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Submitted by Fred Patten, Furry’s favorite historian and reviewer.

The Bears’ Famous Invasion of Sicily, by Dino Buzzati. Translated by Frances Lobb. Illustrated by the author.
NYC, Pantheon Books, October 1947, hardcover $2.75 (146 [+1] pages).

The Bears’ Famous Invasion of Sicily, by Dino Buzzati. Translated by Francis Lobb. Illustrated by the author.
NYC, New York Review Children’s Collection, December 2003, hardcover $18.95 (147 pages).

The Bears’ Famous Invasion of Sicily, by Dino Buzzati. Translated by Francis Lobb. With an introduction and reader’s companion by Lemony Snickett. Illustrated by the author.
NYC, HarperCollinsPublishers/Harper Trophy, February 2005, paperback $5.99 (186 pages).

This is a book that I never expected to review. It was one of the first library books that I read, from the Los Angeles Public Library, presumably when I was seven years old since the American edition was published at the end of 1947. I loved it! I read and reread it, and memorized several poems in it. I still remember this, after almost seventy years:

One, two, three, four

These dark thoughts soar

Fear, sorrow, doubt, despair

Hover in the midnight air.

I eventually grew up and forgot about it. I was reminded of it this January when Jim Korkis mentioned in his column on animation history that Heinz Edelmann, the art designer of the Beatles’ Yellow Submarine animated feature (1968), had later seriously tried to produce an animated feature of The Bears’ Famous Invasion of Sicily, but had failed to get financial backing for it.

This led me to see whether Wikipedia had any mention of the book. It does, but the Wikipedia article just says that it was a famous Italian children’s book, La Famosa Invasione degli Orsi in Sicilia, published by Rizzoli in 1945, and “The American hardcover edition was published by HarperCollins in 2003 and the paperback was published in 2005, also by HarperCollins and The New York Review Children’s Collection.” Not only is that slightly inaccurate, there is no mention of the 1947 American edition that I read! This seems unfair to me, and since the LAPL still has that 1947 edition, here is my review of it.

I am also reviewing it because I think that it’s a book that adult furry fans will enjoy, especially those with children.

“Sit still as mice on this occasion

And listen to the Bears’ Invasion

Of Sicily, a long, long while

Ago when beasts were good, men vile.” (p. 21)

The bears live high in the mountains of Sicily, where life is hard and there is little to eat, but they like it. One day the bears’ King Leander (il Re Leonzio) and his little son Tony are searching for food when two human hunters capture Tony and take him away. King Leander is heartbroken, but he accepts this. Years later there is a particularly harsh winter and the bears are all starving. They resolve to go down into the lands of men because they have nothing more to lose.

“But one night in haste a messenger cried

‘A snake has been seen on the mountain side!’

And a serpent appeared, made of little black dots,

He-bears and she-bears and bear tiny tots.

‘Bears?’ laughed the Duke, ‘Just leave them to me,

And soon you will see a great victory!’

And then there was heard a fanfaronade

As the Grand Ducal army came out on parade.

‘Forward, you dogs! Quick march, you cattle!

Tomorrow at dawn we go forth to battle!’” (p. 26)

Guns! Battles! Monsters! Wizardry! Crime! Drunken orgies! Ghosts! Treachery! Blood! This was stronger stuff than was in any American children’s book in 1947. Buzzati’s prose is just as good:

“It was in fact the horde of wild boars of Count Molfetta, the Grand Duke’s cousin, coming to the rescue. Instead of soldiers, this important noble had trained an army of huge, savage pigs to war, and these were very wild and extremely brave, and celebrated all over the world. The Count cracked his whip from the hilltop on which he was standing so as to be out of danger. And on came the terrible boars at the gallop, their tusks whistling in the wind!” (p. 37)

An introduction to the 2003 edition says, “If the bears’ famous invasion of Sicily sounds too distressing to read alone, that’s because it is.” Don’t You Believe It! (but Lemony Snickett’s notes to the 2003 edition are worth reading). This is a wonderful book that is really for All Ages (meaning you adult furry fans), and can be read by an older 3- to 7-year-old reader by him- or her-self.

The Sicilian bears’ King Leander leads them into the humans’ lowlands during a desperately cold winter, hundreds of years ago. The tyrannical Grand Duke fights them with cannon and evil magic, but the bears are ultimately victorious. The bears settle into the capital city of Sicily, and King Leander tries to establish a peaceful kingdom of bears and humans alike. But the noble bears are corrupted by human vices, and King Leander finds himself having to deal with ursine crime and debauchery. Finally treachery against King Leander himself is discovered! But who among the bears’ royal court can be the villain?

Buzzati has been called by some art critics an amateur or a bad artist, but his own illustrations for The Bears’ Famous Invasion of Sicily are Just Right. As a young child, I was particularly impressed by the corrupt bears’ orgy showing drunkenness, gluttony, gambling, fighting with wine bottles, and (since the now-civilized bears have adopted clothes) nudity. Strong stuff for a seven-year-old. (Much later, I read about how Carl Barks was ordered to redraw a barroom brawl in an Uncle Scrooge comic book because the editor considered Barks’ original too strong for 8-to-12 readers.) Several reviewers dismissed the book as too adult for children; but one pseudonymous reviewer, Anokatony, said, “I suppose the ideal audience would be children of the age of six or seven, maybe just before they are of an age for action movies.”

Dino Buzzati (1906-1972) was an Italian novelist, short story writer, theatrical and radio scripter, opera librettist, poet, and artist, but primarily a newspaperman for Milan’s Corriere della Sera where he was a reporter, essayist, art critic, special correspondent, and editor from 1928 for the rest of his life. During World War II he served in North Africa as a journalist attached to the Royal Italian Navy.

His life was active and colorful. John Bemelmans Marciano, the grandson of Ludwig Bemelmans and the continuer of his Madeleine children’s picture books, said, “Reading The Little Prince [by Antoine de Saint-Exupéry], you may feel like you are in the company of an author who can elevate you to the heavens.  With La famosa invasione, you ride shotgun to a man who would come over to your house, drink all your liquor, burn your house down with his cigarette, and still manage to convince you how lovely a waltz the flames were dancing.” After the publication of Tolkien, La Famosa Invasione was compared to Tolkien “with the addition of a certain satirical edge.” Buzzati himself dramatized La Famosa Invasione for the stage, where it was performed in Milan in 1965.

La Famosa Invasione degli Orsi in Sicilia was his only children’s book. It was first serialized in Milan between January 7 and April 29, 1945 in Corriere dei Piccoli; the final installment appeared the same day that the machine-gunned bodies of Benito Mussolini, his mistress, and 14 of his ministers were hung upside down in a Milan city square by the citizenry. It was published as a children’s book by Rizzoli on December 10, 1945. The story and its reception were heavily influenced by the war that had just ended. A review in Life magazine in August 1948 said, “… the book stirred up protests both before and after publication. Buzzati’s publishers made him delete one illustration showing Russian-looking bears conquering a Nuremberg-like city because it might be offensive to the Germans. A good many Italians thought the bears in the story were Sicily’s U.S. invaders.” The 1947 American edition was in fact printed by Rizzoli, reusing the 1945 Italian dust jacket.

So I’ve reread The Bears’ Famous Invasion of Sicily. Yes, it’s as wonderful for adults as it is for children. Guns! Battles! Monsters! And so on. The 1947 edition is long out-of-print and a valuable collectible today, but fortunately the 2003 hardcover and the 2005 paperback editions, with Lemony Snickett’s commentary, are readily available in cheap used copies at most bookstores. And check your local public libraries.

The 2005 edition adds Lemony Snickett’s reader’s companion analyzing the story, chapter by chapter (there are 12 chapters plus Buzzati’s introduction, a cast of characters, and the scene). Each chapter’s analysis includes a moral lesson, a list of “questions you may find interesting”, and a “suggested activity”. One of the possibly interesting questions: “It is almost impossible to find an interesting story – a true story or an imaginary story – that does not contain violence. Why is that?” (p. 167)

Incidentally, there are no bears in Sicily. Never have been. Or mountains as tall as those in this story, although Sicily does have lower mountains, including Mount Etna, one of Italy’s most active volcanos.

–Fred Patten

• Buy the 2003 edition on Amazon
• Buy the 2005 edition on Amazon

Horror writer Steve Niles has a thing for vampires — just not in the usual settings, as he proved with his famous comic book 30 Days of Night. Now, he’s taken them in a more science fiction direction with his latest work: Broken Moon, illustrated by Nat Jones and published by American Gothic Press. Here’s their summary: “After the world’s superpowers go nuclear on one another’s lunar mining colonies, destroying much of the moon, the human population of earth is largely wiped out in the ensuing natural disasters. In the wake of humanity’s near extinction, the monsters that had been banished to the shadows have risen up and seized power. The kingdom of vampires thrives under the cover of nuclear winter on the east coast. The werewolves live like nomad outlaws, prowling the plains of the west. And in the north, Dr. Frankenstein and his army of the re-animated wait. But while an uneasy truce has existed for decades, the clouds are beginning to recede, threatening the vampires and their dominion. War is coming.” The werewolf tribes and the few remaining humans form an uneasy alliance to keep the vampire lords from destroying the world. Want to find out more? Check out the preview over at Comics Alliance. The first volume of Broken Moon is on the shelves now.

image c. 2016 American Gothic Press

Dogpatch Press welcomes Smash Capps for his first guest post. He’s an eSports journalist who wrote about getting a warm introduction to furry at Further Confusion 2016.

At the Daily Dot’s “20 Under 20” series, see a profile of Sonic Fox, also appearing below. Their article came out with perfect timing after this one was completed and scheduled. 

Fur-eSports logo

Of all the ways to promote the furry community at large, this may be one of the most unique attempts yet: Fur-eSports. This creatively named group looks to be “An eSports team for Furries, by Furries,” according to its Twitter account.

