Feed aggregator

We just found out about three upcoming animated specials — all of which have some definite Furry interest in them. “Entertainment company TeamTO has acquired the TV, film, and licensing rights to three popular children’s books: Snowman (Snowy and the Snowman), by Jacques Duquennoy; Fox’s Garden (The Winter I Met the Fox), by Camille Garoche; and Something’s Fishy  (Penguin’s Ice Time) by Jean Gouronas. The three winter-themed stories will be produced as individual specials for the 2022/2023 holiday season… In The Winter I Met The Fox, directed by Emma Carré, a fox finds refuge from a cold and snowy evening in a greenhouse. Shy little Sacha overcomes his fears and comes to the rescue with Chickpea, a pet chicken. He is amazed to find that the Fox had babies and learns that friendship is about reaching out. Directed by Lois Espuche, Penguin’s Ice Time follows Penguin as he is ice fishing, but the fish aren’t biting. But why? A comedic cast of polar characters gather, chatter, wager guess and generally, aggravate Penguin until…they hear something below the ice! Snowy and The Snowman, directed by Sif Perlt Savery, stars Snowy, a young snowgirl living in Snowland with her elf parents. On her first day of hockey practice Snowy’s dream of flying like a superhero Snowman comes true as she rescues a little rabbit from a mighty Yeti.” Once again we have Animation World Network to thank for the news. Keep an ear open for release dates next year.

image c. 2021 TeamTO

Check out these furry found footage tapes I found, Man I do remember Max Headroom being so husky.  There’s also a tape here from the old PBS show Computer Chronicles and man early optical media was so expensive then.

On a personal note: I did take a long break from posting here and there were a lot of factors going on. The world was on fire and I was stressed out due to everything going on with work and the pandemic, I had been doing this for many years without a break and I guess I really just needed one.  I’d been spending a lot of time in VR being social and just trying to enjoy some time to mostly myself.  I had been world building and experimenting with filmmaking in VR and so far been learning a lot. I’ll start posting more in a more regular way now.

If anybody is interested I also did a NSFW interview over here at the Seattle newspaper The Stranger and can read it if you are curious but warning: it is very NSFW.

80s VHS tapes & personal update

Hello again everyone! It’s February, so in honor of Black History Month, the FWG wanted to feature interviews with Black authors, publishers, and creators within the furry fandom. Today we’ll be interviewing Cedric G! Bacon, the Editor-in-Chief and Publisher at Thurston Howl Publications.

Those familiar with furry writing have likely seen his written works in Infurno, Furries Hate Nazies, or Thrill of the Hunt. He is particularly known for his horror stories though never turns down opportunities to work outside his usual comfort zone.

With the introductions out of the way, let’s get onto the interview!

FWG: What is your favorite work that you have written and favorite work you have published?

Cedric: I’m actually going to separate this into three answers, hahaha. The first two are my written/published, and then one that I’ve published for someone else.

For my own favorite work that I’ve published it’s a tie: the first would maybe be “Yule Carol” in 12 Days of Yiffmas (Red Ferret Press). To give a summary, it’s a Christmas themed story set in Japan and focuses on a vixen named Kiyohoko missing her deceased husband Heath terribly. Thus, on Yule Eve, she performs a ritual that binds his spirit into the physical plane, albeit briefly.

I took inspiration from the Bon festivals with this one and a lot of creative license in terms of the traditions, but the end result became very satisfactory and for being an early attempt at erotica, it was probably one of my most successful due to having dark elements and not outright horror, but also having characters that are just genuinely likeable, without having to force the reader into liking them, and I tried to make it appear as believable as possible. Definitely one I recommend to readers but because it’s in an erotic collection, definitely for the adult readership!

