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Civilized Beasts Volume III, Editor-in-Chief Laura Govednik, Editor Vincent Corbeau – Book Review by Fred Patten
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
Civilized Beasts volume III, editor-in-chief Laura Govednik, editor Vincent Corbeau.
Manvil, TX, Weasel Press, September 2018, trade paperback, $8.00 ([vii +] 109 pages).
Here is the third annual volume of animal poetry from Weasel Press. It contains 98 pages of poetry, of mostly one page or less. Several authors have two or more poems. There are far fewer familiar furry fan names this year than there was last year; other than the editors, I recognized only Michael H. Payne. There are five poems by Larry D. Thomas, the 2008 Texas Poet Laureate.
Civilized Beasts is popularly advertised as an anthology of furry poetry, but it is almost all about realistic animals or the wonders of nature. Many authors have written poetic portraits of their own dogs, cats, horses, or goldfish. To be fair, it’s hard to write a work of furry fiction of one page.
There are some rhymes and a lot of blank verse. The cleverest poem graphically is the one chosen to end the volume: “Telltale” by Ruth Sabath Rosenthal. It’s in the shape of a wagging tail.
Civilized Beasts volume III (cover again by Darkomi) is another charity for the Wildlife Conservation Society. “All proceeds from this anthology go towards the Wildlife Conservation Society.”
Full disclosure: I have five poems in this.
Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon. You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward. They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.
Commercial: Various Cocoa Puffs
Really my only excuse for this is I'm hungry for cereal right now. Also here is also a classic spot: https://youtu.be/O2Izh2NPDzU
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TigerTails Radio Season 11 Episode 27
Little Fox went out with a Pig in tow…
Something that slipped by us last summer, but were happy to catch up with it now, thanks to Boom! Studios’ Kaboom! imprint: Ruinworld. “Writer/Artist Derek Laufman (Adventure Time Comics) brings his worldwide hit digital comics series to life at BOOM! Studios. Intrepid adventurers Pogo and Rex are on a quest for fame and fortune. Their discovery of a special map leads them on an epic journey through dangers, demons and old enemies. Just one problem-they’ve already lost the map.” Check out the preview and interviews over at Boom!
FC-311 Honestly A Lousy Episode - They can't all be winners right? We came into producing this episode in a bad mood from the start and it shows. Luckily the next few episodes are being posted at the same time as this one so... Up to you.
They can’t all be winners right? We came into producing this episode in a bad mood from the start and it shows. Luckily the next few episodes are being posted at the same time as this one so… Up to you.
Watch Video Link Roundup:- How To Rock When Your Parents Are Religious Nut Jobs
- An important message to those who booked FurFlight for 2018 and 2019 flights.
- A financial fuss about FurFlight – can it fend off a fandom fiasco?
- FurPlanet’s Furry Friday: FurryAir – At Least It’s Not Pet-Screwing
[Live] Honestly A Lousy Episode
They can’t all be winners right? We came into producing this episode in a bad mood from the start and it shows. Luckily the next few episodes are being posted at the same time as this one so… Up to you.
Link Roundup:- How To Rock When Your Parents Are Religious Nut Jobs
- An important message to those who booked FurFlight for 2018 and 2019 flights.
- A financial fuss about FurFlight – can it fend off a fandom fiasco?
- FurPlanet’s Furry Friday: FurryAir – At Least It’s Not Pet-Screwing
Mice, Mystics, Movies!
So here’s what we just found over at Slash Film: “Variety reports that [Dreamworks Animation] is in final negotiations for the movie rights to Jerry Hawthorne’s board game Mice and Mystics. The role-playing game, which was our No. 1 pick for games that should be adapted to film, follows mice heroes who must race through a vast castle to break the curse of the evil Vanestra, fighting rats, cockroaches, spiders, and the castle cat, Brodie. Its complex, deeply involved story seemed perfect for a big-screen adaptation, and it seems that DreamWorks thinks so too. If talks go through, The Hills Have Eyes and Horns director Alexandre Aja is set to direct a script by Aquaman scribe David Leslie Johnson. Vertigo Entertainment’s Roy Lee and Jon Berg are producing.” Sounds like there is some serious talent behind this project, yes?
Paul the Glanz
A financial fuss about FurFlight – can it fend off a fandom fiasco?