For those who do not know, the term eSports generally refers to competitive gaming. Many furry conventions hold gaming tournaments and some have even been reported on by their communities. eSports however, is something much larger than that. For games like League of Legends, grand finals matches can bring in over 14 Million viewers and fill entire stadiums to watch a match. Even on the smaller end of eSports events can be huge. The tournament Evolution 2016, one of the longest running fighting game tournaments of all time, plans to have its grand finals at the Mandalay Bay Events Center: a 12,000 seat entertainment complex that has hosted Katy Perry, UFC Fights, and even the Latin GRAMMY Awards.

Are there enough furries to support a large team for these kinds of events? 51% of U.S. households own a dedicated game console.  42% play video games at least three hours a week according to the Entertainment Software Association. It should come as no surprise that many of these people would also be among the fandom.

In fact, one of the most prominent Mortal Kombat X players is openly a furry and even wears furry attire while competing at events:

cR | SonicFox has been Evo champion for three games including Injustice: Gods Among Us and Mortal Kombat. He currently boasts 15.k followers on Twitter and is sponsored by Critical Reaction, making it his career to play video games. Last year at Evolution 2015 he competed in front of over 190,000 viewers watching online and thousands more at the event.

With so many viewers tuning in and seeing a furry win an event, could furries in eSports do big things to gain acceptance and respect for the community?

eSports journalist SabreWolf (and recently joined member of Fur-eSports) thinks so. “Respect for the orgazination will in turn provide more respect for furries and fur-culture.” he told us. “Even just seeing a bunch of FeS [Fur-eSports] members competing in tournaments will break down the barrier some other people have with their perception of furries.”

It seems not only could it help with outside perspectives, but for those people within the community looking for camaraderie and support. According to the application form to join the team, one of its goals is to be “a group of furries working together as a crew of sorts so we can all meet fellow fuzzy, scaley, feathery, (you get the picture) gamers and improve our skills.”

Wheeler, co-founder of Fur-eSports, discussed the future goals for the team with us. “To start, we are offering furries a place where they can meet others in the fandom and gain promotion and coaching from some professional furries in the field of eSports. In time we hope to help players by keeping their team organized, finding events to enter and teams to practice against, and eventually fully fund players to go to events. The other co-founder wants to see FeS do great things, but in my eyes personally, as long as it’s a safe haven for furry gamers to just be themselves and have fun playing the games they love, I’ve accomplished what I’ve set out to do. “

Sabrewolf confirmed it as a positive place to be. “I’ve really enjoyed the friendliness and atmosphere within the server and simply gaining more people to enjoy talking with.” he said. “It also feels lovely to be more open with you know just being a furry and the community aspect almost strengthens your pride with it. FeS definitely offers something different, warmer and more personal than other organizations for us. With time, development and growth we could easily build each other up and become something really big and cool.”

One of the challenges to face would be finding companies to sponsor the team.

Usually large companies step in and help provide funding for teams so they can fund their players in exchange for advertisement of their brands. Streaming services like Twitch, Hitbox.tv, and MLG sometimes sponsor teams, so they only stream on their channels while other companies require advertisements for their products or for players to use their products. With the unfortunate stigma surround furries in some circles, it may prove difficult to find similar sponsorships for the team.

However there is always the possibility of finding sponsorship simply within the furry community itself.

Services like FURSTREAM could be used over traditional services as an example. There is also the potential for companies that publish furry fictions to join in with promotion for books they publish, in exchange for sponsorship. Art websites like Weasyl, FurAffinity, or newly growing FurryNetwork could sponsor the team in exchange for featuring art and artists exclusively on their platforms.

There is also the value of WTF to consider. Some companies may dive in to support the team anyways, in order to use “the weird factor” to promote themselves. This must have proven powerful as them team recently acquired its first sponsor in NoScopeGlasses, a company that makes gaming glasses.

The Fur-eSports team itself is already growing quite quickly. The Twitter account was almost at 100 followers less than 24 hours after it existed, and has received over 90 applications for furs wanting to join the team and compete in several titles. Leaders of the Splatoon community have shown support as the team attempts to form a team there.  The Smash 4 team is already sporting at least 20 furs who want to train together and represent the brand.

Know how to #GetWild in #Splatoon? We could use you! Come apply to join us! – https://t.co/eBQvdO6kY7 pic.twitter.com/Elc7jZyTr7

— Fur-eSports (@Fur_eSports) February 8, 2016

“I enjoy seeing everyone talk and have fun with each other, and I’m still sort of amazed at how quickly we’ve grown from the small group that started it.” said Wingnut, the artist who drew the Fur-eSports logo. “We already have a lot of skilled people and it’s only going to go up from there. I imagine there will still be a lot of controversy over furries in the community. It would be hard to get rid of that, but I think FeS has the potential to alleviate that.“

“My fellow co-founder and I are both furries and play Smash Bros.” Wheeler told us. “We were just joking around one day and I said ‘a lot of furries play smash/video games, what if there was a group/team just for them?’ The idea just kind-of stuck, and the work began to happen.” So far the team seems off to a good start.

The team is currently recruiting players in an effort to strengthen the team. Could furries potentially dominate in the world of gaming and bring more eyes positively to the scene? Only time will tell, but this effort looks like an interesting place to start.

IDW Publishing have a new hardcover collection out of truly rare comic strips. From their web site: “After more than 80 years—the complete Silly Symphony newspaper strips are collected in English for the first time ever! The artwork for these rare strips has come straight from the Disney vaults. Each page has been meticulously colored using as a guide the original bound file copies that belonged to Walt Disney himself! This first of four volumes includes all the strips featuring Bucky Bug, the first Disney character to be originated in newspaper comics. The book also includes the very first Donald Duck newspaper strip—an adaptation of The Wise Little Hen. Other classic adaptations are Birds of a Feather, Penguin Isle, The Boarding School Mystery, The Robber Kitten, and Cookieland.” Also, Westfield Comics has an interview with Bruce Canwell, associate editor at IDW.

image c. 2016 IDW Publishing

We lose a dragon bull but find the missing gryphon! Come and enjoy us discussing hidden finnish pizza economies, cops forgetting to share information and the campaign for giving away your ex's stuff. Enjoy the laughs and chatter with us. Episode -49 - Luster is not here

Tonight the cast is down a bird! Still they power on to discuss drunk customers, comically named criminals and and a feisty junk food mascot. Come on in and join us in the laughs! Episode -50 - Cheesy sexual predators

Hello everyone! 

Breakups suck. But how can they suck less? When should you call it quits and how should you breakup without causing drama in the fandom? Also, how do you handle jealousy from a mate that is not in the fandom?

For more information, including a list of topics by timestamp, see our Show Notes for this episode.

Thanks and, as always, be well!

CONTENT WARNING: We discuss abuse and physical assault in this episode. Please see the show notes for time stamps if you would rather avoid those topics!!

FA 006 Breakups - How do you breakup with grace?

You can’t get inside (The Hooded Utilitarian, 1/5/15) is one of the few best “mainstream” articles about furries.  ‘Mouse’ wrote it with the perspective of an insider looking at outsiders who want an inside look:

“Furries are a little ridiculous.  We have an understanding about that.  But every blip of attention, even an attack on our second-most populated convention, investigated by authorities as an intentional act, is an occasion for poking fun.  Midwest Furfest is in Rosemont, Illinois, and this year it attracted 4,571 fuzzy folks.  My wife and I are regular attendees, though this year work obligations found us elsewhere.  Very early Sunday morning on December 7th, someone laid chlorine powder in a ninth floor stairwell.  Nineteen people hospitalized (one of them a good friend of mine), and hundreds endangered and inconvenienced, and all of them odd ducks.  Please remember how odd they are, and that they sometimes have sex, which is odder still.  So the gorge of distrust between our community and the media grows wider.  “We’re just not going to talk to you people any more,” we tell ourselves periodically, when the eye of mainstream culture is upon us.  Mainstream culture then obliges us.  A pity, because insulation from outside scrutiny is poisonous for any human endeavor.  But who is ready to cover us?”

The Midwest Furfest attack was perhaps the biggest spotlight moment for how furries and the media look at each other. The media didn’t come out looking so great. It was strange when a bunch of silly misfits kept the higher dignity.

A new article in VICE (2/11/16) breaks through that recursive mirror.  It’s a refreshingly direct look back, engaging us personally with no giggling about the misfortune of strangers.  It leaves outsider baggage at the door, while reminding us where it is.  The attack is unsolved, but the lack of conclusion doesn’t matter.  It’s about recognizing how impactful the story is. 

CSI Fur Fest: The Unsolved Case of the Gas Attack at a Furry Convention – by Jennifer Swann.

This would ordinarily be a small Newsdump item.  It gets a full headline because it ties to many extra points and inspires sharing more to the story.  And it gets a special thanks for great journalism to Jennifer Swann.  Past VICE articles haven’t always been so worthy.  Here’s the points that make it great.

Informative value.  The police investigation uncovered no new answers, but this needed update shows the limits of what they found, and how they closed the case for lack of evidence.

Thoughtfulness. The storytelling puts you in the footpaws of someone whose hobby accidentally becomes a national issue. (Call it “coming out of the kennel.”)  When a maligned subculture suddenly needs empathy, what does it mean to get some?  It gently pokes readers to think about normativity and civility, when those can be scarce on the internet. (Case in point: the article’s predictably nasty reader comments.)

Writing about the impact of an event can make further impact. Exploitation media is thoughtless about that.  That’s why I did background checks on the writer when she contacted Dogpatch Press to research the piece:

“After the Vanity Fair story was published, most furries collectively decided to shun the press, banning reporters from attending conventions. It’s the reason most of the people I spoke to for this story were reluctant to grant an interview request, initially referring us to spokespeople or doing extensive background checks to ensure I had no intention of misrepresenting them.”

Visuals. Among those doing documentary photography of furries, Tommy Bruce stands out for being most intimately involved. Being at the attack put him in the story as more than a tourist. He sent photos here when it happened. Good for Jennifer Swann for finding and involving him. It’s a great item for a furry artist’s professional resume, and shows how her piece was so careful to engage this community.

