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Ani-Max: The One-Shot
Ani-Max is an animated TV series concept created by Sharad Devarajan and Gotham Chopra. With the series still in development, Dynamite Entertainment is releasing Ani-Max as a one-shot full-color comic book, written by Ron Marz and illustrated by Jeevan J. Kang and the artist collective known as Liquid Comics. “Lost and separated from his family during a vacation in the dense Amazon jungle, 12-year old Max Duncan is chosen by the Earth Spirits as the latest in a long lineage of planetary defenders. Entrusted with a mystical artifact known as the Animus Stone, Max gains the power to absorb the abilities of any animal he touches and transform himself into a human-animal hybrid for seven minutes at a time. Taking on the attributes of lizards, lions, tigers, elephants, spiders, dolphins, and more – sometimes the transformations are gross, weird and bizarre – Max has a power no one else in the world seems to have. Joined by his faithful friends, Chris and Jenny, the three young heroes gradually find a way to use Max’s abilities to protect the planet and all its many creatures.” Comic Book Bin has more information and preview pages to see. The one-shot is available now.
Season 5 - Show 14
Basecraft Cirrostratus
Justin Lamar
FurPlanet
Even by themselves, the terms “amateur,” “adult,” and “furry” can all give one pause when it comes to fiction; when all three apply to the same work, there can be even more reason for hesitation. Still, when it's only a mere ten bucks to see whether someone's debut novella is any good, it can be worth it to gamble from time to time, and in this case, for the most part, that gamble has paid off.
Basecraft Cirrostratus tells the story of Elor Kaya, an esteemed professor who is wanted for sedition and indoctrination against a totalitarian regime. Fleeing the country with the secret police hot on his tail, he escapes into self-imposed exile aboard the titular Basecraft Cirrostratus, a massive flying machine that operates in international airspace. Once there, he seeks out the only connection he has left: Vinz, his ex-lover from a decade prior.
Problem is, Vinz doesn't want anything to do with Elor anymore, having moved on both personally as well as romantically. Instead, Elor is forced to turn to the organized crime syndicate that acts as the true power within the decks of the Basecraft Cirrostratus, which, as it turns out, is home to many a political refugee aside from Elor.
The plot itself is actually quite solid and very breezy. The pacing is good, with events never dragging and the story never going off the rails. Lamar clearly has a good handle on the setting, and the political backdrop and behind-the-scenes machinations play very well into the events of the book as they unfold. Things get a little heavy-handed at some points, but only very occasionally, and it's never bad enough to induce eye-rolling. The ending lacks some emotional punch simply because the emotional framework didn't have time to develop thoroughly enough during the course of the plot, but the plot itself does have an arc (as do the characters, to be fair). On two notable instances, dumb luck sees things through where it would have been preferable to have direct action on the characters' part, but for the most part, the plot itself stays together fairly well.
When it comes to amateur writers, one of the biggest pitfalls one usually comes across is the author belaboring points too much, or taking too long to say what needs to be said. Here, though, I had the opposite problem: much of the time, I wanted the author to slow down and take some more time to build on things, especially as they related to the characters and their relationships. For example, there's a love triangle that serves as an emotional focus for much of the story; I definitely bought into one of the relationships, but not the other—we're told that they're in love, but it never really comes across on the page. A bit of a textbook example for the caution of “show, don't tell,” which might have been avoided if more time were taken to develop things.
This is also an adult story, with the erotic aspects being entirely male/male. Sex, though, happens on page as something that's important between the characters, and (with one marked exception near the very end) it's never gratuitous, and it serves itself as part of the story and not a goal of it. Most of the sex scenes are actually pretty tasteful, and, like much of the rest of the book, never slow things down at the expense of the plot.
The best thing I can say about the book is that it's very cinematic. With the right special effects (and maybe a little less on-screen sex), this would actually make a fairly decent action thriller flick, the kind you watch with a big tub of popcorn without needing the story to shatter and rewrite your world.
In the end, Basecraft Cirrostratus bears some hallmarks of amateur writing, but when taken as a whole, it does more things right than it does wrong. It's good—not great, but certainly not bad, and Lamar certainly shows promise for future offerings. If it were maybe half again as long, with some more time spent making some of the character relationships a little more believable, and if the point of view were a bit tighter (it gets kind of loose in some points), Basecraft Cirrostratus could have been better. Still, as-is, if you're the kind of person looking for a dieselpunk action thriller and don't mind some gay sex and relationship drama thrown in along the way, you could do worse than check this book out.
Basecraft Cirrostratus
Justin Lamar
FurPlanet
Even by themselves, the terms “amateur,” “adult,” and “furry” can all give one pause when it comes to fiction; when all three apply to the same work, there can be even more reason for hesitation. Still, when it's only a mere ten bucks to see whether someone's debut novella is any good, it can be worth it to gamble from time to time, and in this case, for the most part, that gamble has paid off.
