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submitted by Abnormalous
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Wolf Totem is a 2004 novel about a young Han Chinese student who travels to Inner Mongolia, and finds himself making a personal and spiritual connection with the indigenous wolves.

It is not a specifically furry book, but it explores themes that will resonate with many furries who have an introspective and personal connection to their species of choice. This flavour of furry can be seen as animism, where we imagine that we have a spiritual* connection with a non-human animal.

* Spiritual, roughly, means “not real” or “not tangible”. I include this definition to avoid looking overly fruity.

Our student’s connection with the wolves is, more or less, a furry one. He doesn’t imagine himself a lupine animal-person but he does feel a close connection with wolves in general. He explores his bespoke spirituality via the more structured totemism of the Mongols, which gives the book its title.

Wolf Totem is a book worth exploring if you identify with an animistic version of furry, especially if you are a wolf. It’s also worth reading for its visceral, bloodthirsty, violent set pieces, which rival anything I have ever seen or read.

Wolf Totem has structural and thematic similarities with Carroll Ballard’s 1983 (film) masterpiece, Never Cry Wolf. In Never Cry Wolf, our hero is a Westerner in Inuit country; in Wolf Totem, he is a Han Chinese in Mongol country. Like the Inuit, the Mongols are nomadic, existing as a smaller contributor to a larger ecosystem.

The Mongolian grassland is a place of extreme weather: white-hair blizzards in winter to humid heat and mosquito swarms in summer. Survival is such an environment is fraught.

The (human and non-human) populations of the grassland have adapted to survive these extremes by finding ecological niches. The two main predators, humans and wolves, are often in conflict but are also co-dependent. The wolves will risk an assault on human-raised cattle in times of starvation, while the humans rely on the wolves to keep scavengers and parasites in check. Like all nomadic societies, the Monogls do not have the safety net of a permanent settlement and so rely on the wolves, and other members of the ecosystem, for their continuing survival.

The vagaries of seasonal weather mean that that humans—like the wolves—experience feasts and suffer famines. Accordingly the deity of the Mongols, Tengger, is a sky god who controls those things that are outside of the influence of humans. The wolves, rivals and helpers*, are agents of Tengger. And so the Mongols adopt the wolf as their representatives to god: the wolf totem.

* making them, ugh, frenemies

The best parts of Wolf Totem are those that describe the bloody battles between man and wolf. Early on in the book, wolves slaughter a herd of gazelle during winter, leaving bodies preserved in the snow. The humans scavenge a few bodies, providing them with a rare glut of food during a lean time, and plan to leave the rest to feed the wolves over spring. However outsiders to the group, motivated by money from selling the pelts, extract all the remaining gazelles.

The hungry wolves, desperate, attack a herd of Mongolian military horses. The slaughter of these horses during a blizzard is a terrific, horrific scene:

“Horses whose bellies had been ripped open by wolves had just filled their stomachs with the first grass shoots of the year, mixed with some that remained from the previous autumn, and their abdomens were taut and low-slung; when the thin hide covers were torn away by wolf fangs, the stomachs and supple intestines spilled out onto the snow.”

 

In balance with this aggressiveness, the Mongols know that the wolves play an important if subtle role. They prey on the weak of other species—marmots, gazelle, horses, even humans—thereby ensuring strong and durable populations. This natural selection ensures that the grassland inhabitants are more able to withstand the extremes of weather.

This is a very strong echo of Never Cry Wolf. There, wolves are shown to keep the caribou strong by weeding out the weaker members of the herd. Human hunters, on the other hand, target the largest bulls and therefore imperil the herd’s survival. And similarly, in Wolf Totem, human outsiders will destroy the delicately balanced grassland ecosystem.

Wolf Totem is written from the perspective of a Han Chinese student, an outsider to Mongol culture. While this is based on the author’s real experiences, it works as a neat narrative trick: the readers learns about Mongol culture aside our protagonist.

The student is nearly killed by wolves in the book’s opening sequences, setting up his obsession. This scene is another that parallels very closely with Never Cry Wolf: there, the protagonist is devoured by wolves in a fever dream. In both cases, the wolf is taken as a symbol of personal identity (similar to that taken by many furries).