Distressing news has come out about a furry-organized travel service, which appears to be in trouble with some big financial obligations at the moment. The fur is flying, and not in a good way.
FurFlight bundles furries together for group air travel from highly-active fandom regions to highly-attended conventions, most notably from Seattle and San Francisco to Midwest FurFest. The idea is to improve the boring parts and the endpoint arrangements. It happened successfully in 2017. (As far as I know, no fellow travelers complained about fur allergy flareups or the plane smelling like a zoo – score for fandom image!)
FurFlight isn’t affiliated with Midwest FurFest. One of the con staffers told me about previously advising people not to buy in because of no accountability for an independent operation. Trusting other fans comes with risks known to anyone who’s been burned by bad art commissions.
Mike Folf is the organizer and principal of Canis Vulpes LLC, FurFlight’s corporation registered in 2018. Nobody else appears on the paperwork (although I’ve seen references to unnamed other team members or execs.) Mike goes to my local events and I’ve liked knowing him as a friendly furry guy. (I have no business relationship with the service). I’ve also seen many good recommendations and social media posts about the trips. So I was happy to host Mike on the site as “community access” so he could promote it:
Now that a problem has reared its fluffy head, I’m guessing that the September timing may have involved pressure to increase signups and income. That unfortunately synchs with a LiveJournal post by Aloha Wolf made on October 24.
If you entrusted FurFlight with your money and your tickets, you need to know that you’re likely going to need new travel plans.https://t.co/lbxb8iRhnt
— Aloha (@alohawolf) October 25, 2018Aloha Wolf reports that shortly after the Dogpatch article went out, Mike told him there was an imminent travel booking deadline with Alaska Air, and difficulty with the bank limiting a payment over $10,000. On October 9, Aloha Wolf was convinced to advance a credit card payment of over $35,000 to cover costs. Making the deadline would keep FurFlight on track to honor obligations to paying users (113 of them).
One can see the pressure that led Aloha Wolf to help in an emergency – and the trap he got into if FurFlight’s finances can’t match promises to repay the credit. On October 20, repayment from Canis Vulpes LLC to Aloha Wolf bounced, leaving him holding a major debt, at least for now.
A trusted tipper and FurFlight user sent me a chat log showing the events. Mike admitted to misleading about repayment ability, so he could secure the $35,000 in credit – which I can’t read as anything but criminal fraud. (Edit: I’m saying this to clarify rumors, but not sharing the doc because I would say it’s up to others to decide how to resolve it.) The tipper also gave further info about loan requests that supported a desperate lack of funds.
Fiduciary Misfeasance is my guess, which is different from fraud. It can best be described as "robbing Peter to pay Paul." Although the allegation they induced someone to pay on a credit card with a promise to reimburse when there was no ability...that's fraud if true.
— Boozy Badger (@BoozyBadger) October 25, 2018There’s more info about how things went downhill. According to Aloha Wolf, his casual review of records showed insubstantial budget or accounting, and flights were being sold at a loss. He judged the company planning as unsustainable if things can’t turn around. Commenters judged the prices as “too good to be true“.
Where did FurFlight’s income go? According to the chat log, company setup included costs of thousands for Twitter marketing, costs for Mike Folf to visit places being marketed to, and GSuite software. There was merchandise planned to earn funds but production time extended into 2019.
Flights were being sold for 2019 to cover 2018 costs – which social media observers compared to a Ponzi scheme. That synchs with FurFlight’s October appeals for more signups for new service to new conventions:
Ahoy mateys! While you eagerly await to set your anchor in @FurryWeekendAtl this weekend, come set sail with us on our lovely furry-filled airships? https://t.co/u4M94ZrOmY #FurFlightATL pic.twitter.com/0sBV10aDly
— FurFlight (@CVFurFlight) October 18, 2018Signups and details for #BLFurFlight are now open! Fly to @BiggestLittleFC with all your fuzzy friends from either Seattle or SoCal! https://t.co/Qo8WR5mEwJ pic.twitter.com/683CFJgxm9
— FurFlight (@CVFurFlight) October 16, 2018The more I read, the more it makes me think there was months of time where Mike Folf knew and didn’t address a looming problem before what looks like using false pretenses to buy more time. I wish I’d known this before promoting FurFlight.