Further interest. The article brought out more stories that deserve a highlight. On Reddit, InfinitySquared comments:

“I still remember trying to shoo people outside when the alarms went off. See, conventions have an unfortunate tradition of someone ALWAYS pulling the fire alarm, so people just don’t pay much attention any more.

“This is NOT a false alarm, we need to evacuate NOW. No, it’s NOT another false alarm. No, out THIS door here. No, you CAN’T go up to your room for your coat. Yes, it’s fucking cold out. No, out THIS door HERE, you can look for your friends across the street. No, DON’T block the driveway, we have ambulances coming.”

I was in shorts and a T-shirt, I literally got hypothermia while directing pedestrian traffic for an hour. Like, my girlfriend walked me to McDonald’s, and I stood under the hand dryer’s warm air for ten minutes before I could start shivering.

My girlfriend counted ambulance and emergency units from at least thirteen different suburbs, because we needed them all STAT.”

The attack was random enough to make me wonder if it was a prank gone wrong from someone stupid on the fringe of the community. I wondered, did targeting the 9th floor mean they were way inside and part of the con?  Or was that just a better way to spread chlorine gas?  Chlorine is heavier than air and sinks down.

Midwest Furfest is run well enough that it overcame the attack positively. Other cons in 2015 didn’t have such luck with drama.  On Flayrah, GraemeLion left a comment of experienced perspective that shows the strength this community can have:

My suspicion in this is that Rainfurrest has had problems over multiple years…

Contrast that with MFF, which has an incredibly stellar relationship with the hotel. The hotel asks MFF’s hotel liason for things, and things get done. There ARE problems at MFF, many of them. Tons of them. I’m good friends with a board member and there are always fires being juggled. BUT the attendees don’t see them, the action never drops below or outside executive staff, the hotel gets resolutions within hours if not minutes, and the event is none the wiser.

So when a chlorine gas attack occurs, and the hotel is evacuated, the hotel can trust that this is outside the scope of what is expected behavior at the convention. They can address it with the board members and executive committee, (who all found each other and were liasing with the hotel and law enforcement, I suspect), as the event was unfolding. The whole process could have killed different cons, but conventions that have good relationships and a history of getting things done and controlling the expectations and actions of the guests like MFF only looked like an even stronger entity for it.

So that’s the difference. MFF didn’t look bad out of the chlorine attack. They looked amazing.

This VICE article deserves recognition. If exploitation media continues to be a problem for furries, this kind is an antidote.  That’s why I would like seeing the Ursa Major Awards add a specific category for nonfiction media, or excellence in journalism.

To encourage more goodness, please nominate Jennifer Swann’s article for an Ursa Major award at the end of 2016.  (The “Best Anthropomorphic Other Literary Work” category includes nonfiction.)

Illustration from Mutant Genlab Alpha, tabletop RPG now on Kickstarter

Time keeps slipping away…every year around Furry Fiesta my update schedule gets away from me entirely, this year’s no exception. So a brief update from pornfundingland, and a lot of projects I wish I could spend more time on…

Goodbye, Offbeatr

Sort of an end of an era, but one that we could see coming—Offbeatr, arguably the most established adult crowdfunding site, shut its virtual doors. In fairness, they hadn’t had any viable projects in a long time, probably five this year, and that’s an optimistic guess.

For us, Offbeatr will be remembered as a very fur-friendly site. We were their favorite kink. Go us!

Is there an heir apparent? “CumFundMe” tried, but it really seemed to focus on live, female, human videos, with a splash page filled with smiling ladies, selfie-style. It kind of felt sleazy and not very conducive to fantasy-type creativity. Also their website is down, which doesn’t speak well for it. I recently got a message from “Yourotica.net” saying they were going into crowdfunding, but it’s a story website with only 30 members and less than 70 submissions. I can’t imagine they’d be a viable platform any time soon. We’ll see.

Hello, Kitty

A cute and fast-moving card game with an arcade fighter vibe, mammals vs. reptiles. And this extremely cute cat. His name is Pumpkin. I love Pumpkin.

Fur Vs Scale is having a slow start, not even at 10% after launch, which is generally a bad omen for a campaign. But the art is solid. Game play? Hard to tell. I’m not familiar enough with their core concept to guess. Would love to see it in play.

Goldenwolf (Again!)

I love Goldenwolf’s art, she’s always been one of my favorite anthro artists. I know she’s kicked up some controversy over the years, and that’s its own story, but as one of the few furry artists who’s had some success simultaneously in the genre and outside the fandom, she deserves at least a golf clap.

She’s also really solid on crowdfunding, with six listed campaigns on Indiegogo. She started small, with some stickers, then followed with more serious content. Now she’s releasing her third Indiegogo-funded sketchbook. Work that platform, Goldenwolf!

…Turtles.

I don’t really have a lot to say about this one, it’s…turtles. This one’s a miniatures-based sewer crawl, with fun miniatures, a good cast, and Splinter, you almost have to love Splinter. Sadly, Splinter only comes with the Kickstarter edition of the product. I can hear the bills unfolding now.

This kickstarter started with a very high goal—$250,000!—and amazingly, it’s just under $500,000, and blew past many, many stretch goals (Splinter, Casey Jones, Old Hobb…) With eight days on the clock, will Teenage Mutant Ninja Turtle fans of the world be able to add Bebop to the game? I suspect so.

More Mutants, Please

I feel like I’m missing a beat, because I’m not actually familiar with this tabletop gaming system. I’ve flipped through Mutant Year Zero’s recent edition. Never picked up the original, which was apparently published 30 years ago (!) and was a part of the 80s tabletop RPG boom. In fairness, it was Swedish.

This standalone/supplement is focused on the “furry mutant revolution,” escapees from dark laboratories. The art is pretty damned amazing, particularly for non-furry anthro work. The world looks entertainingly grim, but post-apocalypse games really should be! And it’s almost past $60,000, which is ten times its lowball goal of $6000. Woo! I don’t trust lowball goals, but with a legit game company that usually shows it’s more about pre-buy and gauging interest than actual funding. So there’s that.

For a “complete” list of furry/fur-friendly crowdfunding projects, check out the Project Page New Projects Art

Fuzzy Colors (Ends: 3/5/2016)
Coloring-for-adults product with very furry content, from 11111.

Goldenwolf’s Sketchbook #3 (Ends: 3/5/2016)
The latest project by the perennial and very crowdfundy Were artist, Goldenwolf.

Wilybeasts! (Ends: 3/8/2016)
Garden statues and possibly a children’s book, vaguely in the style of Where The Wild Things Are.

Inktober 2015 (Ends: 3/9/2016)
Art collection by Ishaway Friestad. Having a hard time summarizing the artist’s style, sometimes minimal, sometimes intricate and stylized.
Check the artist out on Furaffinity, her work is minimal, tribal, intricate, all kinds of words.

Books/Print

The Trial of the Majickal-Elders (Ends: 2/29/2016)
The third and final part of the Matlock the magical hare series, with spiraling and intricate art and vocabulary.
My opinions about the charm (high), art (good), and word-creating (strangleable) posted a few years ago…

The Pride of Parahumans (Ends: 2/29/2016)
Anthro sci-fi illustrated novel by Zarpaulus.
Unfortunately, the sales story on Kickstarter doesn’t show the product well :( Decent interior illustration though.

Compendium of North American Cryptids and Magical Creatures (Ends: 3/7/2016)
A humorous and cartoony field guide to north american cryptos (and Wyverns? Those aren’t North American!) now with TWO different werewolves!
Okay, my dog breed is sometimes misidentified as a chupacabra. Therefore, I have to like this product. Cards on the table.

Comics/Graphic Novels

Cyantian Chronicles V3 (Ends: 2/25/2016)
The latest web-to-print collection of Shivaecat’s Cyantian Chronicles furry sci-fantasy webcomic.

Gears and Bones Graphic Novel (Ends: 2/26/2016)
Dark and gritty, sword-and-sorcery anthro title with a deadly rabbit swordsman as the lead.
I get this comic every month, but it’s not for everyone. Very gritty and over-the-top, in the Conan style.

Jonathin Quackup of the Planet Weralt #1 (Ends: 3/9/2016)
A mini-campaign for a duck superhero comic, with other anthro strangeness. A bit rough, but it has its charms.
Over goal. I’m on the fence about the art, it’s primitive but sometimes really works.

Events

Pony D&D Charity Special (Ends: 4/9/2016)
A bid to get voice cast from My Little Pony together for a live Dungeons and Dragons play charity event!

Film/Animation

Bad Zoo (Ends: 4/16/2016)
Adults-Swim style cartoon series pilot: ‘What if a bunch of circus animals were retired, and ended up in a zoo, and were all drug addicts?’
Not in love with this one, but it was too on-topic to skip entirely. Check their website for the poster.

Jewelry

WeLink (Ends: 3/11/2016)
Okay, this is technically a dog tag and owner pendant, but I’m sure a lot of furry couples would like it as one of those two-part necklaces. Now, who’s the dog and who’s the owner?

Multimedia

The Stellae Key (Ends: 3/18/2016)
Pony-inspired webseries and music CD by OhPonyBoy. Episode 1 is already on Youtube!
Eee. Perky French sci-fi keytar pony spaceship :) This is full of win!

Tabletop Games

Teenage Mutant Ninja Turtles: Shadows of the Past (Ends: 2/25/2016)
An intricate TMNT sewer-crawling board game with nice miniatures Splinter stretch goal unlocked :)
Almost double its high goal of $250,000. Wow!

Parallax: Warbands (Ends: 3/4/2016)
A skirmishing minis game with an anthro cast and a dark gladiatorial fantasy style.
Last time around this game *nearly* made goal…

Escape Room in a Box – The Werewolf Experiment (Ends: 3/4/2016)
Part mystery box, part one-night party, a cooperative game modelled after the escape room concept. But this time, it’s a countdown to becoming werewolves.
Way over goal. How do you play this game with furries? ‘Oh, wait, he wants to make us werewolves? Should we be scared?’