Second favorite story that I’ve written and published, it’s “The Battler” from Furries Hate Nazis. I’ve always been a fan of boxing and wrestling, and I’ve always wanted to do a story featuring either sport. It ended up becoming that “The Battler” (which was partly inspired by the story of Salamo Arouch and also being set in the universe of The Adventures of Peter Gray by Nathan Hopp) was that story, and it gave me an opportunity to say something about anti-Semitism and racism in the 1960s.

The final act fight scene between my Jewish boxer Mickey and the Nazi antagonist Vilm was probably the most cinematic writing I’d ever done, and definitely had to look at the various motions and movements from sources like Christy Martin’s fights and the old boxing anime Ashita no Joe.

For my answer on favorite written but not yet published, that would be “Poyekhali!” which will be appearing in ROAR 11. It’s a little bit of alternate history, but largely inspired by the Soviet space program that launched human beings into orbit. The main thrust of the story is inspired by Valentina Tereshkova, the first woman in space, but I also take bits from others who were there, and even created an anthro version of Laika. But the reason I liked this story so much is because it used so much of my favorite themes—strong women in the leading roles, history, action, and research—and I can’t wait for everyone else to read it soon too!

And for my favorite work that’s not my own but one that I’ve published, I think that would be Fire-Branded Leather by F. Gibbs. It was the first long form work I ever edited and so it was great having a great writer to work with and break the ice, learning communication and listening skills along the way. First in a trilogy (with the second book, Cold Trailing, out now and the third on the way!) I can’t say enough how much I’ll always stand by this book. 

FWG: What do you think makes a good story?

Cedric: For me, I think a good story the sum of a bunch of different parts. When I sit down to write, I always try to think of the things that could click: the characters for one, setting for another, dialogue for yet another, and the plot that I’m hoping to tell with the story. Sometimes, even with beta reading and positive feedback, the story may not land…that doesn’t necessarily means it was a terrible story because as well known, there are a lot of intentionally terrible stories that actually did get published (looking at you Twilight and Fifty Shades of Grey), but one that just didn’t hit right with a reviewer or an editor doth not a bad story make. But the key ingredient I think in this literary bouillabaisse is the writer having the confidence and believing in the story to really make it good: its that having the faith in the characters and having a solid track as you’re moving from point A to point B to point C with the plot, and the dialogue is firing on cylinders with you, you just have this knowing feeling that “Hey, this is actually turning out pretty sweet!” 

FWG: What does Black History mean to you?

Cedric: It’s most definitely the acknowledgment of the achievements made by folks that don’t get that shine too often. Yeah, we do celebrate the achievements of Amelia Earhart for example and her most definitely defining pioneering career as an aviatrix, but how many know about Bessie Coleman, who was the first woman to be an African American and Native American pilot? Or the recently passed Charles Saunders, whose novels and stories of the heroic Imaro gave a blackness to the fantasy genre that’d previously been dominated by writers (Lovecraft, most notoriously) who often relegated the black character to a stereotype.

I’d be the first to admit that I never knew much about Black History growing up, besides the big stuff that you learn in school. The good stuff, the stuff that really makes one take notice, didn’t come to me till much later, or learning how many sacrifices were made to retain one’s pride (Muhammad Ali telling the draft board to stuff it saying he wasn’t going to Vietnam—in a famous rebuttal—when he did, which stalled his boxing career for a long while is one example to think of) in order to make movements for a race that’s been marginalized for centuries due to being a couple shades darker than their friends and neighbors.   

FWG: Do you feel that your Blackness has affected your writing? How about your work in publishing?

Cedric: I think it’s informed how I shape certain characters and situations, most definitely. In “The Battler” for example, I made the narrator a black man who has to deal with the racism of his fellow humans but also that of the furren (borrowed once again from Nate Hopp for an anthro species) who will deign themselves uplifted from humans and especially a black man like my narrator. That the boxer he trains is an anthro and Jewish was a nice thing to write because it’s two people who come from different backgrounds but don’t care and are just happy to have each other in their lives for this experience… It’s just the hope I always have but have been disappointed on in reality.