There were some people with closer involvement who saw this coming. I don’t know if there’s more to know about why Aloha Wolf was convinced to pay so much, but Asic Fox corroborates being misled to cover $5000 in FurFlight costs. (Most of that debt is paid down, but he claims it was caused by malfeasance.)
one is an abnormality, two is a pattern, seem furflight had issues last year with funding as well @DogpatchPress can you assist with digging in to this? https://t.co/BvE5BruEbK
— Pumpkin Spice Fox (@Just_fionna) October 25, 2018Scaleup problems are often a dramatic way that apparently successful ventures derail (remember Fyre Fest, where fraud just got prison time for its organizer?) Luckily, this didn’t hit hundreds of travelers en route, perhaps leaving them high and dry – just two creditors, so far.
It doesn’t help that the personal @MikeFolf Twitter account was just deleted. However, I haven’t directly spoken to Aloha Wolf or Mike Folf about this yet, so this is where things stand. It could be possible for things to turn around – perhaps with additional funding appeals.
Personally, given what I saw Mike Folf admit in the chat log, I can’t see this happening without his position of responsibility going to someone else. He would be very lucky if it ends there. It would be nice to see a formal statement (I’d be happy to host one.)
Time will tell if repayment is made, obligations are honored, and FurFlight’s public problem is smoothed over. Travelers may or may not get what they expect.
Our main event organizer has been out on medical leave for the past 24 hours and communication is slow. We, the rest of the FurFlight team, ask that you please bear with us as we get through this and get FurFlight back on track. We are currently look at all of our options.
— FurFlight (@CVFurFlight) October 25, 2018An article is circulating currently, Has been a lot of goings on but as of now FurFlight is being honored by the airline and we are on-track to deliver. We've hit a speed bump but the team is still making it happen.
— FurFlight (@CVFurFlight) October 25, 2018UPDATE: Boozy Badger has his own take with the bluntest headline ever, about state law of licensing for travel service.
FurPlanet’s Furry Friday: FurryAir – At Least It’s Not Pet-Screwing https://t.co/Y1GLIXwAMn
— Boozy Badger (@BoozyBadger) October 26, 2018UPDATE: a closing message from FurFlight on Telegram. Also I spoke to people close to Mike Folf and would personally suggest sympathy for someone who got in over their head.
@DogpatchPress please update your story #furflight is dead https://t.co/qJpJdBmdPW
— Pumpkin Spice Fox (@Just_fionna) October 29, 2018Follow up to Furflight:
As I said on a panel last nigh, I represent a number of small businesses. In my experience, the majority fail not from intentional wrongdoing but from financial mismanagement, ignorance of the requirements, and inexperience.
While by no means good /1
Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon. You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward. They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.
Trailer: The Power of Us
Next year it looks like we'll be getting at least 2 new Pokemon films with a live action Pokemon film (Detective Pikachu) and the animated feature posted here (The Power of Us). For those of you that are not up on Pokemon films, there have been 19 films and from that point they decided to reboot the series continuity. Last years Pokemon film "I Choose You!" was the first in that new reboot which was a loose retelling of the original Kanto League saga [1]. The upcoming film "The Power of Us" is the next chapter in this new Pokemon series and I present you here with the English Trailer that was just released. "For a group of strangers, fortunes can change like the wind!" [1] https://en.wikipedia.org/wiki/List_of_Pok%C3%A9mon:_Indigo_League_episodes
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Mechanical Animals: Tales at the Crux of Creatures and Tech, Edited by Selena Chambers and Jason Heller – Book Review by Fred Patten
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
Mechanical Animals: Tales at the Crux of Creatures and Tech, edited by Selena Chambers and Jason Heller.
Erie, CO, Hex Publishers, November 2018, trade paperback, $19.99 (417 pages), Kindle $5.99.
This is not a furry book, but an anthology of 22 stories and articles about mechanical animals, including a cyborg. Most of them are about mindless clockwork robots. There are a few that feature self-aware AIs in the form of animals. These are close enough to furries to warrant Mechanical Animals to be reviewed here.
Mike Libby, in his Introduction, talks about being fascinated by mechanical animals from his childhood. “When I was ten I wanted one of those battery-powered motorized dogs you would see outside Radio Shack, that was leashed to its battery-powered remote control, and after a couple of high-pitched barks, would flip backwards, landing perfectly, ready to repeat his mechanical trick.” (p. 9) Jess Nevins, in his 13-page “Mechanical Animals”, summarizes them in literature from Homer in The Iliad to real examples in history (“The German mathematician and astronomer Johannes Müller von Königsberg, aka Regiomontanus (1436-1476), was reliably reported to have constructed a flying mechanical eagle for the Emperor Maximilian in 1470.” – p. 29), to the present.