Mutant: Genlab Alpha (Ends: 3/4/2016)
An Anthro-focused expansion or stand-alone for the post apocalypse tabletop RPG, Mutant Year Zero.
Way over its lowball goal :) And great artwork!

No Mercy: Kitty Vs Aliens Card Game (Ends: 3/13/2016)
Cute artwork and humor bring a lot of life to this game loosy based on the simple card game ‘War.’
Over goal!

Fur Vs Scale: A Fantasy Card Game with Arcade Fighter Themes (Ends: 3/18/2016)
A high-energy card game with a cast of anthro characters, mammals vs reptiles. And arguably the cutest of a long line of cat mages from the last year.

Toys

FNAF Lego Minis (Ends: 3/12/2016)
If you’re still riding the Five Nights at Freddies wave, perhaps these lego mini figures will creep you out?

Sunny Side Up Eggs Cat Mold (InDemand Ongoing Funding)
Charmingly dumb mold for setting up a creepycute fried egg kitten. This one’s open-ended through Indiegogo InDemand.
This would be even creepier if you put a lid over the pan so the poor thing got cateracts :(

Adult

Nobody Likes a Cockblock (Ends: 3/18/2016)
In the spirit of “Go the F*ck* To Sleep” but perhaps not quite as polished a gem. But with more aminal people.

…Just for fun

Letter Stories (Ends: 4/13/2016): Cute and colorful children’s book series with lots of animals. A cheerful flashback to the kiddy books of the early 80s.

…Meh

Gurgle: A Vorish Trading Card Game (Ends: 4/17/2016): Well, the title says it all, a vore-based trading card game. I’m really putting this in ‘meh’ because of its high goal, first-time nature, and flexible funding. It’s hard to imagine this not turning out as an accidental scam. Also, with a topic this niche, will you ever find anyone to trade cards with?

Ursa art by Foxenawolf.

Last year’s Ursa Major awards had something different than usual.  There was a unique spike of mainstream attention (with help from Dogpatch Press).  Depending on your point of view, it was either amazing or the worst thing since Sexy Kitty showed up on CSI.  It came with the nomination of CollegeHumor’s Furry Force, covered with exclusive news here. It led CollegeHumor to lobby their watchers to vote for recognition from the Furry community. Hasbro wouldn’t have paid attention for their MLP nomination, but CollegeHumor was proud to win the award.

Here’s a suggestion for how to make the awards more interesting still.  If furries have a big problem with the media misrepresenting them, they could give awards to the kind of news they want to see.

For that purpose, I suggest nominating the options below.  And at the end of 2016, nominate VICE for their recent article about the Midwest Furfest chlorine attack.  It’s among the top journalism that’s been done about furries.  (Tomorrow’s article discusses this further.)

The 2015 Ursas can accept nominations until Feb 29 – so please go to their website, and…

• Nominate “You Can’t Get Inside” by mouse for Best Other Literary Work.
• Nominate Culturally F’d for Best Anthropomorphic Website.
• Nominate Dogpatch Press for Best Anthropomorphic Magazine.  

These could be yours

Is that shameless?  I resemble that remark… I’ll even buy your votes with milk bones.  – Patch

(Fred Patten continues:) Nominations for the 2015 Ursa Major Awards opened on January 14th, the first day of Further Confusion 2016. The awards will celebrate the best anthropomorphic literature and art first published during 2015, the previous calendar year.

The awards are selected by a two-stage process of nominating and voting. Members of the public send in up to five nominations in each of the eleven categories. The top five nominees in each category (more in case of a tie) are then presented on a final ballot for a public vote.

The eleven categories are: Motion Picture, Dramatic Short Work or Series, Novel, Short Fiction, Other Literary Work, Graphic Novel, Comic Strip, Magazine, Published Illustration, Website, and Game.

Many nominations are likely to come from the 2015 Recommended Anthropomorphic Reading List, which has been built up through prior recommendations. However, inclusion on the List is not necessary for nomination if a work is otherwise eligible; first published during January to December 2015.

Nominations take place until February 29. The nominations will be tallied between March 1 and March 14. The final ballot will be announced on March 15, and voting will take place until April 30. All those who send in nominations will be registered as eligible to vote on the final ballot. Those who did not nominate but wish to vote on the final ballot may register to do so.

The voting will be counted, the winners’ trophies prepared, and the results will be announced at the UMA awards presentation at a ceremony at What The Fur 2016, at the Holiday Inn Hotel & Suites, Pointe-Claire, Montreal Airport, Montreal, Quebec, Canada, on May 20-22.

The Ursa Major Awards are administered by the Anthropomorphic Literature and Arts Association (ALAA). For information, and to nominate beginning on January 14 and to vote beginning on March 15, go to http://www.ursamajorawards.org/.

The final 2015 Recommended Anthropomorphic Reading List is:

Best Anthropomorphic Motion Picture

1. Absolutely Anything (Directed by Terry Jones, released on August 14)
2. Blinky Bill the Movie (Directed by Deane Taylor et al, released on August 21)
3. Boonie Bears: Mystical Winter (Directed by Ding Liang and Liu Fuyuan; released on January 30)
4. The Good Dinosaur (Directed by Peter Sohn; released on November 25)
5. Hotel Transylvania 2 (Directed by Genndy Tartakovsky; September 21)
6. Inside Out (Directed by Pete Doctor and Ronaldo Del Carmen; June 19)
7. The Lion Guard: Return of the Roar (Directed by Howy Parkins; November 22)
8. Minions (Directed by Pierre Coffin and Kyle Balda; June 11)
9. Monster Hunt (Directed by Raman Hui; July 16)
10. A Mouse Tale (Directed by David Brisbano; February 10)
11. The Peanuts Movie (Directed by Steve Martino; November 6)
12. The SpongeBob Movie: Sponge Out of Water (Directed by Paul Tibbitt; January 28)
13. Shaun the Sheep the Movie (Directed by Mark Burton and Richard Starzak; February 5)
14. Star Wars: The Force Awakens (Directed by JJ Adams; December 14)
15. Ted 2 (Directed by Seth MacFarlane; June 26)
16. Two by Two (Directed by Toby Genkel and Sean McCormack; April 9)

Best Anthropomorphic Dramatic Short Work or Series

1. Adventure of a Lifetime (Directed by Max Whitecross; November 27)
2. An Object at Rest (Directed by Seth Boyden; May 1)
3. The Casebook of Nips & Porkington (Directed by Melody Wang; May 23)
4. Cosmos Laundromat (Directed by Matthew Auvray; August 10)
5. Danger Mouse (Directed by Robert Cullen, Season 1 episodes 1-16; September 28 – December 16)
6. Mercedes-Benz Fable (Directed by Robert Stromberg; January 26)
7. Furry Force 3: Furry Superheroes are the Grossest (Directed by Richard Duhaney; July 17)
8. Katy Perry halftime show Super Bowl XLIX (Directed by Hamish Hamilton; February 1)
9. Harvey Beaks (Created by C.H. Greenblatt, Supervising Directors Derek Evanick & Diana Lafyatis; Season 1, March 29 – November 15)
10. L’Americano Returns (Directed by Ricky Renna; April 24)
11. Littlest Pet Shop (Directed by Joel Dickie and Steven Garcia, Season 3 Episode 17 to Season 4 Episode 9, January 3 – December 26)
12. The Muppets (Directed by Randall Einhorn & Matt Sohn; episodes 1.0 to 10, July 21 – December 8)
13. My Little Pony: Friendship Is Magic (Directed by James Thiessen, Jim Miller, and Denny Lu; Season 5 episode 1 to Season 5 episode 26, April 4 – November 28)
14. Ram’s Horn (Directed by Jenna Hamzawi; April 27)
15. Slack: Animals (Directed by Smith & Foulkes; December 29)
16. Stay As You Are (Directed by EZ Wolf; August 22)
17. Super Turbo Atomic Ninja Rabbit (Directed by Wesley Louis; June 24)
18. Tales of Zale, Chapter 1 (Directed by Sif Perlt Savery; Jan 29)
19. Teenage Mutant Ninja Turtles (Directed by Alan Wan & Chad Van De Keere; season 3 episode 9 to season 4 episode 4, January 11 – November 15)
20. Tiger’s Eye (Directed by Alexander Shaw; episodes 1 to 25, May 13 – October 29)
21. Under the Apple Tree (Directed by Erik van Schaaik; September 24)
22. Wackatdooo  (Directed by Benjamin Arcand; March 23)
23. We Bare Bears (Directed by Manny Hernandez; Season 1 episode 1 to episode 25, July 27 – November 19)
24. Why Do Furries Exist? – A Fur-real Look at the Fandom (Directed by Gnoggin; June 12)
25. Zootopia Official Teaser Trailer (Disney, no director credit; June 11)
26. Zootopia Official Trailer #1 (Sloths) (Disney, no director credit; November 23)