The experience of having one’s differences made front and center has happened to me a number of times, from the drive-thru at McDonald’s all the way down to relationships, and internally that feeling of being like an outsider looking in is something that isn’t forgotten. And then that feeling that if I spoke up and out then the consequences could either be dire or fatal depending on the circumstances. There’s a lot of wrong that’s out there and few speaking on it, and the ones who do are just the worst types who are only speaking on it and chasing clout. 

Since becoming the top bat at THP, I’ve continued our namesake’s mission to always look out for marginalized voices that are speaking and saying what they have to say as loud as possible. And not only that but taking ownership of their stories and not having them told by someone without that background or knowledge—despite the well intentions, I must say. And you know, as a publisher I’ve had a chance to really get to know what is happening and the voices that are out there. And I’ve come to the realization that there’s no such thing as everything and everyone “having a place” and firmly do reject what the status quo has made of things. The status quo will protect shitty—if I can say that, if not censor haha—views and coddle the ones saying them, and that’s just not cool. 

I want our authors—our BIPOC, our women, our trans—to feel that they can speak on those issues that have affected them and not feel afraid to say them. I want them to say “FUCK YOU” to the Karen at Target that was acting out on them and not using their preferred pronoun. I want them to tell their story and be proud and stand up and be counted and know that they all do exist and ain’t going anywhere.

FWG: Do you feel that issues in the outside world affect your writing and publishing in the fandom?

Cedric: I believe so! I’d only be regurgitating my viewpoints above so I’ll be shorter here, but I think a combination of growing up reading superhero comic books and literature gave me an intense dislike whenever I read or see or hear about injustice being done. I was also raised by strong women so I have a fondness for a woman that takes no shit from a man, and if I may use this spot to say so, I very much welcome submissions from women in the fandom to send their works, whatever the genre, on over! 

FWG: If you could convince everyone to read a single book, what would it be and why?

Cedric: That would probably be Lovecraft Country by Matt Ruff. It was the first time I truly felt I was reading about a character just like me, not just because the main protagonist Atticus Turner was a black young man in mid-1950s America, but also because he was a black young man who’d grown up loving the stories of Lovecraft, Clark Ashton Smith, Robert E. Howard, Edgar Rice Burroughs, and other white writers who often denigrated people of color in their stories and grappled with that dichotomy, just like me.

The novel upends the expectations that the weirdness of Lovecraft et al was just that of the white man, and Ruff ties in a lot of the racism that was happening across America with the weirdness occurring to Atticus and his family, dispensing with Lovecraft’s whole thing of making characters white, upper-class academics and intellectuals and showcasing Atticus and his black, working-class and very close-knit family who approach the horror, are summarily frightened, but try to approach it logically and without Lovecraft’s whole trope of beginning scared, staying scared, and then going crazy afterward. 

That it was made into a TV series last fall on HBO should be another feather in its cap for interest. There were a bunch of deviations from the novel in the adaptation, but I think with that translation from prose to visual, it really helps enhance the theme and messaging and allows for the story to go deeper than the novel did (for example, dispensing with two male characters and adding more women to the cast really does a further one-up) and also creating further horrors and atrocities of that Jim Crow era in the United States at that time.

FWG: Do you have any projects incoming you’d like to tell people about?

Cedric: The conclusion to F. Gibbs Fire Dog Trilogy in The Eastern Horizon for one! Another conclusion is the third book in Stephen Coghlan’s furry sci-fi series GENMOS (Genetically Modified Species) entitled Conclusions. We also have the anthologies The Furry Game Show Network, Beneath the Suit, Howloween Vol. 2, Difursity Vol. 2 coming soon and as we speak we’re going through submissions for iPawd and edits for The Howling Dead. So far, the beginning of the year is looking quite up for Thurston Howl Publications!

FWG: Any last words for our readers?