The similarities between Wolf Totem and Never Cry Wolf are striking but apparently coincidental. In both cases the protagonist is an academic observer, one who is drawn into a reactive, natural lifestyle in contrast to the deadening city. In both cases, the reader is taken on a journey from ignorance to enlightenment. Although where Never Cry Wolf is subtle and haunting, Wolf Totem can be repetitive and heavy-handed.

In each story the protagonist is welcomed by the local nomadic population, and adopts a version of traditional spiritual beliefs. This is possibly a problematic kind of cultural appropriation, where a simplified version of a complex (native) belief system is presented as innate spiritual wisdom. (This is the same process that sometimes leads to outright racist characterizations like Hollywood’s “Magical Negro”, whereby a black person applies mystical powers to help a white person, as in The Matrix, The Green Mile, and The Black Stallion.) However in Wolf Totem, like Never Cry Wolf, the protagonist doesn’t so much appropriate the local beliefs as create a personal, bespoke version—something a lot closer to furry. In both cases, the connection with the wolves is complex and nuanced, and so arguably errs on the side of respectful.

Wolf Totem tells the story of the destruction of the Mongol nomadic lifestyle, and the balance of the grassland ecosystem. This starts with the arrival of the Han students, including our protagonist. They are respectful and curious about the Mongols, but they still push—and sometimes flout—the boundaries of what is considered respectful to Tengger. But the final nail in the grassland coffin comes from the incursion of the Han Chinese Establishment, specifically Chairman Mao and his Cultural Revolution.

Wolf Totem is set in 1971. This was at the height of Mao’s cult of personality, and the goal of his Cultural Revolution was to empower the weakest in society via an establishment-led peasant uprising, intended to destroy inequality between classes. His two targets were traditional beliefs (because they are a roadblock to change) and liberal education (because this creates a class of bourgeois elites).

The outcome was that anything that fit the description of the “Four Olds”—old customs, culture, habits, and ideas—was targeted for destruction. This led to mass book-burning, destruction of buildings, and banning of cultural or religious ceremonies. It also brought China’s education system to a virtual halt, producing a generation of under-educated individuals.

Regardless of the intent of the Cultural Revolution, the outcome—destruction of history and banning of education—is about as perfect a description of evil as I can imagine. It echoes the Nazis in 1930s Germany, or the Taliban in 1990s Afghanistan, or just about any example of cultural or religious whitewashing you care to name.

And so it is inevitable that the Mongols will lose their grassland at the hands of the Cultural Revolution and the rapacious Han. They will give up their nomadic way of live and resettle in fixed farming communities. Wolf Totem takes us through this seachange, which happens quickly and mercilessly.

The Mongol community is pragmatic in the face of this enforced change. They understand that they have limited ability to withstand the influx of Han culture, bureaucracy and infrastructure. And so they adapt. The most egregious victims of the change in Chinese Mongolia are the wolves, who are seen by the Han as merely a predatory species. Our student protagonist is helpless as he learns that he is the vanguard of the force that will destroy them.

Wolf Totem has some shortcomings. The characterization of the Mongol way of life as “good” and the Han as “bad” is glib, simplistic, and sometimes contradictory. For example, there is a description of Mongol wolf traps—whereby the trap is boiled and covered in horse grease to hide human scents—which are said to be an example of man’s intellect and cunning. Yet later, there is a description of Han wolf traps—using the same equipment to the same end but with more effective subterfuge—which is said to be unambiguously evil.

At times like this, Wolf Totem occasionally falls into “Magical Negro” thinking, where the author ascribes a spiritual infallibility to the exotic Mongols. It is as if Mongol acts are assumed to be justifiable (and so are rationalised as such), whereas Han acts are assumed to be bad or evil. This simplistic point of view remains even when the acts are very similar, and even when the actions of the Han make a lot of sense.

There is no doubt that there is a lot of suffering associated with the Mongols’ nomadic lifestyle. They are barely able to withstand the extremes of weather, and their stalemate with the wolves ensures constant conflict. The Han’s move towards permanent farming settlements provides stability and safety for the Mongols and their livestock. To get all utilitarian for a moment, it’s arguable that this reduction in (human and livestock) suffering more than offsets that caused by the hunting (to local extinction) of marmots and swans. (The wolves are also hunted, although Wolf Totem unusually pulls its punch by suggesting that the wolves are merely “driven” across the border to Russia.)