Basecraft Cirrostratus tells the story of Elor Kaya, an esteemed professor who is wanted for sedition and indoctrination against a totalitarian regime. Fleeing the country with the secret police hot on his tail, he escapes into self-imposed exile aboard the titular Basecraft Cirrostratus, a massive flying machine that operates in international airspace. Once there, he seeks out the only connection he has left: Vinz, his ex-lover from a decade prior.
Problem is, Vinz doesn't want anything to do with Elor anymore, having moved on both personally as well as romantically. Instead, Elor is forced to turn to the organized crime syndicate that acts as the true power within the decks of the Basecraft Cirrostratus, which, as it turns out, is home to many a political refugee aside from Elor.
The plot itself is actually quite solid and very breezy. The pacing is good, with events never dragging and the story never going off the rails. Lamar clearly has a good handle on the setting, and the political backdrop and behind-the-scenes machinations play very well into the events of the book as they unfold. Things get a little heavy-handed at some points, but only very occasionally, and it's never bad enough to induce eye-rolling. The ending lacks some emotional punch simply because the emotional framework didn't have time to develop thoroughly enough during the course of the plot, but the plot itself does have an arc (as do the characters, to be fair). On two notable instances, dumb luck sees things through where it would have been preferable to have direct action on the characters' part, but for the most part, the plot itself stays together fairly well.
When it comes to amateur writers, one of the biggest pitfalls one usually comes across is the author belaboring points too much, or taking too long to say what needs to be said. Here, though, I had the opposite problem: much of the time, I wanted the author to slow down and take some more time to build on things, especially as they related to the characters and their relationships. For example, there's a love triangle that serves as an emotional focus for much of the story; I definitely bought into one of the relationships, but not the other—we're told that they're in love, but it never really comes across on the page. A bit of a textbook example for the caution of “show, don't tell,” which might have been avoided if more time were taken to develop things.
This is also an adult story, with the erotic aspects being entirely male/male. Sex, though, happens on page as something that's important between the characters, and (with one marked exception near the very end) it's never gratuitous, and it serves itself as part of the story and not a goal of it. Most of the sex scenes are actually pretty tasteful, and, like much of the rest of the book, never slow things down at the expense of the plot.
The best thing I can say about the book is that it's very cinematic. With the right special effects (and maybe a little less on-screen sex), this would actually make a fairly decent action thriller flick, the kind you watch with a big tub of popcorn without needing the story to shatter and rewrite your world.
In the end, Basecraft Cirrostratus bears some hallmarks of amateur writing, but when taken as a whole, it does more things right than it does wrong. It's good—not great, but certainly not bad, and Lamar certainly shows promise for future offerings. If it were maybe half again as long, with some more time spent making some of the character relationships a little more believable, and if the point of view were a bit tighter (it gets kind of loose in some points), Basecraft Cirrostratus could have been better. Still, as-is, if you're the kind of person looking for a dieselpunk action thriller and don't mind some gay sex and relationship drama thrown in along the way, you could do worse than check this book out.
Not Quite on Cloud Nine, But You Can See It From Here
Basecraft Cirrostratus
Justin Lamar
FurPlanet
Even by themselves, the terms “amateur,” “adult,” and “furry” can all give one pause when it comes to fiction; when all three apply to the same work, there can be even more reason for hesitation. Still, when it’s only a mere ten bucks to see whether someone’s debut novella is any good, it can be worth it to gamble from time to time, and in this case, for the most part, that gamble has paid off.
Basecraft Cirrostratus tells the story of Elor Kaya, an esteemed professor who is wanted for sedition and indoctrination against a totalitarian regime. Fleeing the country with the secret police hot on his tail, he escapes into self-imposed exile aboard the titular Basecraft Cirrostratus, a massive flying machine that operates in international airspace. Once there, he seeks out the only connection he has left: Vinz, his ex-lover from a decade prior.
Problem is, Vinz doesn’t want anything to do with Elor anymore, having moved on both personally as well as romantically. Instead, Elor is forced to turn to the organized crime syndicate that acts as the true power within the decks of the Basecraft Cirrostratus, which, as it turns out, is home to many a political refugee aside from Elor.
The plot itself is actually quite solid and very breezy. The pacing is good, with events never dragging and the story never going off the rails. Lamar clearly has a good handle on the setting, and the political backdrop and behind-the-scenes machinations play very well into the events of the book as they unfold. Things get a little heavy-handed at some points, but only very occasionally, and it’s never bad enough to induce eye-rolling. The ending lacks some emotional punch simply because the emotional framework didn’t have time to develop thoroughly enough during the course of the plot, but the plot itself does have an arc (as do the characters, to be fair). On two notable instances, dumb luck sees things through where it would have been preferable to have direct action on the characters’ part, but for the most part, the plot itself stays together fairly well.