Cedric: Just one! Tell your readers to never give up on their hopes and dreams. Writing is hard, goodness knows it is, but it’s just like anything else: time, effort, patience, and a little bit of persistence. Make your messaging clear and concise and don’t sweat about all that stuff about compared to so and so and such and such. Stand on your own two feet first and do your best on your own first, and all that good accolades will follow!

We would like to thank Cedric once again for taking the time to sit down and talk with us. He can be found on Twitter @batced. We hope you’ll join us again next week for our final interview with a Black creative within the furry fandom for Black History Month. Until next time, may your words flow like water.

Well, some information is better than none, it seems. Animation World Network has an update (at least a little) on this “mysterious” My Little Pony: Friendship Is Magic second feature film we’ve been hearing about. “My Little Pony fans will be able to keep their cutie marks parked at home for the Mane Six’s next, as-yet untitled animated feature frolic. Previously slated for theatrical release September 24 through Paramount Pictures, the eOne/Boulder Media project has been hitched up by Netflix for global distribution — excluding China, which is covered by Hasbro’s eOne. A release date has not been revealed. Little has been announced about the new MLP movie, which will once again be based on the smash hit Friendship Is Magic reboot created by Lauren Faust. The film is being directed by Emmy-nominated comedy writer Robb Cullen — co-creator/director/writer of the Spike adult toon Gary the Rat, starring Kelsey Grammer — and kids’ TV animation writer-director José Luis Ucha (Invizimals, Angus & Cheryl, Bernard), with Mark Fattibene (CG supervisor, Monsters vs. Aliens, Kung Fu Panda). Trust us, you’ll know more as soon as we do!

image c. 2021 Boulder Media

Resources, Social Media & Donation Links
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Read Revenant
Join Rhyner’s Telegram Channel

On January 11th 2021 I sat down with Azoth, a skilled black trans artist creating their dream web comic Revenant at an astounding pace of 5 pages per week. Not only does he manage to write in a black protagonist to head this fantasy world, he also creates something totally unique: spinning an urban fantasy adventure that criticizes colonialism and doesn't hold back from going all out on the art. 

Of course it's not all fun and games. As an artist struggling with a recent ADHD diagnosis he goes into detail weighing the pros and cons of the affliction from 10 hour days of straight drawing to struggling with executive dysfunction. He goes over the steps to creating a successful page with tips on how to panel a scene.

It's obvious Azoth isn't gonna let anyone get in his way. And as you'll hear in this interview, they've tried before. 

Thanks everyone for the support over the past few months. We're glad to be back! Don't forget to subscribe to get the latest episodes delivered to your device as soon as it drops. 

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Interview With Azoth - Comic Panels, ADHD, & Tokenism

A short story that was included in a promo Culturally F'd zine, read by The Voice of Dog podcast host Khaki. Learn more about The Voice of Dog podcast: https://www.thevoice.dog/ Art by Slate: https://www.furaffinity.net/user/slate Merch, Sweet Tees and stuff: http://www.culturallyfd.com https://teespring.com/stores/culturally-fd-merchandise Support Culturally F'd: https://www.patreon.com/culturallyfd Plus a Newsletter: http://tinyurl.com/gsz8us7 Listen in on TEMPO TALKS with Tempe O'Kun https://www.youtube.com/playlist?list=PLIPk-itLl1jPyIK2c7mK-LpbvfDNqfcSW Check out Tempe O'Kun's books "Sixes Wild" and "Windfall" here: http://furplanet.com/shop/?affillink=YOUTU2907 Here's a playlist of his other Culturally F'd videos: https://www.youtube.com/playlist?list=PLIPk-itLl1jPS7tnT4hdJwBI-CeLF8Kb_