The arrival of the Han is heralded as a death knell for the land. However there is an epilogue where our protagonist returns, decades later, to discover a moderately successful farming community, and that everyone is doing pretty well for themselves.

This isn’t to underplay the negative effects of the Han’s incursion: cultural loss, environmental damage, and destruction of the grassland’s natural ecosystem. But it’s not as black-or-white as Wolf Totem makes it seem. (Never Cry Wolf makes the same mistake. The environmental message, while laudable, has all the subtlety of The Lorax.)

There are also some minor translation issues in Wolf Totem. At times, the reader is assume to be au fait with Chinese terms like li. At other times, the reader is treated with condescension, such as several references to Swan Lake which is unnecessarily and repeatedly clarified to be a Russian ballet.

Wolf Totem is also very repetitive in places. I suspect that this is due to challenges in translating from Chinese to English, where nuanced or modified nouns are translated back to the same English word. I can’t help but feel that it needed a brave translator/editor to cut the length of the book, perhaps by as much as half. As it stands, the narrative of Wolf Totem flags, particularly early on.

There are also a couple of very minor outright errors, which suggest to me that the translation and publication may have been rushed. Such errors are not really acceptable given that the translation is for a major publisher who paid $100k for the English rights. It also feels like a failure to properly respect the book itself, which has sold some 20 million copies—that’s slightly more than The Adventures of Huckleberry Finn; slightly less than The Hunger Games.

Still, notwithstanding these quibbles, Wolf Totem is worth the read for the unmistakably furry animistic spirituality, and the visceral scenes of life and death. But if reading’s not your thing, there is always the coming 3D film adaptation directed by Jean-Jacques Annaud (The Name of The Rose), due to be released in February 2015.

It sounds kind of weird... but furs of reddit, how do you end up befriending furries? I've always had a bit of a problem trying to make fur friends, either they just seemed interested in wanting free art, or we're so different that we can't really talk about any common ground, and then there are the ones who get all murry-purry up in your tails that it's like "dude, wtf?". I am pretty sure I do end up attracting the wrong crowd, but then it's a question of how do you attract the right crowd?

Tips, suggestions, anything really.

submitted by Frau_Aeron
[link] [35 comments]

Hello Papa Bear,

I have a problem I'm not sure if it is common or not. I've been with my significant other for almost two years, and we live together. But, I get nervous with them contacting other people and making friends, and my biggest worry is online role playing. Both he and I enjoy it, and while I hardly do it now, I don't use my fursonas. None of my furry characters, to be honest. It was agreed upon between us both not to use them, and now that we live together, it's weird role playing in the same house at times, and he recently asked to use the characters. The thing is, I'm not worried he'll cheat. Not once has that crossed my mind. I know he loves me, and he knows I love him. That's why it's so confusing for these emotions. I get worried, but not in the sense that others usually do. Just, the idea of his character interacting with someone else, and possibly having sexual interactions happening bothers me. We both agreed art is not acceptable with anyone else unless agreed upon prior and only with certain characters, and that all RP's excluding our own will be in non canon. But that doesn't make me feel better.

I have suffered from abuse and extreme abandonment to the point of being traumatized. Friends no longer wanting to be friends hurts me more than I can explain, and I've been yelled at, been locked inside rooms, and when expressing my emotions, I have been threatened by my own parents. And if that wasn't the worst part, not only did my father abandon me, but the entire side of that family wants nothing to do with my existence after accepting me with open arms and making me feel like part of the family. I highly think that this has something to do with why I'm worried about him RPing with others, but I'm not sure, and I'm not sure what to do about fixing it, or healing in the least. I'm thinking about seeking a councilor, but they're too expensive at this time.

I'm really not sure what to do. Please help.

Thank you.

Conflicted Person (age 21)

* * *

Dear Conflicted,

Papabear’s very sorry to hear that you suffered from so much abuse by the hands of your parents and others. I think you are correct that this troubled past is affecting your present situation. That was a very insightful observation on your part.