Best Anthropomorphic Novel

1. Within the Hollow Crown, by EO Costello. (Furaffinity; December 14)
2. The Painted Cat, by Austen Crowder. (Argyll Productions; May 9)
3. Swallowtail and Sword: The Scholar’s Book of Story and Song, by H. Leighton Dickson. (CreateSpace; April 30)
4. Learning to Go, by Friday Donnelly. (Jaffa Books; May 3)
5. Valium & Vodka, by Duxton. (SoFurry; May 15) Mature Audiences.
6. Heart Behind the Mask, by N “Karmakat” Franzetti. (Smashwords; May 4)
7. Griffin Ranger, Volume 1: Crossline Plains, by Roz Gibson (FurPlanet Productions; January 15)
8. Uncovered, by Kyell Gold. (24 Carat Words; September 1) Mature Audiences.
9. Early Byrd, by Phil Guesz. (Legion Printing and Publishing; June 28)
10. Either Side of the Strand, by M.C.A. Hogarth. (Studio MCAH; May 6)
11. MoonDust: Falling from Grace, by Ton Inktail. (Ton Inktail; December 1)
12. GeneStorm: City in the Sky, by Paul Kidd. (Kitsune Press; May 19)
13. GeneStorm, Book 2: Fort Dandelion, by Paul Kidd. (Kitsune Press; November 23)
14. The Vimana Incident, by Rose LaCroix. (FurPlanet Productions; February 20) Mature Audiences.
15. In a Dog’s World, by Mary E. Lowd. (FurPlanet Productions; July 9)
16. Rat’s Reputation, by Michael H. Payne. (Sofawolf Press; July 9)
17. Off Leash, by Daniel Potter. (Fallen Kitten Productions; July 12)
18. Mort(e), by Robert Repino. (Soho Press; January 20)
19. The Echoes of Those Before, by James Daniel Ross (Copper Fox Books; May 13)
20. Lost on Dark Trails, by Rukis. (FurPlanet Productions; January 15) Mature Audiences.
21. The Long Road Home, by Rukis. (FurPlanet Productions; July 9) Mature Audiences.
22. Thousand Tales: How We Won the Game, by Kris Schnee. (CreateSpace; June 5)
23. Barsk: The Elephants’ Graveyard, by Lawrence M. Schoen. (Tor Books; December 15)
24. Tiger’s Eye, by Alexander Shaw. (Amazon.com; November 5)
25. Chasing the Phoenix, by Michael Swanwick. (Tor Books; August 11)
26. Tinder Stricken, by Heidi C. Vlach. (Heidi C. Vlatch; May 23)
27. A Different Perspective, by Bernard Doove. (CreateSpace; November 17)

Best Anthropomorphic Short Fiction

1. The Darkness of Dead Stars, by Dwale. (in The Furry Future, FurPlanet Productions; January 15)
2. Thebe and the Angry Red Eye, by David Hopkins. (in The Furry Future, FurPlanet Productions; January 15)
3. A Private Escape, by Kandrel. (in Heat #12, Sofawolf Press; July 15) Mature Audiences.
4. The Dragon Tax, by Madison Keller. (in A Menagerie of Heroes; A Rainfurrest Anthology; September 24)
5. All the Cats of the Rainbow, by Mary E. Lowd. (in The Necromouser and Other Magical Cats, FurPlanet Productions; September 24)
6. Cold Tail and the Eyes, by Mary E. Lowd. (in The Necromouser and Other Magical Cats, FurPlanet Productions; September 24)
7. Danger in the Lumo-Bay, by Mary E. Lowd. (in Inhuman Acts, FurPlanet Productions; September 24)
8. Feral Unicorn, by Mary E. Lowd. (in Luna Station Quarterly #24 (December 1)
9. Hidden Feelings, by Mary E. Lowd. (in Daily Science Fiction, November 25)
10. Lunar Cavity, by Mary E. Lowd. (in The Furry Future, FurPlanet Productions; January 15)
11. Shreddy and the Carnivorous Plant, by Mary E. Lowd. (in The Necromouser and Other Magical Cats, FurPlanet Productions; September 24)
12. Shreddy and the Dancing Dragon, by Mary E. Lowd. (in The Dragon’s Hoard; June 4)
13. Songs of Fish and Flowers, by Mary E. Lowd. (in Lakeside Circus, Year 2, Issue 1; March 15)
14. Ernest, by Lyn McConchie. (in ROAR volume 6, ed. by Mary E. Lowd; Bad Dog Books, July 9)
15. Edward Bear and the Very Long Walk, by Ken Scholes. (in ROAR volume 6, ed. by Mary E. Lowd; Bad Dog Books, July 9)
16. Crepuscular, by Clement Sherwin. (Self, May 2015)
17. Pocosin, by Ursula Vernon. (in Apex Magazine #68; January 6)
18. Tow, by Watts Martin (in The Furry Future, FurPlanet Productions; January 15)

Best Anthropomorphic Other Literary Work

1. Other Earth, Other Stars, by Marian Allen. (Per Bastet Productions, short story collection; September 1)
2. Rikki Venix Does New York City, by James L. Brandt. (Second Ed, illustrated short story collection; September 1) Mature Audiences.
3. The Wild Piano, by Fred. (TOON Books, graphic album; May 5)
4. Rescued: The Stories of 12 Cats, Through Their Eyes, ed. Janiss Garza. (FitCat Publishing, anthology; January 26)
5. The Book of Lapism, by Phil Geusz. (Legion Publishing, collection; May 13)
6. Last of the SandWalkers, by Jay Hosler. (First Second, graphic novel; April 7)
7. Furries Among Us: Essays on Furries by the Most Prominent Members of the Fandom, edited by Thurston Howl. (Thurston Howl Publications, essay anthology; July 4)
8. The Necromouser and Other Magical Cats, by Mary E. Lowd. (FurPlanet Productions, collection; September 24)
9. ROAR Volume 6, edited by Mary E. Lowd. (FurPlanet Productions, short story anthology; July)
10. The Furry Future, edited by Fred Patten. (FurPlanet Productions, short story anthology; January 15)
11. Review of Bête by Adam Roberts, by Fred Patten. (Dogpatch Press; April 28)
12. Inhuman Acts: A Collection of Noir, edited by Ocean Tigrox (FurPlanet Productions, short story anthology; September 24)

Best Anthropomorphic Graphic Story

1. Ask King Sombra, by Jordan “Wiggles” Mullaney. (Internet (Tumblr), January to December)
2. Beatriz Overseer, by Walter “Chochi” Gomez. (Internet, January 10 to November 18)
3. Chevalier: The Queen’s Mouseketeer, by Darryl Hughes and Monique MacNaughton. (Internet, January 7 to August 12)
4. Code Name: Hunter, by Darc Sowers (Issue 21, Page 15 – Interlude page 4)
5. Druids, by Amocin. (Internet, January 2 to December 28) Mature Audiences.
6. Endtown, by Aaron Neathery. (Internet, January 1 to December 30)
7. The Eye of Ramalach, by Avencri. (Internet, January 10 to December 31)
8. Follower, by Bugbyte. (Internet, January 13 to December 31)
9. Guardians of the Galaxy volume 3, by various. (Marvel Comics, issue 21 to issue 27)
10. Howard the Duck volume 2, by various. (Marvel Comics, issue 1 to 5)
11. Kat-Venture and the Terror of Xibalba, by Mark A. Smith and David Whamond. (Lulu, November 25)
12. Knuckle Up, by Mastergodai. (Internet, January 23 to November 21)
13. Lackadaisy, by Tracy J. Butler. (Internet, Lackadaisy Congregation to Lackadaisy Inspiration)
14. Metazoa, by Peter Marshall Smith, artist Sandy Brion Spreitz. (Comixology, book 1 to 2)
15. My Little Pony: Friendship Is Magic, by various. (IDW Publishing; Issue 1 to 5, April 1 – April 29)
16. My Little Pony: Friends Forever, by various. (IDW Publishing, issue 13 to 24)
17. My Little Pony: Friendship Is Magic, by various.  (IDW Publishing, issue 27 to 38)
18. Night Physics, by Austin Holcomb. (Internet (Tumblr), January 15 to December 19)
19. Oren’s Forge, by Teagan Gavet. (Internet, November 16 to December 31)
20. Our World, by Kuurion & Captain Video. (Internet, January 20 to December 29)
21. Prequel or Adventures in Making a Cat Cry, by Kazerad and Ch’marr. (Internet, March 21 to October 31)
22. The Probability Bomb, by Ralph E. Hayes Jr. (Internet, January 3 to November 3)
23. Professor Amazing and the Incredible Golden Fox, by John Prengaman, Jr. (Internet, Chapter 1 cover to page 22)
24. Rascals, by Mastergodai. (Internet, January 2 to December 25)
25. The Sprawl, by DrawHolic. (Internet, page 23 to 66)
26. Teenage Mutant Ninja Turtles, by various. (Marvel Comics, issue 42 to 53)
27. This Quiet Ur, by camicami. (Internet, page 63 to 67)
28. TwoKinds, by Tom Fischbach. (Internet, January 4 to December 23)
29. Uber Quest, by Skidd. (Internet, January 4 to December 30)
30. The Unbeatable Squirrel Girl, by various. (Marvel Comics, Volume 1 issue 1 to Volume 2 issue 1)

Best Anthropomorphic Comic Strip

1. Addictive Science, by Cervelet. (Internet, March 22 to December 31)
2. Beyond the Black Stump, by Sean Leahy. (Newspaper & Internet strips from January 4 to December 31)
3. Carry On, by K. Garrison. (Internet strips from January 2 to December 30)
4. Doc Rat, by Jenner. (Internet strips from January 1 to December 31)
5. Gene Catlow, by Albert Temple and Tawana Gilroy. (Internet strips fron January 2 to December 30)
6. Housepets!, by Rick Griffin. (Internet strips from January 2 to December 30)
7. Paprika, by Nekonny. (Internet, March 22 to December 29)
8. Peter and Company, by Jonathan Ponikvar. (Internet strips from #223 to #243)
9. Sabrina Online, by Eric W. Schwartz. (Internet strips from January to December)
10. Savestate, by Tim Weeks. (Internet strips from January 7 to December 30)
11. Schlock Mercenary, by Howard Taylor. (Internet, January 1 to December 31)
12. Transmission, by Mark A. Smith (Internet strips from January 2 to November 27)
13. The Whiteboard, by Doc N. (Internet strips from January 2 to December 30)

Best Anthropomorphic Magazine

1. Dogpatch Press, by Patch Packrat (Internet, January 5 to December 24)
2. Fangs and Fonts (Internet podcast, #37 to #56)
3. Flayrah, edited by crossafliction and GreenReaper (Internet, January 2 to December 31)
4. Fur What It’s Worth (Internet; podcasts Season 4 episode 7 to Season 5 episode 7)
5. InFurNation ( Internet; January 1 to December 31)