… or at very least, for adult persons. Over at Animation World Network there’s a new article about a slate of upcoming adult-themed animated TV series in development for HBO Max. Sandwiched right in the middle of the set is word about one particular show of furry interest: “From creator and musician Sean Solomon, Hello Paul features a neurotic millennial cat whose intense job and freeloading mouse roommate stress him out.” That’s what we know so far. “In development” is often a fancy way of saying there’s no planned release date yet, but you’ll find out more as soon as we know it.

image c. 2021 HBO Max

What’s better than a barrel of monkeys? A barrel of authors! Original Air-Date: September 10, 2016 Ep 69 – Fun Bags! - What’s better than a barrel of monkeys? A barrel of authors! Original Air-Date: September 10, 2016

A group of writers sit down at Anthrocon 2016 and talk it out. Come have a listen. Original Air-Date: August 1st, 2016   Ep 68 – Anthrocon – SWS - A group of writers sit down at Anthrocon 2016 and talk it out. Come have a listen. Original Air-Date: August 1st, 2016  

The hosts talk about reading and writing, the two things every author should be doing. Original Air-Date: July 12, 2016   Ep 67 – Reading/Writing - The hosts talk about reading and writing, the two things every author should be doing. Original Air-Date: July 12, 2016  

Come listen to the hosts talk about writing scenes. Original Air-Date: May 23, 2016   Ep 66 – Scene it, Wrote it - Come listen to the hosts talk about writing scenes. Original Air-Date: May 23, 2016  

Special guests Dalan and KC Alpinus join the hosts as they talk about the difference between ferals and anthros. Original Air-Date: April 25, 2016   Ep65 – A Feral Scene - Special guests Dalan and KC Alpinus join the hosts as they talk about the difference between ferals and anthros. Original Air-Date: April 25, 2016  

The hosts discuss the technical aspects of writing with a special guest. Original Air-Date: May 2nd, 2016   Ep 64 – Technically Correct - The hosts discuss the technical aspects of writing with a special guest. Original Air-Date: May 2nd, 2016  

We discuss the technical aspects of writing with a special guest. Original Air-Date: April 5,  2016   Ep 63 – Work/Life Balance - We discuss the technical aspects of writing with a special guest. Original Air-Date: April 5,  2016  

The hosts talk about what it’s like writing in their niche bubble. Original Air-Date: March 13, 2016   Ep 62 – Furry Niche! - The hosts talk about what it’s like writing in their niche bubble. Original Air-Date: March 13, 2016  

Listen to us talk about slice of romance. What do we mean by that? Come have a listen to find out. Original Air-Date: March 16, 2016   Ep 61 – Slice of Romance - Listen to us talk about slice of romance. What do we mean by that? Come have a listen to find out. Original Air-Date: March 16, 2016  

Come listen to us talk about the Ursa Majors and Coyotls awards. Original Air-Date: February 15, 2016   Ep 60 – The Ursa Majors & Coyotls - Come listen to us talk about the Ursa Majors and Coyotls awards. Original Air-Date: February 15, 2016  

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Finn/TraaaashPanda and founder of Fuzznet World joins us this week to discuss their involvement in the fandom and all the things they do in the fandom. Taebyn tries really, really hard to set up a failed joke. Bearly relates a story about when he found his first mailbag.  Bearly Sings a song…yep…Bearly! Does Majira listen to our podcast? Did a cockatiel want to go to schoool? We chat a bit about Statler the Flying Fox, the Ursa Major Award, Taebyn has a lot of questions, and tells us a story, and we once again tell some really bad jokes. Just what happens when Taebyn is left alone for a few minutes? So join us and spend some time without a care!

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Thanks to all our listeners and to our staff: Bearly Normal, Rayne Raccoon, Taebyn, Cheetaro, TickTock, and Ziggy the Meme Weasel.