When it comes to fursonas, you clearly equate fursonas with the real person; therefore, when you or your boyfriend fool around online using a fursona, it is “cheating.” You say that it doesn’t make you think he’ll cheat when he does sexual RP, but obviously it does bother you. That’s because even though consciously you are okay with it, subconsciously you are not okay with it.

So, my question is how is your real-life sex life? If it is fulfilling, why is there a need to role play online? If it is not fulfilling, that would explain the online games and, I assume, masturbation to computer images. Either way, my suggestion would be to spice up your real-life sexual activities. Transfer your fantasy role playing to the real bedroom. Do you have a fursuit? Does he? You might try wearing them in bed. Here are some other tips for role playing in real life:

1. Indulge your lover’s fantasies without judgment. Part of the reason you might be seeing him on the computer is because he is afraid to tell you what he really wants. Make clear to him that, no matter what it is, you will be open to his fantasies and go with it.
2. Ask him to afford you the same courtesy. Sex is a two-way street, and you need your fantasies fulfilled as well.
3. Decide who will be the more dominant one in the game and who will be the submissive one. It doesn’t work well if you both want to dom or sub. If you are both one or the other in preference, then have two sessions at a time so you can switch roles to please each other.
4. Learn to let go of your inhibitions. This goes together with #1 above. The more you do this, the more you’ll relax with one another and the better the sex will become.
5. Learn to talk dirty to your lover. This is a learned skill, believe it or not. It’s different from typing.
6. Foreplay is essential. Don’t just go for the goal of climax. Role playing is all about the foreplay. Take it slowly. Learn about sensual touch and massage. Make it playful!
7. Role playing is really a form of acting. And, as with actors, you need to become your character. Really get into it. If he’s the delivery boy and you’re the dominatrix vixen whose husband is out for the night, get into that wicked mindset and have fun with it.
8. Incorporate all 5 Senses: Sex is 90% mental and only 10% physical. This is why so many people get into online RP. However, the advantage of real-life sex play is that it incorporates the senses of touch and smell and taste, which have yet to be achieved online. Take that extra 10% and make it work to your advantage.

By working on your real sex life, you will achieve two things: 1) both of you will likely see less reason to play online because you’re having so much fun in your own bedroom, and 2) it will bring the two of you closer together; you will trust each other more because you have opened up more, which will lead to a stronger bond, and, with that, it should alleviate your anxieties that stem from your childhood abuse.

Part of the tragedy of Modern America is that the young generation is being brainwashed into believing that the virtual world is the place to be. In my (thus far) two years as an advice columnist, I see this as one of the biggest tragedies of today: a world of "communication" where no one is communicating, including in the bedroom. You have a boyfriend and you love each other. One of the joys of a loving relationship is real-life sex! Why would you pass that up for a computer? Do it! Have lots of it! It's good for you! 

Happy yiffing!

Papabear

* * *

Dear PapaBear,

I wanted to clear up that in my last message, I stated I have been with my significant other for two years, which confuses me as to why I would write that (dyslexia runs in the family so I think I have some mild form of it) but I've actually been with him for almost four years.

When it comes to our sex life, we are both very sexually driven. We are both very passionate lovers and are both very open to each other about our desires and fetishes. We have heavy amounts of fourplay before, and even at times where sex doesn't follow, and we have roleplayed our characters from time to time, but haven't tried the porn-mocking mailboy or poolboy scenario's yet, which I want to, and he has agreed to try for me. We talk dirty, and we talk loving, throughout the entire process.

Personally, I am a very Straight Demi-Sexual Monogamous person. I have to be with one person and one person only, and looks are almost not that big to me. I don't look around when I'm walking down the street or at a store. Friends and even family will point out someone they think is attractive, and I hadn't even noticed the persons existence. I'm not sexually or romantically attracted to anyone other than my boyfriend or people that resemble him in some way or another.

When it comes down to roleplaying, I don't mean sexual roleplays, although they can happen. I mean, him and I both enjoy story driven scenareos. We enjoy roleplaying in a setting with reasons. That's why I, and I'm pretty sure, him, are not really interested in roleplaying with someone who wants sex and sex only. The thing is, I understand that when roleplaying with someone, characters can interact and relationships can develop. I'm not sure, but it's all just so scary. And I'm angry that I know that he isn't looking for an outlit for his sexuality. I feel like I shouldn't be bothered and I'm just hurting him, and I enjoy roleplaying too, but I actually never use any of my furry characters. I've always had a set of non-furry characters.

