism and it was conflated with “morals” offenses.  There’s a “fandom complex” about this.

#rainfurrest #RF2015 #rf2016
RF issues in a nutshell. pic.twitter.com/ge6Rdjp3ny

— Corri T. Cub (@corri_yammari) October 10, 2015

Does a subculture need moral nannies?  How about nannies who support cub-furs to be themselves, like good partners?

It all leads to an update for last week’s story – the launch of Furry Network, a “furry fandom game-changer”.

Complaints about management of a furry art site?  That wasn’t going to happen to Furry Network, was it?

TL;DR - cub porn is no longer permitted on Furry Network. Full details: https://t.co/sWvvgeSCZv

— Furry Network (@FurryNetwork) May 28, 2016

Crassus writes in:

“I did a bit of research and I discovered something rather odd that I don’t think has been made widely known yet. There was a security setting on FN’s Support forums that was not toggled, so it is likely that those votes in favor of the Cub art ban were actually made by a small group of people who spoofed hundreds of votes… In other words, signs indicate it was a hoax.

The timing of the revelation coincided with Varka’s locking of the thread and preventing new comments.

If Varka knew about the possibility of a hoax, why did he proceed with their demands?
Why did Varka leave it to a democratic majority decision when this is more of a civil rights issue?
Why did Varka allow such a thread to continue when the forum itself is supposed to be for tech features?
Will Varka be pressed to consider the implications of the ban if it is made widely known that a hoax took place?

And finally, will Varka retract the ban?

I wrote a short thought-piece on it on my IB Journal: “Were the FN Cub Porn Ban Votes FAKED?

In light of the ban taking place in record-breaking time I think this revelation is rather significant and could have a long-standing effect on the community if not acknowledged.” – (Crassus)

In my opinion, I wouldn’t be surprised if people went out of their way to take advantage of such a voting loophole.  But it just sounds circumstantial without someone naming themselves for doing many votes.

Whether voting is fair or not, it’s Furry Network’s call to set policies (you use Facebook and don’t get to vote there, right?)  Even if the voting was worthless, FN’s policy is in line with other sites.  Their announcement seem reasonable and caring to me.  It’s very sensitive content, there’s other sites that host it, and “professionalism” (a subjective word) is a tradeoff from extreme freedom for a special subset. They don’t want harm for professional artists using the site.

Furry Network runs a business, and they’re offering significant potential to improve Furry Business for others. Access to the work of developers doesn’t make entitlement to “rights”, it’s more like being a guest or partner. (Don’t like the policy, don’t use the site.)

Keep in mind how FurAffinity couldn’t make a relationship with payment processors:

Remember how long and loudly people complained about wanting a better site?  It makes a conundrum if you can’t pay to build a site when policies make it hard to develop a business.  Freedom or funding?  You can’t have your cake and eat it too.

Dragoneer did keep the site largely a haven for adult content – arguably a pro-artist compromise that held back development (separate from management topics), but supported Furry growth until now.

That may have led to this point when a new site can swoop in with a solution – not because Furaffinity failed, but because FA navigated limitations to make this possible. There had to be a community who like what Bad Dragon sells. That’s how BD built a baked-in payment system for FN.

With Furry Network’s policy, multiple sites are still needed to cover all the bases.  Competition is good, and this doesn’t stop you from expressing what you want on your own, or sharing it peer to peer.  Enjoy being DIY, which I think is the coolest thing about furries.

Fan entitlement is another topic, but keep in mind that it’s a real thing.

Categories: News

New Kid Toons on Amazon

In-Fur-Nation - Tue 31 May 2016 - 01:58

We got this from the Animation Magazine web site: “A new Amazon Video pilot season kicks off on June 17 in the US, UK, Germany, Austria and Japan. And this year’s crop includes five new kids’ animation series to keep an eye on: Little Big Awesome, Morris and the Cow, Toasty Tales, The Curious Kitty and Friends and Jazz Duck. (There’s also a live-action project from Sid & Marty Krofft: Sigmund and the Sea Monsters.)” Yes that’s right: They’re re-making the 1970’s live-action series about two young boys who live by the ocean and their secret friendship with an outcast tentacled sea-monster. Turns out that the whole slate of six features some anthropomorphic content, even if all of them aren’t necessarily anthropomorphic animals! Check out the article to learn more.

image c. 2016 Amazon Video

image c. 2016 Amazon Video

Categories: News

TigerTails Radio Season 9 Episode 46

TigerTails Radio - Mon 30 May 2016 - 17:03
Categories: Podcasts

The Furry Canon: Jonathan Livingston Seagull

[adjective][species] - Mon 30 May 2016 - 13:00

Ugh.

Jonathan Livingston Seagull, a 1970 novella, hereon referred to as JLS, is really bad. How bad? Read on.

I’m reviewing JLS for the [a][s] Furry Canon project because it appears on Fred Patten’s “Top Ten Furry Classics”. Fred’s list was one of the inspirations for this project, and so I’m working my way through all ten of Fred’s choices. Unfortunately they include JLS.