You can send us a message on Telegram at BFFT Chat, or via email at: bearlyfurcasting@gmail.com

Bearly Furcasting #42 - Finn/TraaaashPanda, History with Bearly, Math, and Really Bad Jokes

If you’ve ever wanted a conglomeration of great writing advice from established writers and publishers in the furry fandom, “From Paw to Print” is your book. It’s like a mini-anthology with the theme being writing, but now the authors are free to talk candidly about their experiences for the sole purpose of educating aspiring writers about the good, the bad, and the unspoken aspects one will probably find in their journey to put a published piece in someone else’s hands. Or paws. I thoroughly enjoyed all eleven essays in this book, and I believe I will be coming back to them several times as I try to wade through the (less) daunting waters of publishing.

“From Paw to Print” is a book about the process of taking a piece of writing and turning it into a published work. Each essay inside was written by a different writer or publisher, with topics ranging from the differences of sex, erotica, and porn to the importance of having a writer’s platform. Most of the essays serve as a place to start for beginning writers while others serve as food for thought. “Furry Erotica and Pornography: Art, Yiff, and the Self” by Katav, for example, was a particularly compelling essay about harmful preconceptions we may have about writing and reading sexual stories. “Small Press vs. Self Publishing” by Weasel, on the other hand, served as a helpful guide about what to expect, as well as what to avoid, when using small press to publish your work. So if you’re curious about where to start or what to expect in the writing world, try reading this book. It’ll give you a lot to think about.

A daring, but much needed, essay about the differences between romance, erotica, and porn starts off the book. Tarl “Voice” Hoch explains that, on a basic level, the difference is how much eroticism goes into them. A helpful tip for deciding which to write is to think about what your audience is there for. Overall, I found this essay extremely helpful in deciding which of the three I’d personally like to write about, and I’m sure the same will happen for you. If you want to, that is.

Next is an essay about worldbuilding by J.F.R. Coates. He separates his essay into four parts, with each one being an important starting point to creating your own world. Knowing what to leave out, Coates states, is just as important as what to put in. He also gives a few pointers on how to not be racist when creating your world, which can be tricky if you’re considering putting stereotypes from the real world into your fictional world. I would have liked a bit more from Coates into how he goes about worldbuilding in his own stories. I think a few examples from his own work would have been nice to read about.

Amy Claire Fontaine details a very helpful guide about animal behavior in her essay titled “Animal Attributes in Furry Writing.” Using her experience as a wildlife biologist, Fontaine writes about topics like sensory perception, cognition, and communication—aspects of animal behavior that differ greatly from our own. I really liked this essay; there was a lot to learn, and a lot I would like to implement in my own writing. I especially liked how she talked about the “spectrum of zoological realism” we find in furry media, and how differing levels of anthropomorphism can achieve different kinds of effects in furry writing.

Where Hoch talked about the overarching differences between romance, erotica, and porn, Katav’s essay talks more about how our views of such topics say a lot about ourselves. Not only that, but there are pitfalls we may stumble into if we don’t think critically about these topics. Even as I’m writing this, I’m trying to treat this with the importance I’ve learned since reading Katav’s essay. Our preconceived notions about each type of writing—romance, erotica, and porn—do affect us. I thoroughly enjoyed this essay and plan on coming back to it whenever I think about these genres.

“Small Press vs. Self Publishing” by Weasel kicks off the Publishing portion of the book. Weasel’s essay is filled with tips and pointers for those considering either method of publication. He breaks down the task of publishing into specific points to consider, and then gives monetary examples of each to give you a real world example of the cost of publishing. In addition to financial things, he also warns us about the possibility of being taken advantage of. I really enjoyed the tips Weasel gave, but not as much as his voice. It was a fun essay to read.

Rayah’s essay about submitting work is a good read for anyone who is vaguely considering writing to submit or publish their work. It’s a shorter essay, but, nonetheless, it’s helpful to think about the proper practices any writer should incorporate into their creative flow. I think Rayah’s essay could have also benefited from a few examples of their own experiences, just to let me and the readers know what to do if we get stuck somewhere along the way.