“Two Bees Dancing” by Tessa Kum is the first story:
“Focus. This pain is old and familiar. It is not important. Focus on what is important.
‘We aren’t going to hurt you.’
It is on the table before you. Small. Antennae relaxed, wings spread, legs locked and unmoving.
‘We need your help.’ (p. 33)
A nameless government drone pilot on permanent disability is kidnapped and forced to fly a reprogrammed bee for criminal purposes. Instead, the reprogramming puts him into mental contact with the HiveAI and into a whole new world.
“Brass Monkey” by Delia Sherman is set in a clockwork late Victorian London. The characters in Jenny Wren’s Doll and Mechanical Emporium are elderly, crippled Mrs. Wren, the shop assistant Miss Edwige, and Mrs. Wren’s adopted daughter Lizzie. “If Mrs. Wren was the heart of the emporium and Miss Edwige its back and legs, then Lizzie was its inventive mind.” (p. 53). When the emporium becomes especially busy at Christmastime, “The door opened and out came Lizzie in her leather apron, her magnifying spectacles pushed into her cloudy hair, and on her shoulder a small capuchin monkey, such as commonly accompany organ-grinders, wearing a little scarlet vest.” (p. 54). The monkey is Annabella, Lizzie’s clockwork invention, made to help sort out the beads and ribbons and coins of the business day. When Annabella proves skilled enough to tell real coins from counterfeits, the three women set out to find the counterfeiter – but it’s Annabella who solves the case.
“The Rebel” by Maurice Broaddus and Sarah Hans takes place in modern America. “Garrika Sharp hunched over a tray of gears, scrounging through pieces like a scattered metal jigsaw puzzle.” (p. 74)
“Her critics dismissed her first forays as steampunk taxidermy. All about recycling and repurposing, she once sourced roadkill for skeletons, combining preserved remains with machinery. Like stuffed pets with bionic parts. Her favorite from back then was a squirrel whose spine had been replaced by a series of gears and winches so that it looked like its vertebrae had unzipped. Its head dangled at an odd angle from a broken neck. Her mother, fearing her a necromancer, waited until Garrika was at one of her treatments, gathered the mechanized corpses, and threw the desecrations away.” (p. 76)
Garrika’s friend Phonse is a street artist whose taggings include rune magic. His magic and the weed she smokes bring her constructs – Eagle, Elephant, Rabbit, Lion, Unicorn, Giraffe, and more – to life.
“Exhibitionist” by Lauren Beukes, a story about an art gallery featuring a meat art exhibit, is the first story that’s not furry at all. It’s good; it’s just not furry.
The protagonist in “Stray Frog” by Jesse Bullington is Schiller, a truant officer of the future. He’s also the villain, a doped-up sadist who uses his pipa to over-narcotize (to death?) the prep-schoolers that he thinks may be playing hooky from school. His pipa gun is the mechanical animal here:
“‘There, there,’ Schuller murmured to his pipa, the veiny grip pulsing in his palm as he dipped the fingers of his free hand into its slimy holster, smearing it with hydrating ichor. The weapon croaked its appreciation. He made sure to work the goo into the freshly emptied divots in its back, and applied a far lighter touch to the live pockets that were still bulging with narcotic eggs. His little shootout with these thugs had used up half his ammunition. He’d have to feed it as soon as he got back to his desk to make sure it laid new rounds before their next shift.” (pgs. 113-114)
There is much more detail on just what a pipa is. It’s not intelligent, so this isn’t a furry story, but it is fascinating.
In “The Hard Spot in the Glacier” by An Owomoyela, Ayo is part of a research expedition on Enceladus, one of Saturn’s moons. She is looking for Parker, another explorer who may have been injured in a moonquake, when a series of quakes endangers her and her mechanical centipede. She must decide whether to continue the search for Parker, or give him up for lost and return to base. The centipedes are programmed to offer balanced advice, but Ayo thinks that her centipede sounds scared. Is it, or is she reading her own emotions and desires into its speech?
“‘What do I do?’ she muttered, mostly to herself.