To be fair to Fred, his top ten is obviously not intended to be a “best of” – it’s more a list of books that are important to furry in some way. It includes choices like the first by-furry for-furry book (Paul Kidd’s Fangs of K’aath), and (as Fred puts it) the first serious* intelligent* animal novel for adults*, Sirius.

* My experience with JLS has caused me to doubt Fred’s judgment of quality. So I’m going to consider these terms to be provisional, until I’ve read and reviewed Sirius.

All of Fred’s top ten—including JLS—receive Fred’s approval as “great reading”. I am here to tell you that JLS is not great reading. To the contrary: it is asinine, tedious, humourless, preachy, and (mercifully) short.

JLS is a story about a seagull who learns to transcend the boundaries of space and time using the power of his heart. Argh.

Do you really want to hear all the ways this book sucks? Because it’s worse than my synopsis in the preceding paragraph (minus my ejaculation of psychic pain) suggests. I thought that this review might be fun to write, but all it’s doing is reminding me of the experience of reading JLS, which is much like living through a Picard facepalm.

JLS starts with JLS himself—the triple-barreled name of our seagull hero—pissing about. He is ignoring his seagull mates and instead flying stunts. (This is written in weirdly specific aeronautical jargon.) Jonathan learns to go fast, and then gets kicked out of his seagull team because he has the moral courage to follow what’s in his heart. And then he meets a fucking immortal seagull guru and starts transporting himself around the place instead of flying. And then becomes this bullshit secular religious prophet, where he teaches other seagulls to follow their dreams.

The writing is bad. It is written alternately in the style of what I imagine goes on at r/seaplanes, and coddling new-agey claptrap. It’s about as edgy as a weak episode of Diff’rent Strokes.

In line with the softcock positivism of JLS, the tone of the writing is bland and—at its best—worthless. I’d compare it writing that appears on an eagle-themed inspirational poster, or the platitudes spouted by Malibu Stacy’s short-lived competitor Lisa Lionheart, or perhaps the motivational messages of professional wrestling cheeseball Bo Dallas. Except that JLS is less pithy, and has less to say.

I’d say that JLS is unpublishable, yet it has sold in excess of one million copies—that’s a lot of readers’ eyes being rolled as they suffer through this thing—and was rewarded with a film feating a Neil Diamond soundtrack. Both the film and soundtrack have a reputation for being terrible.

So I guess you could say that I respectfully disagree with Fred’s characterization of JLS as “worth reading”. I can only imagine that he included JLS in his list because of its commercial success, or perhaps due to some short-lived cultural impact on its publication in 1970 (Fred was 30 at the time). In either case I can’t imagine anyone picking it up in 2016 and deciding it’s worth a damn.

I’m happy to conclude that JSL fails at the most basic level to be a book of any value, never mind one of the quality necessary for recommendation into the [a][s] Furry Canon.

It think it fails on our other criteria as well – longevity & furry connection.

I know I’m not the only person who knows JLS solely through its use as an expletive by The Simpsons‘s sea captain, which I think says it all as far as longevity goes. And while I know of at least one furry seagull who takes a kind of furry pride in the existence of JLS, he is Scottish and therefore you can imagine how he feels about being told by a hippie to find the courage to let his heart soar free.

In summary, Jonathan Livingston Seagull deserves neither your time nor interest. It will not be taking a place in the Furry Canon.

The Furry Canon, recommended, at the time of publication:
Redwall
Black Beauty
Equus

Simon Thorn and the Wolf’s Den, by Aimee Carter – Book Review by Fred Patten

Dogpatch Press - Mon 30 May 2016 - 10:34

Submitted by Fred Patten, Furry’s favorite historian and reviewer.

51EIKDGiLnL._SX329_BO1,204,203,200_Simon Thorn and the Wolf’s Den, by Aimée Carter
NYC, Bloomsbury Children’s Books, February 2016, hardcover $16.99 (307 pages), Kindle $6.99.

Besides furry fiction, there is a category of children’s fantasy about human children learning that they can talk with animals, and that the animals have civilizations of their own. The best of these include the Chronicles of Narnia, by C. S. Lewis, in which human children discover a large fantasy dimension. Average examples include the recent Secrets of Bearhaven, Book One, by K. E. Rocha, where 11-year-old Spencer Plain learns that his parents can talk with bears and they have helped the bears establish a secret bear society hidden within our own. And then there is Simon Thorn and the Wolf’s Den, by Aimée Carter.

Simon is 12 years old and miserable. He’s picked upon by school bullies and he has no friends. He shares a cramped NYC apartment with his scarred Uncle Darryl. Nobody will tell him why Uncle Darryl is horribly scarred, or why his father is dead, or why his mother has been gone for a year on a zoological assignment – she sends him frequent “I love you” postcards from all over the country that don’t really tell him anything.

Or why he can suddenly talk with animals. He doesn’t tell anyone about this because Uncle Darryl apparently hates animals, even though a mouse he names Felix has become his best friend, and he could prove that he can talk with pigeons easily enough.