Best Anthropomorphic Published Illustration

1. AlectorFencer, “An Empire Rises“, wraparound cover of ConFurgence 2015 souvenir book (January 8)
2. Mark Brill, cover of An Anthropomorphic Century, edited by Fred Patten (FurPlanet, Productions, September 24)
3. Unknown, cover of Off Leash, by Daniel Potter (Fallen Kitten Productions, July 12)
4. Kenket, wraparound cover of EuroFurence 21 Program Book (August 19)
5. Teagan Gavet, wraparound cover of The Furry Future, edited by Fred Patten (FurPlanet Productions, January 15)
6. Teagan Gavet, wraparound cover of ROAR Volume 6, edited by Mary E. Lowd (FurPlanet Productions, July 9)
7. Katie Hofgard, wraparound cover of Griffin Ranger, Volume 1, by Roz Gibson (FurPlanet Productions, January 15)
8. Idess, wraparound cover of In a Dog’s World, by Mary E. Lowd (FurPlanet Productions, July 9)
9. Humberto Ramos and Hector Delgado, cover of Guardians Team-Up issue #5, Marvel Comics, May
10. Rukis, wraparound cover of Bones of the Empire, by Jim Galford (CreateSpace, August 7)
11. Rukis, cover of Lost on Dark Trails, by Rukis (FurPlanet Productions, January 15)
12. Sekhmet, cover of Huntress, by Renee Carter Hall (FurPlanet Productions, September 24)
13. Seylyn, cover of Inhuman Acts, edited by Ocean Tigrox (FurPlanet Productions, September 24)
14. Antonio Torresan, cover of Tiger’s Eye (Amazon.com, November 5)
15. Heidi C. Vlatch, cover of Tinder Stricken, by Heidi C. Vlatch (Heidi C. Vlatch, May 22)
16. Zhivago, wraparound cover of Forest Gods, by Ryan Campbell (Sofawolf Press, September 24)

Best Anthropomorphic Game

1. Armello. (Developed and Published by League of Geeks, September 1)
2. Aviary Attorney (Sketchy Logic Games; December 22)
3. Eon Legacy Sourcebook, Content Creator and Earth Worldbook (Robert Rankin, various, February 11)
4. Five Nights at Freddy’s 3 (Developer: Scott Cawthon; Publisher: Scott Games, March 2)
5. Five Nights at Freddy’s 4 (Developer: Scott Cawthon; Publisher: Scott Games, July 23)
6. The Furry Basketball Association (Buck Hopper; 2015 season)
7. Majora’s Mask for 3DS (Nintendo; February 13)
8. Ori and the Blind Forest (Developer: Moon Studios, Publisher: Microsoft Studios, March 11)
9. Yo-Kai Watch (Developer: Level-5; Publisher: Level-5 and Nintendo, November 6)

Best Anthropomorphic Website

1. Ask Papabear, by Grubbs Grizzly, furry advice column
2. Culturally f’d, You Tube Channel, furry videos.
3. E621, Furry fandom art community site. Mature Audiences.
4. Equestria Daily, My Little Pony fandom community site.
5. FiMFiction, My Little Pony: Friendship Is Magic fanfic site.
6. Furry Network, furry art/writing/media social networking site.
7. Furry.Today, furry videos.
8. Furstarter, crowdfunding furry projects portal
9. The Katbox, hosts anthropomorphic webcomics
10. Sofurry, furry artist/writer community
11. WikiFur, furry wiki

Best wishes; Fred Patten  

This one slipped on by us, but if you’re a Furry Fan you’re going to notice a description that goes like this: “8House # 6: Mirror: Part 1… explores the concept of humanity — specifically, how one attains such a distinction. The Mirror story arc follows a terrorist talking dog, an idealist mage, and a heroic lab rat on their quest for acceptance.” Here’s more from the Image Comics web site: “Mirror is a four-part sci-fi/fantasy story arc connected to the 8House universe and focused on the House of Healers, a noble magical guild based on flesh and body magic. Each issue contains 28 pages of comic narrative: a main story and short epilogues that bring more light to the intrigue, as well as concept art, designs, timeline keys, and glossaries.” It’s written by Emma Rios (Pretty Deadly, Island) and illustrated in full color by Hwei Lim (Lalage, Hero). The first issue in the Mirror arc is out already, and the 4-issue miniseries continues through this spring. There will also be a special Mirror tie-in mini-comic as part of this year’s Free Comic Book Day event in May.

image c. 2016 Image Comics

Dated February 14, here is an article in the Lafayette Journal & Courier:
http://www.jconline.com/story/news/college/2016/02/14/furries-paw-into-purdue/80051666/

The article is an interview with Carly "Luna" Conley and Sean McLane, of Purdue University's Anthropomorphic Animal Club.


Carly Conley is even-tempered and sports a sweet, inviting smile. She doesn't get in people's faces, she doesn't raise her voice.

But when Conley places a bright orange, fuzzy fox head over her own, a sassier side of the Purdue University student emerges. The fox head, named Luna, is part of Conley's "fursona."

"It makes you feel more comfortable sometimes," the forestry and natural resources junior said. "It’s not necessarily escapism. I’m not losing who I am ... She (Luna) is an extension of me.”

Conley is part of a growing, but long-existing, subculture that likes to dress up, or "suit up" as she refers to it, as cartoon-like animals. The members refer to themselves as furries. They have a deep love for animals and some even feel more comfortable in their fursuits than in their own skin.

The furry group largely has a reputation of being fetishists and sexual deviants, but those part of the fandom and those who research it say that's not what furries are about.

Conley's hoping her new student group, the Purdue Anthropomorphic Animal Club, will help break down those stereotypes on campus and give fellow anthropomorphism enthusiasts a place to meet like-minded people. The group isn't specifically for furries, she said, but some members are part of the fur fandom.

Though it just recently became an official student group, the club has been active "underground" for about two years, Conley said. The last time students tried to establish a similar type of club in 2009, she said, they were bullied into extinction.

She's optimistic this time will be different, though the group has already run into opposition. After putting up posters around campus promoting its callout meeting, people quickly began bashing the anthropomorphic club on the anonymous social media app Yik Yak.

The posts included threats to light the group members on fire and crucify them. Some called them autistic, Conley said.

"I think, overall, society is more accepting than it used to be. There is still some intolerance there," said Sean McLane, a Purdue IT staff member and the club's supervisor.

McLane has identified as a furry for 25 years, but doesn't have a fursuit. He is also the supervisor for the campus' brony group, a subculture that revolves around the fandom of the "My Little Pony: Friendship is Magic" television series.

The general misconception and curiosity about furries has brought some scholars to study them. Kathy Gerbasi, a psychology professor at Niagara County Community College in New York, stumbled upon the fandom years ago and has since written a number of peer-reviewed articles on it.

She went into her first furry convention in 2005 to survey attendees not knowing what to expect, having heard the typical stereotypes that furries are crazy and into strange sex. But she didn't find any of that to be true for the mass majority.

"The fursuit is a way to try on a different personality," Gerbasi said. "Like if you're shy, you can be more outgoing as a dancing wolf in a fursuit."

And though furries love to hug, she said, the widespread rumor that they have sex in their costumes isn't true and would be impossible.

There are some fur-fans that are in it for the sex, McLane said, but they're what Samuel Conway, the president of the largest anthropomorphic convention, refers to as the "Uncle Harry" of the subculture.

"Every family has a weird Uncle Harry. He always comes to holidays and does something bad ... We don’t really care much for him, but he’s family ... That part of the community is our Uncle Harry," McLane said. "Uncle Harry is not the true representation of the fandom.”

The increase of younger people coming into the group has also steered it into a more innocent community, McLane said.

The furries make up a silly, fun-loving society, he said, but they're also extremely giving and charitable.

Last year's Illinois-based convention, Midwest FurFest, raised more than $62,000 for Save-A-Vet, a charity that pairs retired military and law enforcement dogs and other service animals with disabled veterans.

Conley said she plans to have the Purdue campus group attend conventions together next semester. But the typical meetup will involve members getting together to watch anthropomorphic movies, study, go hiking and occasionally go out "suiting," for those who are furries and own a suit.

“I’m trying to just bring (the group) back into light and say, 'We are not Uncle Harry. We’re better than Uncle Harry. We are college kids and this is what we like to do,'” she said.

Dated February 14, here is an article in the Lafayette Journal & Courier:
http://www.jconline.com/story/news/college/2016/02/14/furries-paw-into-purdue/80051666/

The article is an interview with Carly "Luna" Conley and Sean McLane, of Purdue University's Anthropomorphic Animal Club.


Carly Conley is even-tempered and sports a sweet, inviting smile. She doesn't get in people's faces, she doesn't raise her voice.

But when Conley places a bright orange, fuzzy fox head over her own, a sassier side of the Purdue University student emerges. The fox head, named Luna, is part of Conley's "fursona."

"It makes you feel more comfortable sometimes," the forestry and natural resources junior said. "It’s not necessarily escapism. I’m not losing who I am ... She (Luna) is an extension of me.”

Conley is part of a growing, but long-existing, subculture that likes to dress up, or "suit up" as she refers to it, as cartoon-like animals. The members refer to themselves as furries. They have a deep love for animals and some even feel more comfortable in their fursuits than in their own skin.

The furry group largely has a reputation of being fetishists and sexual deviants, but those part of the fandom and those who research it say that's not what furries are about.

Conley's hoping her new student group, the Purdue Anthropomorphic Animal Club, will help break down those stereotypes on campus and give fellow anthropomorphism enthusiasts a place to meet like-minded people. The group isn't specifically for furries, she said, but some members are part of the fur fandom.

Though it just recently became an official student group, the club has been active "underground" for about two years, Conley said. The last time students tried to establish a similar type of club in 2009, she said, they were bullied into extinction.

She's optimistic this time will be different, though the group has already run into opposition. After putting up posters around campus promoting its callout meeting, people quickly began bashing the anthropomorphic club on the anonymous social media app Yik Yak.

The posts included threats to light the group members on fire and crucify them. Some called them autistic, Conley said.