She was surprised when the centipede answered.
((I don’t like this. I think we should go home.))
Irrationally – because she’d had the same thought, after all – Ayo felt a surge of anger. She was out here, and she wasn’t complaining. What right did this idiot piece of equipment have?
But it wasn’t programmed to complain. It was programmed to make a threat assessment and deliver it in an emotionally-relatable way.” (pgs. 127-128)
“Every Single Wonderful Detail” by Stephen Graham Jones begins: “Because he knew he wasn’t going to be there for her teenage years, Grace’s dad built a German Shepherd to be there in his stead.” Grace’s dad, dying of cancer, builds the best German Shepherd he could to guard Grace. But sometimes a teen girl doesn’t want a big dog who can be counted upon to get between her and the boys who ask her out; who is more efficient at that than any live dog.
“The Nightingale” by Hans Christian Andersen is the first classic reprint, from 1843. The Emperor of China is delighted by the singing of the dowdy nightingale until a clever inventor makes a clockwork bird that can sing just as prettily and is made of gold and jewels besides. But the clockwork bird breaks down, which the real nightingale doesn’t. This is the first story in which the mechanical animal is clearly inferior to the natural animal. Also, the real nightingale converses with the Emperor, making this an undeniably furry story.
It’s unclear whether “Le Cygne Baiseur” by Molly Tanzer is an Adult erotic story or a horror story. Emily is the moderator of a museum film program on “Erotic Parodies” showing a seldom-seen Le Cygne Baiseur, based on the legend of Leda and the Swan. In it, “Mr. Hubert, the celebrated toymaker”, makes a mechanical swan that ravishes a maiden. The museum also has on display the prop model of the mechanical swan with an erect human phallus that was used in the old film. At night when everyone is gone, the mechanical swan comes to life and ravishes Emily. Or is it Zeus inhabiting the mechanical swan?
“Among the Water Buffaloes, a Tiger’s Steps” by Aliette de Bodard is set in the far future, when:
“After the sun goes down, the girls huddle together in the remnants of a house by the sea – every screen, every scrap of metal since long scavenged to keep their own bodies going – and tell each other stories. Of animals, and plants, and of the world before and after the Catastrophe. Thuy is outrageously good at this. Her sight allows her to read the other girls’ microscopic cues from heartbeat to temperature of skin, and adapt her tales of spirits and ghosts for maximum effects. Ngoc He stutters, barely hiding the tremors in her hands – nerve-wires that broke down and that she hasn’t yet scavenged replacements for – but she has the largest range of tales of any of them. Ai Hong speaks almost absent-mindedly, playing with those few crab-bots that aren’t frightened by so much light and noise – they skitter away when she puts down her hand, and draw back again when she frowns in thought, trying to recall a particular plot point.” (p. 190)
The story follows Kim Trang, a repair construct (or the distant descendant of a repair construct), as she brings a “tiger” into their midst; the girl Mei who may destroy them all. The mechanical animals are the girls themselves, who have raided this post-Catastrophe society for metal parts and electronics to keep themselves alive. I consider the story less interesting than its background.
“The Twin Dragons of Sentimentality and Didacticism” by Nick Mamatas has a colorful view of the near future:
“Things had changed. First had come mechanimals: robotic elephants, and safaris that allowed tourists to hunt them down and keep them wound via the gigantic if purely decorative keys on their backs. As the animals died off, they were replaced, but not in the order in which the ecosystem was collapsing. The big ones were rolled out first, like cars used to be. Tigers and orangutans and wildebeests and great golden bears, those last beloved of Silicon Valley. Every seven-year-old scion of a techie family rode one to school. The bulletproof golden bears could eat rampage shooters, it was believed, though this feature was never widely tested in the field.
Only later came microdrones in the shape of perfect dragonflies and hummingbirds, then deer ticks. […]” (pgs. 214-215) Sorry, but this goes on and on and on. It’s a really stunning description of how society is changed, but it’s not at all furry.
“The Artist of the Beautiful” by Nathaniel Hawthorne (1844) is the next reprint. Peter Hovenden, a retired master watchmaker, becomes jealous about the secret project that his young successor and former apprentice Owen Warland is working on. Warland, “the Artist of the Beautiful”, becomes despondent that he will never make anything more delicate and intricate than Hovenden has. Warland gets the idea of trying to infuse a spirit into machinery. This story being in Mechanical Animals, you can guess that he succeeds. What happens then?