Andrew Rabbit gives us a brief look into how the publishing world has changed in the twenty years Rabbit Valley Comics has been around. The pictures and descriptions were a nice touch, but overall I think this essay could be expanded into a full story. It was hard for me to grasp what some of the terms meant in the few pages this essay crossed. There’s history here, and where there’s history, there’s a story. It was a nice break from some of the more critical essays though.

The next two essays are by Madison “Makyo” Scott-Clary. The first one is about layout and design, a super important part in all publishing journeys. She mentions how things you may not notice, like margin length and odd lines that stick out at the bottoms and tops of pages, are actually huge factors in how the reader, well, reads. (I took a book arts class in college where I had to learn about margin length, text size, font, kerning… Let me tell you, it’s not easy.) There’s a ton that goes into the way a page looks. The point, she says, is to not let it be distracting. I would have liked to know so much more about the designing process, but I also know it’s very technical, so I really appreciate the way she broke it down into easily digestible words.

In her next essay, she talks about problems you may run into if you plan on running an anthology. The process is not easy and takes a lot of time, but with careful time management and communication, you can make a masterpiece. Like her previous essay, I really enjoyed this one. Again, it serves as a simple introduction to the process of creating an anthology, but having a generic step-by-step process is extremely helpful to those starting out.

Moving along the anthology train, Thurston Howl writes about how to give an anthology cohesion. First, they refute a couple preconceptions that may be popular in the writing field, then they share a few tips to keep in mind when editing the anthology, like including trigger warnings and varying the types of stories you’ve accepted. It’s a pleasant essay that is sure to help anyone considering making an anthology.

Tarl “Voice” Hoch finishes us off with a longer essay about writers’ platforms and why they’re important. What happens after someone reads your book for the first time? They google your name. Which is why, Hoch states, that it’s important to have something that comes up in Google’s search engine. Book reviews, blog posts, anything to give your new fan a better read on you as a writer, and more content that you hope they will like. Underneath it all, Hoch says the best thing you can do is to be professional, and I fully agree. This essay was extremely helpful, and it was wonderfully written.

The essays in this book were super helpful, but not in the way I expected. Like I said before, every essay is a helpful start at the writing and publishing scene, but it’s the fact that they’re essays and not stories that kept me reading. Most of the time when you read books, you’re reading the most polished version of a journey that someone wanted to take you on. Which is great! But rarely ever do you see those authors producing short-form content that aim to help people. At least, I haven’t seen much of that, and that’s why I really like this book. Not because what they’re saying is helpful—although that’s also a huge reason I like it—but because I feel like I’m getting to know the authors’ voices a little better. There’s a lot more personality shining through the words that you don’t always get to see. This doesn’t come as a surprise. Rather, an observation I wanted to share. Such is the way essays tend to be.

Aside from the amazing content, I really liked how the book was organized. The table of contents categorizes the topics into four themes: writing, publishing, anthologies, and other. More importantly, the bios section at the end of the book lists each author by name and tells you a little about them, as well as where you can find them. There were a fair amount of typos here and there, but nothing that really broke me out of my ramen-fueled concentration.

“From Paw to Print” is great for anyone who wants to dip their toes into the writing world. That being said, there are some adult themes so I wouldn’t recommend it for minors.

From Paw to Print, compiled by Thurston Howl

We got this straight from Animation World Network: “Animal Logic has announced that the next project produced in their Vancouver studio will be Toto, the animated musical adaptation of Michael Morpurgo and Emma Chichester Clark’s 2017 book, Toto: The Dog-Gone Amazing Story of the Wizard of Oz. A family film told from the perspective of Dorothy’s beloved companion, the screenplay was written by John August, with two-time Tony nominee Alex Timbers attached to direct… The Vancouver studio is currently in production on an animated film based on the DC Super Pets franchise, directed by Jared Stern and set for release in 2022.” Check out the original Toto book from Harper Collins.

image c. 2021 Harper Collins