Something, though, is that in our first year together my mom found when she went on my computer without me knowing and onto my Facebook, saw I was roleplaying with one of my longest (ex) best friends. She told me that it was bad, that it was cheating, that my boyfriend couldn't trust me. I'm not sure if her words have stuck or not. Him and this same ex best friend started roleplaying, though. And like I said before, it wasn't for sex. It was an outlet for creativity. But, it turned into romance, which turned into sex, with all of his furry characters along with hers, and at one point she even drew art of one of her characters with his, which really destroyed me. She began to become obsessed with him. She would mockingly tell me things about /my/ boyfriend, as if I didn't know, or maybe even things I didn't know at the time. I think she developed a crush on him because she always wanted to roleplay and talk with him and it was just hard watching it unfold. This is what eventually destroyed our friendship and it's been about twoish years since her and I last talked, and same with him and her. 

I'm sorry for rambling. I'm hoping that this helps bring light into the entire situation.

Thank you,

Conflicted

* * *

Hi, again, Conflicted,

This is a totally different ball of wax from what you described in your first letter. The new letter explains well that your sexual relationship with your boyfriend is a good one, and also points out I was wrong in assuming the online role play was disturbing to you because it was sexual--it wasn't.

So the two key points of your new letter are the online relationship your boyfriend had with your now-ex girl friend and the fact that you mother snooped on your computer and told you that your role playing (even innocently) was cheating.

You noted in your first letter that the relationship with your father and his side of the family was horrible. How about your mother and her side? I, for one, wonder why a mother is spying on her 21-year-old daughter. You're a grown woman and what you're doing online is none of her business. I'd be pretty pissed off at her if I were you.

So, then your mother says what you were doing was "cheating." Um, no, it wasn't, especially when you and your boyfriend have agreed it's fine to do some nonsexual roleplay with others online. But now you have it stuck in your head that what your boyfriend was doing was cheating all because of your mother's unwise remark.

Do yourself a favor: ignore your mother's opinion, realize that you can have a little online RPG fun with other people and that it is not cheating. Give yourself and your boyfriend a break. Neither one of you is guilty of anything bad. You love each other, you have a good relationship, you have a good sex life, you have both agreed on certain do's and don't's when it comes to what you do online. In my opinion, you guys have it under control. You've been in a happy relationship for four years now, so why screw it up with insecurities that are not justified?

At this point, I would wonder if perhaps what is sneaking in here is that you feel very happy with your boyfriend but, on some very deep level because of the abuse you received, you feel unworthy of happiness, so now you are looking for a way to sabotage it, destroying the relationship and saying to yourself, "See? I didn't deserve happiness."

Knock it off.

Be happy! You deserve it! Stop overthinking and enjoy your couplehood. The only one making yourself miserable is YOU! Recognize that and realize that this guy loves you for a reason--because you must be pretty cool. Therefore, enjoy the happiness.

Hugs,
Papabear

submitted by InkMercenary
[link] [2 comments]

Probably done this one already but fuggit, why not have a round two? WHAT ARE YOUR GOALS?! Want a piece by a popular artist, to buy a fancy, shiny suit, to have a tail or ears that actually work? Anything you desire, be as specific as you want! And for fun, let's keep the theme to things that sound silly, even though you're dead serious. Like... for example, I want to guest star in someone else's picture, if in a comic or commission, as a person's dakimakura. Why? Cause I think it'd be damn hilarious and I love silly ideas like that!

submitted by Senelbeat
[link] [50 comments]

submitted by Kitsune51b
[link] [4 comments]

Author: crossaffliction Guardians of the Galaxy was the only furry comic to make it to the top 100 list again, so I’ve got nothing. read more Find the full article here: flayrah – furry food for thought Creative Commons: Full post may be available under a free license.

submitted by vxd2k7
[link] [5 comments]

My girlfriend and I are trying to find some good cat ears at least :)

submitted by ipitythefail
[link] [2 comments]