Then a one-eyed golden eagle tells him he’s in terrible danger, and his mother suddenly reappears, and Simon discovers that his mother and Uncle Darryl have been hiding the secret that they can not only talk with animals, too, but can change into them, but there’s no time to explain anything because they have to escape RIGHT NOW from an army of rats who want to kill them, and he’s really a hidden prince of all birds, but not the crown prince because he has an older twin brother that nobody told him about, and …

It’s all too much high profile adventure. There is lots of action, but it’s all meaningless. Nobody can tell him anything! Nobody notices anything! You’ve never seen such a string of interruptions and oblivious people.

“The eagle turned his head so he could see Simon with his good eye. ‘You’re in grave danger, Simon Thorn. If you don’t come with me at once –‘

‘Simon?’ said a rough voice outside his door. ‘Who are you talking to?’” (p. 5)

“Out of all the things the eagle could have said, this was the one Simon least expected. ‘You – you know my mother?’

‘Indeed,’ said the eagle. If you would come with me –‘

A snarl cut through the crisp air. Startled, the eagle took flight, and Simon cursed. ‘Wait – come back!’” (p. 14)

“‘They are coming for you, Simon Thorn, and if they find you, they will kill you.’

Kill me?’ he blurted. ‘Why?’

‘There is no time to explain. They are closing in as we speak. If you would come with me –‘

Another snarl cut through the air; exactly the same as that morning. Startled, the eagle took flight. ‘Run, Simon, before it is too late!’” (pgs. 28-29)

“‘Where have you been, Mom?’

She frowned. ‘I’m sorry, sweetheart. Work’s been so busy –‘

‘For a whole year? You didn’t take a single day off?’

‘I –‘ his mother began, but the door burst open before she could say anything else.” (p. 33)

“Darryl landed hard on the asphalt and began to kick the swarm of rats out of the way. Simon scrambled after him. Rats immediately began to climb up his legs again, and though he brandished the blade threateningly, he couldn’t bring himself to kill them. It wouldn’t have mattered anyway. Even as another flock of pigeons dived from above to fight the rats, Simon could see that there had to be hundreds, if not thousands by now, coming relentlessly for them. They were trapped.” (This is in the middle of a New York City street in mid-day, and nobody notices anything. p. 51)

“‘Hey!’ yelled the doorman, but Simon was already running. The rats had nearly taken over the sidewalk, but seemingly oblivious pedestrians had formed a path through the battle, and Simon jumped from one clear spot to the next, narrowly missing several tails.” (p. 78)

“Vanessa stepped out from the crowd and blocked his way. Behind her, another half-dozen human members of the pack appeared, forming a semicircle around them. Tourists and families stepped around them easily, not seeming to notice the intrusion, but Simon stopped cold.” (p. 254)

I could go on, but you get the idea. The action gets increasingly desperate, and increasingly bland since Simon, who doesn’t know what’s going on, always easily wins. When he’s forced into a magical duel with Ariana, a girl who can turn into a black-widow spider and who is famous among the Animalgams for never being beaten, Simon easily beats her. The shapeshifting is not even pretend-plausible; it includes clothing and size. If a boy or girl turns into a mosquito, a shark, an alligator, a butterfly, or an elephant, the change is instantaneous and the Animalgam is ready to go. There are the stereotypically helpful sardonic tomboyish girl his own age, and the comically awkward glasses-wearing nerd who becomes the protagonist’s only friend – here it’s Jam, Benjamin Fluke, a boy weredolphin

Simon Thorn and the Wolf’s Den (cover by Owen Richardson) does not say that it’s Book One of a series, but the inconclusive ending leaves no doubt that a sequel is coming. Buy only if you’re really desperate for talking-animal books.

Fred Patten

Categories: News

The Ladies, They Do Like Ladies

In-Fur-Nation - Mon 30 May 2016 - 01:58

Here’s what it says: “On Loving Women is a new collection of stories about coming out, first love, and sexual identity by the animator Diane Obomsawin. With this work, Obomsawin brings her gaze to bear on subjects closer to home—her friends’ and lovers’ personal accounts of realizing they’re gay or first finding love with another woman. Each story is a master class in reaching the emotional truth of a situation with the simplest means possible. Her stripped-down pages use the bare minimum of linework to expressively reveal heartbreak, joy, irritation, and fear.” What it does not say is that Obomsawin tells these stories through simply drawn but very anthropomorphic characters. Now this 2014 trade paperback has been re-released by Drawn & Quarterly.

image c. 2016 Drawn & Quarterly

image c. 2016 Drawn & Quarterly

Categories: News

Episode 316 - Furry Jesus

Southpaws - Sat 28 May 2016 - 12:35
Y'all need some furry Jesus in your life! Or not. So we talk about Savrin's gnarly week, Shiva is back from the wilderness, Fuzz is loopy from fatigue, we get asked about being honest with someone friendzoned, and then spend half an hour talking about FA vs everything else. Boy howdy. Episode 316 - Furry Jesus
Categories: Podcasts