The lives of the Quorum cats are filled with paradoxes: Although feral and untamed, they live within sight of the Owners’ dwellings and feed off the scraps in the Keep; although peace-loving, too often the Quorum enforcers and bards are forced to protect and defend their territory from the ravages of invading gypsy cats from outside the territory. But the plight of the Quorum becomes desperate when the Owners attempt to demolish their territory and threaten the lives of the cats themselves. It is left to Solo to lead them to safety, as he tries to persuade them to abandon their homes and traditions and learn to survive beyond the Owners’ domain. Even as their dens go up in flames, Solo helps the Quorum cats execute their escape; slipping into the welcome cover of darkness, the feline exiles now begin their tortuous quest for a new land. (blurb)

Solo’s Journey is a talking-cat fantasy, in the tradition of Tad Williams’ Tailchaser’s Song and so many others (why are there almost no talking-dog fantasies?), going back ultimately to Richard Adams’ Watership Down for its “realistic” animal species with a detailed language.

G. P. Putnam’s Sons, November 1987, 255 pages, 0-399-13321-6, $17.95. Map by Scot Aiken.

Six of Bernard Doove’s last seven books have been set in his 24th century “Chakat Universe”. So is Flight of the Star Phoenix, but with a difference. These are the adventures of the starship Phoenix, captained by a coyote morph and crewed by just about every species in Doove’s universe. Chakats are included in the mix, although this is not really a chakat story.

This novel is really an assembly of the thirteen Phoenix stories that have appeared on Doove’s “Chakat’s Den” website. They are called chapters, but they read more like a collection of separate short stories. Although the book has an overall theme – in 2332-2337, the interstellar freighter Phoenix must prove itself financially profitable by its fifth anniversary or go out of business – it reads more like thirteen separate adventures during those five years, with individual beginnings, plots, climaxes, and conclusions. Fans of short, episodic starship adventures will enjoy this more than the fans of long novels. And the fans of Doove’s regular chakat tales will be very satisfied with it.

CreateSpace, November 2012, trade paperback $21.95 (388 pages). Illustrated.

Fyodor Khitruk died today. He was the leading Soviet animator from about the 1960s to until the Soviet Union ended in 1991. I met him briefly at the 1989 International Festival of Animation here in Los Angeles. He had brought the leading animators from each of the 15 Soviet republics to L.A. with him. They stood around muttering something like, "What are we doing in America?" "I don't know, but Fyodor said that we had to come."

I remember that he was an extremely imposing personality, probably the most dynamic person at the festival even though he was a dumpy old man. He was the sort of man who dominated a crowd even when he was just standing around doing nothing.

Khitruk was born just before the Russian Revolution, so he lived through the entire Soviet era. His animation tended to be the "arty" style that won awards but lost money because it was too intellectual. The Soviet government subsidized that sort of thing in the name of "we are not profit-oriented capitalists", but when the Soviet Union ended and the new Russian government was profit oriented, Khitruk could not get his films funded any more because they were not commercial. He mostly taught animation at the Moscow Academy since then.

He was not known for anthropomorphic characters, but he made very cute films of three Winnie the Pooh stories in the 1960s and 1970s that are nothing like Disney's, and are good enough to justify his obituary on Flayrah. Here is the second of them.

In 2013, Moscow will play host to the 2013 World Championships in Athletics. On Wednesday, organisers unveiled the event's mascot – an anthropomorphic sparrow in a blue T-shirt and running shoes.

The sparrow was amongst more than 200 designs submitted by the public over the Internet. Mikhail Butov, the general secretary of the Russian athletics federation, explained why the sparrow was chosen:

The bird shares a lot of qualities with the athletes: It's quick, light and nimble.

Humorous science fiction is all too rare. One of the most successful humorous series is/are the Hoka stories of Poul Anderson & Gordon R. Dickson. They began in the short-lived Other Worlds Science Stories in May 1951, moved to Universe Science Fiction after Other Worlds ceased publication, then to The Magazine of Fantasy and Science Fiction when Universe bit the dust.

By 1957 there were almost enough Hoka stories to fill a book. Anderson & Dickson added one original story and a short “Interlude” after each to tie them together into a novel, and Earthman’s Burden was the result.

The 1950s were the postwar era with the Marshall Plan and the sparklingly new United Nations, when idealistic America was trying to pull the whole world up to Western levels of prosperity and democracy. The Hoka stories carried these ideals into space.

NYC, Gnome Press, July 1957, 185 pages, $3.00 [1970 reprint; 1979 reprint]. Illustrated by Edd Cartier.