Author: I don’t usually post stuff like this, but I felt this particular email I received from a friend was very relevant to what I do here at Ask Papabear. Imagine that you had won the following  *PRIZE* in a contest: Each morning your bank would deposit $ 86,400 in your private account for your use. However, […]

1. Tell us about your most recent project (written or published). What inspired it?

My most recent completed project is a short story called “The Darkness of Dead Stars.” It was inspired by what I’d read about the ultimate fate of the universe and eschatology, though beyond the basic premise, it didn’t start to come together until I’d seen Von Trier’s film “Melancholia.” As with “Melancholia,” mood and atmosphere take priority over realism. This was necessary for my story because there yet remain unanswered questions in physics that make it impossible to determine certain details about the future of the universe; we just don’t have the data right now. However, I hope it will all sound feasible at the time of reading.

2. What’s your writing process like? Are you a “pantser,” an outliner, or something in between?

I usually let an idea bounce around in my head for months, even years before putting down any of it. That shouldn’t be taken for planning, though, as the plot is never more than roughed out when it comes time to write. Once it gets to that point, I alternate between daydreaming and trying to articulate those daydreams. I try to edit as I go as much as possible.

Once a rough draft is completed, it goes through a couple of rounds of editing, then I try to leave it alone for a few months. After that, I decide if the story should be scrapped, edited further, or completely rewritten.

For poetry, I employ automatism at first and clean it up as I go.

In both cases, the germ is usually something retained from hypnagogia.

3. What’s your favorite kind of story to write?

I have the most fun writing things that are completely absurd. Think “Looney Tunes” logic, but sordid, morose and infused with my personal symbology. It’s rare that I venture into this territory, though.

4. Which character from your work do you most identify with, and why? That would vary, but the easy answer is “Aunty Fjola.” We’re both struggling with afflictions, though her ailment is as much physical as it is psychological, we’ve both also had to readjust from a life that was fairly bustling to one that is more passive and sedentary. 5. Which authors or books have most influenced your work?

Watership Down is the book that made me want to write seriously. I read it when I was eighteen or so, I had been writing poetry for years then and liked to think I knew what I was doing. Nope! I was humbled and resolved that someday I would be able to write something that good. I’ll let you know if it happens.

Orwell’s 1984 was also a big influence, I’ve read it many times. Terry Pratchett is someone I haven’t been reading very long, but he’s already made an impression. Neil Gaiman, William S. Burroughs, HP Lovecraft and Khalil Gibran also deserve mention, as do others I’m forgetting.

6. What’s the last book you read that you really loved? “Loved” isn’t a word I would normally use, but… Going Postal by Terry Pratchett. It’s rare for a book to make me laugh aloud, but this one did, more than once. 7. Besides writing, how do you like to spend your free time? Well, I like to spend my free time attended by nymphs in the pleasure gardens, but as this occurrence would be charitably termed “uncommon,” I mostly enjoy reading and taking in movies and music these days. The woods are nice, but we don’t have them here. I will always stop whatever I’m doing to watch rain or windstorms, that’s my favorite. 8. Advice for other writers?

Always strive to improve. Always do! Your art is not so small that you’ll ever want for room to grow.

9. Where can readers find your work? http://www.furaffinity.net/user/dwale/ Has mostly rough drafts, but there are some more polished ones. Persons are also welcome to contact me directly. 10. What’s your favorite thing about the furry fandom?

Furries are some of the most open and accepting people. No one’s worried about the skeletons in your closet, no one’s trying to look cool…or at least, no one’s succeeding! We have our share of unpleasant types, every fandom does, but there are some truly wonderful people who make it all worthwhile.

 

Check out Dwale’s member bio here!

submitted by lucarioawesome
[link] [2 comments]

https://translate.google.com/translate?sl=auto&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.berliner-zeitung.de%2Fberlin%2Feurofurence-convention-in-berlin-2000-furries-treffen-sich-im-estrel%2C10809148%2C28186310.html&edit-text=&act=url&authuser=0

They wear homemade animal costumes and also move like their favorite animal. Furries hot these disguised legged stuffed animals. 2,000 of them currently meet in Neukölln Estrel Hotel for Eurofurence Convention.