When it comes to amateur writers, one of the biggest pitfalls one usually comes across is the author belaboring points too much, or taking too long to say what needs to be said. Here, though, I had the opposite problem: much of the time, I wanted the author to slow down and take some more time to build on things, especially as they related to the characters and their relationships. For example, there’s a love triangle that serves as an emotional focus for much of the story; I definitely bought into one of the relationships, but not the other—we’re told that they’re in love, but it never really comes across on the page. A bit of a textbook example for the caution of “show, don’t tell,” which might have been avoided if more time were taken to develop things.
This is also an adult story, with the erotic aspects being entirely male/male. Sex, though, happens on page as something that’s important between the characters, and (with one marked exception near the very end) it’s never gratuitous, and it serves itself as part of the story and not a goal of it. Most of the sex scenes are actually pretty tasteful, and, like much of the rest of the book, never slow things down at the expense of the plot.
The best thing I can say about the book is that it’s very cinematic. With the right special effects (and maybe a little less on-screen sex), this would actually make a fairly decent action thriller flick, the kind you watch with a big tub of popcorn without needing the story to shatter and rewrite your world.
In the end, Basecraft Cirrostratus bears some hallmarks of amateur writing, but when taken as a whole, it does more things right than it does wrong. It’s good—not great, but certainly not bad, and Lamar certainly shows promise for future offerings. If it were maybe half again as long, with some more time spent making some of the character relationships a little more believable, and if the point of view were a bit tighter (it gets kind of loose in some points), Basecraft Cirrostratus could have been better. Still, as-is, if you’re the kind of person looking for a dieselpunk action thriller and don’t mind some gay sex and relationship drama thrown in along the way, you could do worse than check this book out.
CaliFur — The Book
Many people have taken photographs at furry fandom conventions through the years. Now the photographer known as Lurking Grue has taken things a step further: He’s published his photographs. With the help of Blurb.com, he’s published Califur, the first collection of such photographs available on dead trees. Primarily featuring CaliFur.2 through CaliFur.5 (2006 through 2009), this full-color photo-book not only depicts the usual fur-suit fun, but also a cornucopia of familiar faces and furry strangeness — some things you might remember, and some things you’ll be amazed you missed. Califur is available for on-line ordering, in both hardcover and softcover editions.
Crimes Against TF - 03 - "Sonic Style TF"
www.tanuke.com Crimes Against TF - 03 - "Sonic Style TF"
Episode 18 – Pokeball Go! - Episode 18 up and ready to listen too We had a Pokemon invade the cast this week, as well as talk on many fun topics. Come take a listen and rage with us!
Episode 18 up and ready to listen too
Click below to listen:
http://www.unfurled.net/episodes/UnFurled_-_Episode_18.mp3Click to download | Open Player in New Window
We had a Pokemon invade the cast this week, as well as talk on many fun topics. Come take a listen and rage with us!
Episode 18 – Pokeball Go! - Episode 18 up and ready to listen too We had a Pokemon invade the cast this week, as well as talk on many fun topics. Come take a listen and rage with us!PSYCHIC READING
Single Swingers Confidence for Sex
[alt.fan.furry] Publishers of Furry Comics
New from Jeff Smith
Fans of Jeff Smith’s award-winning Bone series are looking forward to Bone: Tall Tales, a brand-new full-color collection coming from (where else) Cartoon Books. Smiley Bone sits down at a campfire to tell a group of young bone scouts (and his rat creature friend) the story of Big Johnson Bone, the greatest Bone adventurer ever and the founder of Boneville. The stories originally published in the Stupid Stupid Rat Creatures mini-series are here, as well as new stories written by Tom Sniegoski. This new book is available now in hardcover and softcover editions. Check it out at Amazon.com.
Nine Lives on his side
Scratch 9 is brand new 4-part full-color comic book mini-series, written by Rob M. Worley and illustrated by Jason T. Kruse. The first issue’s front cover was illustrated by Mike Kunkel, creator of Herobear and the Kid. Here’s the story: Scratch is the black & white pet cat of a little girl named Penelope… but little does she know that her pet cat is actually a superhero! Scratch has the ability to call up the powers of his previous 8 lives when he needs them. That can be especially useful when his first life was a saber-toothed tiger! Scratch 9 #1 is out this month from Ape Entertainment. Have a look at Mr. Worley’s Scratch 9 web site too.
image c. 2010 Ape Entertainment
[alt.fan.furry] A Furry Comic Book List
Some intelligent comment on the Geek Hierarchy
Oh good God - another shmuckola out to make us all look like morons
Furcast! - Live Furry TV & Audio Broadcasts!
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