"I think, overall, society is more accepting than it used to be. There is still some intolerance there," said Sean McLane, a Purdue IT staff member and the club's supervisor.

McLane has identified as a furry for 25 years, but doesn't have a fursuit. He is also the supervisor for the campus' brony group, a subculture that revolves around the fandom of the "My Little Pony: Friendship is Magic" television series.

The general misconception and curiosity about furries has brought some scholars to study them. Kathy Gerbasi, a psychology professor at Niagara County Community College in New York, stumbled upon the fandom years ago and has since written a number of peer-reviewed articles on it.

She went into her first furry convention in 2005 to survey attendees not knowing what to expect, having heard the typical stereotypes that furries are crazy and into strange sex. But she didn't find any of that to be true for the mass majority.

"The fursuit is a way to try on a different personality," Gerbasi said. "Like if you're shy, you can be more outgoing as a dancing wolf in a fursuit."

And though furries love to hug, she said, the widespread rumor that they have sex in their costumes isn't true and would be impossible.

There are some fur-fans that are in it for the sex, McLane said, but they're what Samuel Conway, the president of the largest anthropomorphic convention, refers to as the "Uncle Harry" of the subculture.

"Every family has a weird Uncle Harry. He always comes to holidays and does something bad ... We don’t really care much for him, but he’s family ... That part of the community is our Uncle Harry," McLane said. "Uncle Harry is not the true representation of the fandom.”

The increase of younger people coming into the group has also steered it into a more innocent community, McLane said.

The furries make up a silly, fun-loving society, he said, but they're also extremely giving and charitable.

Last year's Illinois-based convention, Midwest FurFest, raised more than $62,000 for Save-A-Vet, a charity that pairs retired military and law enforcement dogs and other service animals with disabled veterans.

Conley said she plans to have the Purdue campus group attend conventions together next semester. But the typical meetup will involve members getting together to watch anthropomorphic movies, study, go hiking and occasionally go out "suiting," for those who are furries and own a suit.

“I’m trying to just bring (the group) back into light and say, 'We are not Uncle Harry. We’re better than Uncle Harry. We are college kids and this is what we like to do,'” she said.

Of Horses and Men is a 2013 Icelandic film (Hross í oss). The English subtitled version is widely available for streaming, or as a cheap DVD in all the usual places.

It’s a strange film. It opens with a man saddling his mare, and it’s clear from the interactions between man and horse that their relationship is new. The saddling is shot and edited as a seduction: the man is intent on going for a ride, but first he must gain her trust, and she must submit to him.

The subtext running through the film is simple enough: that humans and horses are both animals, slave to our animal desires, whatever they may be. We’re all dumb and self-destructive; we bring misery upon ourselves because we are unable to transcend our very simple animalistic instincts.

Our horseman, who is unnamed but turns out to be one of the film’s main characters, takes his mare to visit his girlfriend. As he woos her over tea, his mare is wooed by the girl’s stallion across a fence. As our horseman leaves, he is humiliated as the fence breaks, and the stallion mounts the mare with no regard for the human encumbrance on her back.

The horses have complicated the blossoming love affair between the two humans by bringing social shame to the man, and by baring their ultimate carnal desires for all to see. On returning home, our horseman shoots and kills his new mare in a calculated jealous act. His girlfriend castrates her stallion. This all takes about 15 minutes, and gives the viewer a very good idea of what sort of film they are watching.

Of Horses and Men is short at 85 minutes, and consists of a series of short vignettes, starting with our horse-human love quadrette. Most of the vignettes will end badly for all concerned, and the horse/human bodycount will grow. (In that way, it’s a bit like Kill Bill.)

The film is set in the remote Icelandic hinterland, a land of volcanic desert and dangerous extremes of climate. The scenery is beautiful, the people are stoic, and the humour is pitch-black: this is an undeniably Scandinavian film.

The obvious point of comparison for Of Horses and Men is The Black Stallion, or at least the first half where the boy and the horse are castaway on a deserted island. (I’ve written about The Black Stallion for [adjective][species] in the past.) In that film, the boy and horse become reliant on one another for survival and companionship, which grows into a close bond.

The Black Stallion‘s sequences showing the development of the relationship between the two is stunning. It highlights the beauty and remoteness of the island, and the best parts of the nature of both human and horse. Of Horses and Men is similarly stunning, and similarly focussing on horse/human relationships, but is much less positive about our shared, inherent animal nature.

The human characters do love their horses, but the relationship is a starkly unequal one. The horses are tools to be used, creatures to be tricked into bondage and discarded when no longer convenient. Any number of indignities are visited upon our horses, including an ocean swim to a Russian ship to buy black market vodka, and one poor creature is sacrificed in a cold snap to save the enterprising human, who uses the same trick as Luke Skywalker on Hoth, cutting open the beast’s belly for warmth.

The horses are entirely resigned to their fate, accepting the wills of their human masters. Undoubtedly this is a far more accurate representation of a real horse-human relationship than the partnership of equals imagined by The Black Stallion, but the cold pragmatism of the Icelanders is still bracing, particularly in the face of the flawed nature of their own animal instincts.

Of Horses and Men emphasises the animal nature of the humans by putting them on the same footing as the horses. So as our horseman from the opening vignette suffers the humiliation of being on horseback for horse-horse mating, a horse will later be tied to him as he and his girlfriend have sex.

The exploration of our fundamental animal nature in Of Horses and Men is, of course why I’m writing about it for [adjective][species]. For myself and for many other furries, I see my furry identity as an exploration of the interplay between my instinctual/animal and rational/human sides. Our animal side is something that gets short shrift in society, because our animal instincts are seen as being lesser. Our society places value on intellectual work, like writing or mathematics, and lower value on physical work, like horsemanship or parenting.

There is a sense that we should transcend our emotions and instincts, as if this would make us more worthwhile human beings. Basic requirements for life are often presented, in society, absent of their base, visceral contexts: food comes pre-made and pre-wrapped; porn comes absent of body hair and odour; sleep is a collection of lifestyle accoutrements rather than a basic act. The simple, animal truth of human need is obscured by a gentrifying, civilizing layer. And, for the most part, it’s bullshit.

There is freedom to be found in accepting your own animal instincts as a personal truth. Once accepted, they can be met in a way that celebrates the good, useful parts and controls the bad or unsocial parts. To put it another way, a gay man can try to deny his animal truth by marrying a woman anyway. Or he can embrace his sexuality, enjoy sex and love, and complain about the fact society values heterosexual marriage more than it does homosexual marriage.

My animal-person identity, my personal horse, is one that allows me to accept that it’s my animal instincts that make me human. I reject the idea that humans are a sort of anti-animal. I can accept and embrace my animal needs, and I can meet those needs in a way that serves my human society in a civil and appropriate way. My furry identity can meet these needs: I am a civil animal.

Every time I see furries presented in a way that mocks our community, I have the same immediate reaction: fuck you. What kind of animal shames another for expressing a shared animal interest—friendship, or sex, or whatever—in the way that suits them best? An uncivil animal, that’s who.

I know from personal experience and analysis of the furry data we collect here at [adjective][species] that furries are a social, happy, caring, tight-knit bunch. We get mocked because we transgress a sharp line drawn by society: that between sexual and non-sexual behaviour. Society places a higher value on non-sexual activity because sex is seen as animalistic. In the furry world, love does not need to be defined by sex, and vice versa. In this respect, we are the greater beasts.

I enjoy films like Of Horses and Men because they deal with the undeniable animal nature of human beings. Our rural Icelanders are in touch with the world around them, and their human relationships are uncomplicated. But the horses are stronger, and their relationships are even simpler. We can be better humans by being more horse, by showing our own strength and friendship and love in the simplest way possible.

If you’re looking for a film to explore your animal-person side then you could do worse than Of Horses and Men, but you can do better as well. It has a few problems, in particular a dodgy “action” sequence (involving a slow-moving tractor), and a couple of cinematic tropes that don’t hold up to even the slightest amount of logical scrutiny.

You can do better by watching Carroll Ballard’s four animal films, and his exploration of human nature therein (which include The Black Stallion; I’ve reviewed them all for [a][s]). Never Cry Wolf is probably the best even given a slightly dodgy opening act. I’d recommend starting there. But if you’re looking for something new, or if you just have a soft spot for Scandinavian deadpan, Of Horses and Men is well worth your time.

Nordic Fuzzcon has a Zootopia screening at a theater for 250. That’s the size of it’s 2014 attendance. (Art: Silverfox)

The most anticipated “furry” movie in memory is coming. It’s the #1 reason to call 2016 The Year of Furry.  Zootopia is Star Wars for anthro animals.

This is different from other such events. It’s a fandom pulling mainstream media to itself, despite reasons for the media to resist open ties.  This isn’t Zootopia fandom taking over, it’s furries doing what they already love.

In the San Francisco Bay area, over 200 furries will stuff a theater to it’s limit.  The screening is just for them.  It includes not just a movie, but a whole night of fursuiting.  There’s a changing room in the theater, and the neighborhood will be inundated with fluffy revelers at bars and restaurants.

It’s the size of a small con.  The event was arranged by convincing a theater that it would be well handled and attended.  The response exploded beyond expectations.  A theater with 145 seats was maxed out within days, and had to be switched for one with 225 spots.  That isn’t even enough – the wait list is double digits and rising.  It went out through members-only channels and word of mouth, to serve the most dedicated fans and manage demand beyond the limits.

Imagine the fun.  You get to strut your stuff in costume, and see audience interplay that happens with few movies short of Rocky Horror.  It won’t be surprising to hear fandom references flying at the screen that wouldn’t be heard in any other show.

It’s a strange marriage when subculture gathers around the most mainstream media, while Disney arguably may be using a strategy to spread hype with Furries without admitting it.   A furry movie director who just sold his documentary at the Slamdance film fest gave me gossip that Zootopia crew admitted it’s real.

It's an amazing time to be furry. Corporations want to avoid us and get with us at the same time. They don't know how to furry, we do.