Predators, foxes, wolves, tigers, and here and there an idiosyncratic mythical creatures, the main thing a lot of fur and fur. In the Estrel Hotel on Thursday afternoon it looks like on a costume party on the subject of animals. Hundreds of people lounging in colorful fur clothes at the entrance and in the lobby, they pose, hug and take pictures of themselves. Some wear even a stuffed animal under his arm.

You are Furries. Thus, the global movement usually called young people who like to dress up themselves because of their love for animals as animals and spend their leisure time in the self-made fur dress or like to draw animals and cartoons and make costumes. To Eurofurence convention, Europe's largest meeting of its kind, more than 2,000 furries from thirty countries in Berlin are the same arrived, also from Japan, Brazil, Russia and Norway. For the first time the global meeting place here, in front of the community met in Magdeburg.

Spend about 500 euros for the Furries in the coming days at the Estrel and experience there is a full program, modeled on the American crime series, CSI Berlin under the motto is. A molecular biologist talks about securing DNA evidence, animal lovers donate to a bat project in Erfurt. There are workshops for sewing their own costumes, shows, concerts and dance competitions. 300 Artists occur. Also a flirt and Introductory Course will be offered. Because even Furries can be shy. And prefer to stay anonymous.Fixed rules and roles they have not. "Everyone shall determine for itself what a Furry he wants to be," says Michael Graf, one of the organizers. And everyone Furry associate with a particular animal also special properties, says Earl. Think of the cunning fox, the lone wolf and a cat that moves elegantly. These movements can take on in his role. "And then you can dive into his fantasy world."

In this world, a woman who calls herself Tshania moves. She is wearing a large cat's head made of white faux fur. The big cats eyes are so realistic design that makes you feel observed. Tshania is 27 years old, comes from Hesse and works as a Women's Clothing Tailor. She is for the first time at a Furry meeting. "I think it's great that everyone is so open and loving each other," she says. She was even more introverted.

In fact, the scene is like at the Estrel a big cuddle party. Hugs, kisses, Streicheleien. The Eurofurence Convention is a gathering of two-legged stuffed animals. You can see happy faces when they are not hiding under an animal mask. Tshania says, her costume did she dedicated her dead cat, with whom she has lived for nineteen years. Seventeen animal costumes has now made Tshania. "I'm having fun in dressing up," she says, "but I'm also like a man."

There are circulating so strange stories about the estimated 8,000 Furries in Germany. Some would spend whole weekends in costume, literally live out a fetish. One is reminded of the movie "Finster World", in which the policeman Tom, played by Ronald Zehrfeld, in pink bear costume with other furries meet in a secluded hall. A police officer in a bear costume. Funny.

"Some people react funny and find what we do, unnatural," says a man who Quack, the Husky is called. Therefore, he wants to tell anything definite about his private life. Only so much: he was twenty years old, working in Hamburg in the environmental and love dogs. Quack should be a naughty dog, with thick, strong legs that can also dance well.

Then Quack takes off his thick dog's head and stroking the sweaty hair to the side. A pleasant young man comes to light, open and confident. "My parents are surfing when they were young," he says. "And I wear for fun sometimes just a dog costume."

Hey guys, I have been here for a while and I've come to the conclusion that I would LOOOOVVVVVE to become a furry although I would like some question answered please

1. How do I make a fursona? (Inboxes would be great)

2. Is there any limitations for a fursona?

submitted by furry_lover
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His real name is Thorsten. But here he is Coltlan. Like most he has passed his real identity at the door. Thorsten is shy, has few friends, is unsociable. Coltlan however, is communicative, smiles to all, accessible. Trustful, one would have to say, because Coltlan is a Husky in human size. In it, Thorsten infected, but this is not important here at all, how and what he wants to be. A 1.80-meter-tall Stuffed Husky on two legs is not something that would be more than 2000 people who have come together in Neukölln "Estrel Hotel" at the Sun Avenue to "Eurofurence" irritate.