There are eight more stories. Two are excerpts from 19th-century novels; Electric Bob’s Big Black Ostrich: or, Lost on the Desert by Robert T. Toombs (1893), and The Steam House; Chapter V: The Iron Giant by Jules Verne (1880). Both feature huge clockwork marvels, the Ostrich and an Elephant. “The Clockwork Penguin Dreamed of Stars” by Caroline Yoachim is definitely furry; its main character is Gwin, one of the penguins abandoned on Earth when mankind emigrated to the stars:
“It was one of those rare nights when the smog thinned out enough for stars to be visible in the sky above the penguin enclosure. Gwin adjusted her synthetic feathers with her beak, arranging them neatly and plucking out any that were broken or bent. She didn’t want to groom, but her programming said it was preening time, so she had no choice.
[…]
Gwin was a dreamer. The other animals judged this to be a flaw, but she saw nothing wrong with snapping at fish that were beyond the reach of her beak. She was tired of being confined, tired of the constant noise of the automated educational recordings, tired of acting out the same routines day in and day out.” (pgs. 361-362)
“Closer to the Sky” by Carrie Vaughn is a traditional Western, except that Copper, one of the horses, is a cyborg:
“Now, instead of flesh and blood for legs this singular cowpony had steel and pistons, rubber tendons, and brass flywheels, slicked with oil and faster than bees’ wings. He had interchangeable shoes: broad plates for sand, spikes for ice, rubberized points like a billy goat’s hooves, and regular polished-for-parades horse’s feet. Mostly, though, this cowpony could now run fast. And he still loved his girl. (You can tell a horse loves his girl by the way he rests his nose on her shoulder, whuffing softly, like he has come home. You can tell a girl loves her pony by the way her arms exactly fit around his head when he lowers it to greet her.” (pgs. 380-381)
Mechanical Animals (cover by Aaron Lovett) isn’t a furry anthology, but it doesn’t pretend to be. These are stories of automata built to exhibit biomimicry. It’s close enough to furry fiction that you should enjoy it.
Like the article? It takes a lot of effort to share these. Please consider supporting Dogpatch Press on Patreon. You can access exclusive stuff for just $1, or get Con*Tact Caffeine Soap as a reward. They’re a popular furry business seen in dealer dens. Be an extra-perky patron – or just order direct from Con*Tact.
(Cat)Bird… Man!
The comic largely passed us by this year, but now Dark Horse have a new trade paperback compilation of Angel Catbird — written by none other than Margaret Atwood, creator of The Handmaid’s Tale. “A genetic engineer caught in the middle of a chemical accident all of a sudden finds himself with superhuman abilities. With these new powers, he takes on the identity of Angel Catbird and gets caught in the middle of a war between animal/human hybrids. What follows is a humorous, action-driven, educational, and pulp-inspired superhero adventure–with a lot of cat puns.” Illustrated by Johnie Christmas and Tamra Bonvillain, The Complete Angel Catbird is available now.
209 - The Dark Room - Patreon: www.patreon.com/thedraggetshow www.drag…
Patreon: www.patreon.com/thedraggetshow www.draggetshow.com Be sure to check our website for all Things Dragget Show! Podcasts, videos, merch and more! Also, don't forget we stream the D&D sessions Sunday at 7pm Central on YouTube! YouTube: www.youtube.com/user/DraggetShow 209 - The Dark Room - Patreon: www.patreon.com/thedraggetshow www.drag…
Love of Spring
Really, I felt I needed more Vietnamese animated music videos that has dung beetles in it here. Here is a basic translation of the description: "The love of Spring is a season with gentle, easy to meet, repeat every spring, but never before the old one. Modifications, they wait for the day of the blooming, the insects, the busy, bathing, the laughing, the waiting and the flowers that they expect in the spring is what everyone wants to immerse himself completely In it. But it's all gone through the eyes. Glowing hopes "The love of Spring" was born at this time, as a gift devoted to the difficult feelings to keep. Everything is carefully wrapped, full of witty and very affection through 900 drawings, with the team of new Tet days and the team of friends, team parent, and a little bit. Thanks everyone with all the most special feelings!"