— Dogpatch Press (@DogpatchPress) February 10, 2016

Already-successful events are inspiring many to set up their own. If you haven’t done it yet, don’t wait. Theaters set schedules a few months ahead.

Chance the Dragon, admin of San Diego Furries, writes: “Anyone have any leads for a movie theater that will accept fursuits, even if some negotiation is necessary?”  He told me: “I saw your guys’s success up there, and I was like, “If only we had a place like that around here!”

Here’s some other Zootopia furmeets around the USA. Do you know about more? Please comment below!  

• Columbia, TN: March 5 fursuit-friendly movie party.
• Kansas City, MO: Alamo Drafthouse theater rental for 38, with fursuits.
• Maryland Furs and NOVAfurs are teaming up to rent a theater just for furries.
• Midwest FurFest: Private showing at a 121 seat theater, with fursuiting.
• Rhode Island furs: fursuit-friendly Zootopia meet.
• Rochester Furs: “I looked into renting a theater on Saturday the 5th. We would need to have about 100 people.”
• Seattle: 32 furries (no fursuits).
• Socal Furs: Zootopia FurMeet at El Capitan on Saturday, March 5th. Fursuits not allowed.
• (Reddit) Furry meetups for Zootopia?  “Denver Colorado furries are renting out a showing with fursuits allowed… 96 going”

Fursuit screening of Zootopia at the Studio Movie Grill in Simi Valley is in the works! If interested, sign up here: https://t.co/6a4XclwlPH

— Calicotopia (@ManedCalico) February 11, 2016

ATTENTION #Zootopia NERDS, @KCFur is organizing a fursuit-friendly Opening day Theater https://t.co/KRgDz0mBgz and I'm driving 5 hrs to it!

— AAAHHHHHHHHHHHHHHLBI (@foxalbiazul) January 3, 2016

Updates: Many new comments on Reddit – check to see if you can connect with anyone near you!

@DogpatchPress Sources say Furry Fiesta's GOH dinner is at a Studio Movie Grill, sold out 160 seat theater.

— Derpster Diver (@MikaseCoyote) February 15, 2016

What’s happening in your community?

1. Tell us about your most recent project (written or published). What inspired it?

Right now I’m working on a serial story for Patreon, told in weekly installments, then bundled up once a month or so and posted to various websites. I’m really excited about the opportunity and challenges presented in telling a story in these episodic bursts; I think it really allows you to experiment with the plotting and structure in ways that maximize the impact of how things roll out.

This first serial is something I’ve been developing for a while, called “The Cult of Maximus”. Two mismatched police officers — a large, gentle wolf and a small but aggressive rabbit — are investigating the disappearance of various homeless people within their jurisdiction of Fog City. The discovery of what’s been happening to them pulls them both into a sprawling conspiracy that has designs on guiding the kaleidoscope of sapient species to the next stage of evolution. Now, this pair has to find a way to discover just how deep this cult goes and how to stop them while being in over their heads every step of the way.

I hope that the serial will give me the ability to arc out a deep exploration of these characters and how their experience with this mystic, impossible problem changes them — both inside and out. Of course, those changes manifest in ways that affect the people around them, and this serial will explore that as well. I’m really fascinated by how personal changes become community changes, and how those become bigger socio-political changes given enough time and momentum. We don’t exist in a vacuum, and I’m really jazzed about the opportunity to show that step by step.

All of this will be taking place in the context of a story with an erotic nature, which is also exciting and really tricky. I’m going into this with the idea that erotic stories can discuss serious and interesting topics; they can be arousing, thrilling and thoughtful at the same time.

2. What’s your writing process like? Are you a “pantser,” an outliner, or something in between?

Definitely “something in-between”. I’ve found that it really helps me to pull through a story if I have signposts that can lead me to the next big thing, so I really love having an outline that allows me to see the rough shape of a story. However, the story almost never turns out to match the shape of the outline I’ve given it.

When a story “grows legs”, it’s a sign that you’ve really tapped into something but it can also throw all of your plans out of the window. Characters end up doing things you’d never expect, pulling new characters from the ether that you never planned for; or a character will resist a certain plot point because there’s something about their personality that makes a necessary action impossible for them to take, so you have to back up and get to know this person in your head a little better.

So while the outline is definitely a big help for determining the joints of the story where things pivot, you might find that you need to reconstruct it on the fly fairly often.

3. What’s your favorite kind of story to write?

I think I really love telling stories about outsiders. People who resist type a little, perhaps, or feel that they don’t belong for one reason or another. I love digging into a character to figure out how they work, what makes them feel disconnected from their environment, and then writing the story that moves them a little closer to the world they inhabit.

Most of the stuff that I end up showing is erotic in nature, just because I’m a big fan of macro/micro stories as well. There’s something about the way physical transformation necessitates a shift in your mentality that I love exploring too; when you gain or lose physical power, it changes the way you see yourself and your place in the world. It’s more than simply lording power over someone else, it’s also dealing with this real, physical difference that separates you from your world and what that does to your psyche.

4. Which character from your work do you most identify with, and why?

This might just be because it’s what I’m working on now, but Officer Tom from “The Cult of Maximus” is someone I’m having a lot of sympathy for right now. He’s this sort-of average guy who holds strong beliefs without necessarily voicing them, who feels in over his head with his job most of the time, who is trying to balance the demands of this difficult profession with his home life. And just when he feels like he’s getting his feet under him, something else comes along to pull the rug out from under him! It happens all the time in life, and I think that’s what makes it such a fun story to write.

5. Which authors or books have most influenced your work?

It’s a huge list. Furry-wise, I’ve gotten my sensibility from Kenneth Grahame and Alan Dean Foster, who both do this really great job of rooting their furry characters in the real world and marrying instinctive urges with sentient, reasoned expression. The Wind in the Willows and the Spellsinger series are so much fun because the societies that have been imagined in them feel really lived-in and true. I love furry stories that lean in to the distinctive habits of various species.

Otherwise, I’m a sucker for books that are poetic, but simple. I’m a huge fan of Ray Bradbury and Kurt Vonnegut, Stephen King and Johnathan Lethem; they have this deceptively conversational style that hooks you well, but there’s a lot going on underneath word choices and sentence rhythm and how they’ve built their paragraphs. It’s really fascinating. I think I break for people who can tell great stories while still aiming to be accessible and really connecting to their audience. I’ve found I don’t have a lot of patience for those folks who act as gatekeepers; stories are for everyone, and they should be treated as something special that almost anyone can find something worthwhile in.

6. What’s the last book you read that you really loved?

I just finished book three in The Last Policeman trilogy, called World of Trouble. It’s written by Ben H. Winters, and it tells the story of this beanpole of a police detective who insists on doing his job even though an asteroid is getting set to crash into the planet and end life as we know it. In the last novel he’s looking for his missing sister, just days before the world is going to end.

What I love about it is how Winters treats Hank Palace (the titular policeman). Hank is clearly running a fool’s errand, and in a way he absolutely knows it. But he’s compelled to do it, to spend the rest of his days doing his dream job to the best of his ability. The most fascinating aspect of apocalyptic and post-apocalyptic fiction is watching what emerges from within people when the constraints of society are removed. When you’re faced with this very real existential threat and a lot of the ideas we’ve all agreed to buy into are discounted, who are you? Hank knows who he is, even though he’s reluctant to let go of the old world that’s crumbling down all around him. It’s so great.

There are a lot of other books I’ve read that I genuinely love, but they haven’t been published yet so I won’t talk about them. I’ll just say I’m really excited to see them released.

7. Besides writing, how do you like to spend your free time?

I’m a pretty hard-core geek, so there’s a lot of television and movies that I love to watch. I’m a big fan of The Leftovers, Agents of SHIELD, Game of Thrones and Supernatural; I love watching movies in different genres, but nothing quite thrills me like a great horror film.

Dungeons and Dragons are a big draw for me; right now I’m running a Pathfinder game and playing in two Star Wars games as well as a Dresden Files game, and that’s a lot of fun. I really do tend to spend most of my free time awash in stories; either participating in them, or enjoying them.

8. Advice for other writers?

In so many ways I still feel like a baby writer who has no business giving advice to other writers. I guess my best piece of advice is to find a way to make writing fun enough that you’ll want to do it every day and serious enough that you’ll want each story you tell to be better than the last. Passion and dedication really are the things you need to pull you through your writing career.

9. Where can readers find your work?

I’m everywhere! I have a personal/storytelling blog over at http://www.jakebe.com.

My writing is on FurAffinity, Weasyl and SoFurry: just look for “jakebe” there.

My Patreon is here, where I’ll be posting parts of The Cult of Maximus in 2016: https://www.patreon.com/jakebeserials

10. What’s your favorite thing about the furry fandom?

I love that the furry fandom is so BROAD. No matter what you’re into — writing, video games, art, comics, performance, music — you can find a scene within the fandom that you will fit. It’s really great to see so many people pursuing so many different passions all within the same community. What’s more, we really support each other’s projects in great ways. It’s just a lovely thing to see.

 

Check out Jakebe’s member bio here!

Netflix have recently announced a new CGI animated series, Beat Bugs. Premiering this summer, it’s bug-size stories set to the music of The Beatles. Yes.  According to Animation World Network: “Beat Bugs features original characters and a world created by Josh Wakely, who will direct, write and produce the series… Beat Bugs incorporates songs from the Lennon/McCartney ‘Northern Songs’ catalogue, to tell uplifting and life-affirming stories filled with hope and melody. World-leading artists, animators and writers have come together to work on this extraordinary show. The Beat Bugs are charming, funny, adventurous, and have a knack for getting themselves into mischief and mayhem. Each of the five friends (Jay, Kumi, Crick, Buzz, and Walter) has a distinctive personality, and they display the charm and energy of five knockabout, lovable kids. They are best friends who band together to explore and learn in an overgrown suburban backyard, which to them is their entire universe.” The article also has a teaser trailer for the show.

Image c. 2016 Netflix