Since Wednesday, the lobby of larger than life foxes, cats, wolves and dogs is dominated in all colors. They stand in groups together, entertain and embrace, and there's a communal atmosphere. For the 20th time, Europe's largest gathering of supporters of the so-called Furry genre is already taking place, and it still serves to Sunday all the lovers "anthropomorphic animal beings or animals with human attributes," as co-organizer Jörg Reuter describes it, to also times personally acquainted. Because the exchange is normally run via social media.

"Furries are people in animal costume," said Reuter. However, the term also describes the whole community, which since its creation in the 80s defined by an interest in fantasy animals in text, sound and image. About half of the Furries is German, the rest comes from all over the world. "We have Americans, Russians, Belarusians and Ukrainians, who easily together eating breakfast and talking about art," Reuter describes enthusiastically. "This fascinates me as the love of the Beasts brings together the people." As a harmonious family gatherings be it here, the Furries he actually looks as an artist community. There are graphic designers and illustrators, but also bakers, merchants, and IT specialists who meet here.

Seminars, stories, Party

At the convention the Furries do together what they normally do at home alone, here in the form of lectures, workshops and seminars. One can learn to sew a costume to move in costume to draw characters and stories devise around them. And with all learning very important: Party! The Furries are nocturnal, and the evening is the life really begins. "It's surreal at first, when a bunch of people moving in the fur to techno, but it's just great," says Reuter. That here just a few freaks dress up as their favorite stuffed animals, he finds "unacceptable escalation". There were quite a few that would identify "very" with their figure. "But for all, it is of course the ultimate running around in a costume," he says. And also a real challenge.

This proves impressively a green fox on the way downstairs to the toilet, curved like a sickle, because only a vertical view of the stages saved him from falling down. "You have to imagine that, like looking through two toilet paper rolls," Kathi aka Sinea describes the still running around in civilian clothes, their view of the fur. "The eye slits are small and you really have to watch out that you can not be dropped." Then they must take as furry supervisor. It leads the Furries through the area, ensures that they drink enough and admits chairs out of the way. For Werefox, a relatively natural, red-brown giant fox, which is very important. He is deaf and dumb and is only dependent on these slits in his senses. But he was with heart and soul into it, for three years, he signaled with his big paws.

When people barely friends

Werefox enjoy the freedom to be here, who he wants, translated Sinea. "There is a tolerant atmosphere, which is why we also have a large proportion of gay and bisexual men here." The ladies share the other hand, is about ten percent, and Sinea know why women of such meetings away sooner. "In costume, people feel free," she says. And some female furries were the cuddle ambitions of their male counterparts just too far. So the men thus remain largely among themselves, and Thorsten aka Coltlan enjoys the sense of community.

"As a person I had previously barely friends," he says. "Through a TV report I have become aware of the Furries and got me in March at Furbase, an Internet platform account." Since then he meets, the gardener is during the week, on weekends with other furries and running in costume through the city. "I trust in my costume much more, can better reach out to people and have more confidence." He enjoyed the attention of the people, especially the happy children when they see the huge stuffed animal. The question of his true identity, he can not answer clearly. "I am a human being. And a passionate Husky."

© Berliner Morgenpost 2014

Author: Fred Taboo is a work of anthropomorphic fiction for adult readers only. (publisher’s advisory) It is rated NC-17. Every society has taboos, from sacred vows which must never be broken to the limitations of sexual expression. These [fourteen stories answer] the question, “Which line would you cross?” (blurb) This is a longer book review […]

This is something silly I did recently in an attempt to pander to Space 1999 and Secret of NIMH fans….

With any luck all three of you will see this.

Random articles and movies about AC 2014 that are too small to deserve an entry of their own!!!

ABC 6


Norwich Late and Live #3
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Uhhh, I have no idea <_<


WTAE-TV Pittsburgh

Action Lab Entertainment has a new full-color comic book series for young readers, Hero Cats. “Avengers and Justice League move over! The cutest heroes on the planet have arrived! Meet the Hero Cats of Stellar City in this spectacular first issue. Not your ordinary house cats, they’re a tactical action-packed covert team dealing with extraordinary threats to humanity in ways that will amaze.” Two issues out so far, all brought to you by writer Kyle Puttkammer and illustrator Marcus Williams. There’s an official web site of course, showing off several cover variations and tie-in posters available.

image c. 2014 Action Lab