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Disney Had Help
A well-known (among fans) but under-discussed pioneer of animation gets more of his due in the new book Walt Disney’s Ultimate Inventor: The Genius of Ub Iwerks. It’s written by Don Iwerks (Ub’s son!), with an introduction by Leonard Maltin. “Beginning with the creation of the Mickey Mouse cartoons, the Walt Disney Studio established an early reputation as being a technical leader in Hollywood. But Walt Disney didn’t do it alone. He frequently relied on the counsel, expertise, ingenuity, and creativity of a kindred spirit, lifelong friend, and fellow virtuoso: Ub Iwerks. Yet Ub and his many technical inventions and techniques are largely unknown by the general public. His illustrious career consisted of dozens of innovative contributions, large and small, to both animated and live-action motion pictures, as well as the fields of optics, film processes, and special effects. He was also the major force behind the design of special cameras, projectors, electronics, and audio for theme park projects-and much more. The high standard set by Walt and Ub continues to inspire artists and technicians within The Walt Disney Company as they explore new avenues of quality entertainment.” In hardcover from Disney Editions, it’s out of print right now but should be available again before the holidays.
Trailer: Gordon & Paddy
Here we have a 2017 Swedish animated film that is starting to hit in other countries. It's about a old Police Chief getting an new young mouse assistant. "The forest’s police chief Gordon is about to retire and he needs to find a new assistant. Paddy, a clever mouse with a great sense of smell seems to be the right candidate. Together they have to solve Gordon’s last case – the mystery of squirrel’s missing nuts. Could it be the fox that took them? Gordon and Paddy will soon find out." Here is different version of the trailer that can't be embedded [1] on Vimeo if you are curious. [1] https://vimeo.com/250091196
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The Moons of Barsk, by Lawrence M. Schoen – Book Review by Fred Patten
Submitted by Fred Patten, Furry’s favorite historian and reviewer.
The Moons of Barsk, by Lawrence M. Schoen.
NYC, A Tom Doherty Associates Book/Tor Books, August 2018, hardcover, $26.99 (430 [+ 1] pages), Kindle $13.99.
This is the sequel to Barsk: The Elephants’ Graveyard, reviewed here in 2016. Barsk has such an unusual and unique plot that you should really read it before The Moons of Barsk. Both have interstellar settings and are set in the far future when humanity is extinct and has been replaced by the descendants of uplifted animals.
You also need to read Barsk first because there is no synopsis here. The opening paragraph is:
“Amidst torrents of rain and blasts of lightning, Ryne stepped from his boat onto the shore of the last island, the place where his life ended. The mental beacon that had guided him across the open water faded away. Clarity replaced certainty, composed of equal parts confusion and anger. Flapping his ears against the downpour he muttered a phrase heard by his students at least once a tenday for the past six decades. ‘The math is all wrong!’” (p. 11)
But Chapter One is titled “Nothing But Lies”. Pizlo, Jorl, and Ryne are Fant, elephant-men of the planet Barsk, looking like a human with an elephant’s head; great flapping ears and a trunk. That’s not why Fant is reviled as abominations throughout the galaxy, though. Of the eighty-seven races (species) of the Galactic Alliance, the Fant are the only ones who are not furred. The Yaks, the Prairie Dogs, the Giant Anteaters, the Hares, the Sloths; all the others have respectable pelts. Only the Fant, divided into Elephs (uplifted Asian elephants) and Lox (African elephants), are disgustingly nude, with wrinkly gray, hairless skin, plus those giant flapping ears and the huge mobile nose.
The Fant are not only known for their hairlessness, though. Barsk is the only planet where the wonder drug koph can be found. Koph enables rare individuals who take it to access the nefshons of the dead and to become Speakers to the dead. “He could see nefshons; the subatomic particles of memory and personality would come at his call. If he summoned enough of them that had belonged to a dead person he could even talk to them.” (p. 22) Barsk is partially about some Fant, and the attempts of some individuals of the other races of the Alliance (notably Nonyx-Captain Selishta, a Cheetah) to get more koph.
Barsk focuses upon a few individual Fant on their planet, and a few members of the Alliance, notably Selista the Cheetah and Lirlowil the Otter, a Speaker, who are especially dependent upon koph. The Moons of Barsk is about Barsk’s relationship with the rest of the Alliance, focusing on why the Alliance wants to destroy Barsk.
Although The Moons of Barsk tells the adventures of the Fant Jorl and Pizlo (and his lover Rina), and to a lesser extent Ryne, the novel is most fascinating for its description of the society of Barsk:
“Most women’s homes in Keslo [“an island located near the northeastern portion of the western archipelago. It is home to Jorl ben Tral.” – (p. 426)] were enormous and tended to get bigger as generations of women and children branched and expanded. Rooms were added, porches enclosed, neighboring dwellings annexed and connected by inventive and oddly constructed temporary hallways that acquired permanence and extensions of their own. Back yards became internal patios, became parlors, became bedrooms and kitchens and even bathrooms depending on need and whim and available materials. This was the pattern in every Civilized Wood throughout both archipelagos, expansion and adaptation rather than contraction.” (p. 55)
It also presents more background. The Fant used to be spread throughout the Alliance. Eight hundred years earlier, Alliance politics resulted in all the Fant being relocated to Barsk.
What are The Moons of Barsk about?
“The portion of the firstborn generation of Barsk that established the Caudex based their entire existence on a single core belief: the Alliance wanted every last Eleph and Lox – every man, woman, and child – dead and gone. They believed the bureaucracy responsible for transporting all the galaxy’s Fant to Barsk had only enacted the beginning of a plan, putting them all in one spot to facilitate their eventual annihilation. Margda’s Compact had forged a truce of sorts, but it was at best a stopgap; it bought some time for the Fant, but not safety. The Caudex resolved to use that time to best advantage, to develop plans to ensure they survived at any cost.
Sometimes the Alliance’s contempt for anything and everything touched by Eleph or Lox worked to the advantage of the Fant. Eight hundred years earlier, when the first waves of resettlement had begun – before the tone of the relocation had grown darker – among the many ships ferrying Fant to their new home on Barsk were commercial spacecraft owned and operated by Fant concerns on Marbalarma and Kensington, Venango and Slon, Dramblys and Passyunk. In the rush to be done with the unwanted Fant, these vessels slipped off the grid, ostensibly kept in active service to transport latecomers, which went on for most of a decade. When the planet’s pharmaceutical treasure trove opened, these same ships provided some support for building Barsk’s space elevator and orbiting satellite. But then, under the guise of ‘business as usual,’ various agents of the new forming Caudex purchased every Fant ship and began hiding them throughout the system, powering down all nonessential energies and limiting personnel to the barest of crews. Alliance licensing databases showed all of them as decommissioned, sold to other concerns, or crashed on the surface of one of the moons of Barsk and destroyed.” (pgs. 66-67)
Since the Alliance maintains the pretense of representing all the races of the galaxy, it has to allow a token representative of the Fant. This is Senator Jorl ben Tral, “who can speak with the dead, navigates galactic politics as Barsk’s unwelcome representative, and digs even deeper into the past than ever before to discover new truths of his own.” (blurb) Pizlo, a Fant teenager, seems especially ostracized; he is an albino, considered an abomination by the other Fant who are considered abominations themselves by the rest of the galaxy. But Pizlo’s physical and mental uniqueness makes him able to “hear” voices from the moons of Barsk. He investigates …
The Moons of Barsk (cover by Victo Ngai) would be helped by more background from Barsk, but the reader is quickly swept up by the story. Be aware that there is at least one more novel to come.
– Fred Patten
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Looking Ahead to 2019
Cartoon Brew has a new article up giving a chronological and detailed look at animated features from major studios that are scheduled to hit theaters in 2019. Interestingly, almost all of them have furry content — some more than others of course, but just about all of them have a least a little! Those titles include The LEGO Movie 2: The Second Part, How To Train Your Dragon 3: The Hidden World, Wonder Park, Missing Link, Uglydolls, Farmageddon (aka Shaun the Sheep 2), The Secret Life of Pets 2, Toy Story 4, The Lion King (the realistic CGI “live action” remake), Wish Dragon, Angry Birds 2, Abominable, and Frozen 2. (Hey, the first one nabbed itself an Ursa Major Award, don’t forget!)
PSA: Alcool
Here is a series of animated PSA's about alcohol overuse from Quebec Canada [1]. "Yes, we should probably only drink in moderation. Even if you are a cat, a mouse, or even a cockroach. Amirite?" https://vimeo.com/294941524 https://vimeo.com/294942806 [1] http://educalcool.qc.ca/benefices
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