What an enormously strange but wonderful year it has been! Welcome to the last episode of 2025! This episode we have:

• A wonderful interview with furry musician Cosmik with a K
• Animation news, how Zootopia 2 shattered all expectations, and how you can get one of those shiny Lorcana Cards!
• And of course, a whole bunch of charities

So...lets start with those!

Chickenhare and the Hamster of Darkness (trailer) is a 90-minute 3D kids animated adventure-comedy film. Released in 2022, it's important to note that this is an nWave Studios producion, a Belgian company whose output since 2008 has consistently ranged from "awful" to "thoroughly meh".

It's rare for their average IMDB score to go higher than 6 out of 10. This one was directed by Benjamin Mousquet and Ben Stassen, written by Dave Collard, and was very loosely inspired from graphic novels by Chris Grine.

I think Chickenhare has been the studio's... "best" work so far, but that's not saying much. Their second-best would probably be either The House of Magic (2013) or Son of Bigfoot (2018).

What I find fascinating about Chickenhare is that it's just on the edge of being okay. Most of its elements use well-worn tropes that you typically get in kids films, but other things are... different. Cheerfully absurd. It's not taking itself entirely seriously. It's solidly aimed at a young audience - but there's this odd, subtle undercurrent that only adults might notice, when they're not being bored. It's really difficult to put into words.

Mahavatar Narsimha (clip) is the first in an intended series of 3D animated films from India, with the goal of telling the stories of the ten avatars of Vishnu. Released in 2025, it's directed by Ashwin Kumar, written by Jayapurna Das, and produced by Kleem Productions.

First and foremost, this is a religious film that takes its spiritual roots from Hindu mythology pretty seriously. It clocks in at over two hours long, and honestly I didn't have the patience to watch it from start to finish. I don't think I can objectively review such a film. I don't know the mythology, the religion, the symbolism or the culture that it's based upon.

It's struck a strong chord in India, becoming its highest-grossing domestic animated film in less than two weeks! So that's a positive sign. Whether you should try watching it - I can't say. This review will be a short summary that points out the anthropomorphic beings that appear.

Goldbeak (trailer) is a 90-minute 3D animated kids film. Although it came out in China in 2021 (original title: 老鹰抓小鸡), it's taken an unusually long time to get distributed, sometimes pretending that its year of release is more recent. It was produced by Liang Zi Film and Nigel W. Tierney, directed by Tierney and Dong Long, and written by Robert N. Skir, Jeff Sloniker, and Vivian Yoon.

In a world of mildly anthropomorphized birds, Goldbeak is an orphaned eagle who's raised by chickens in a rural village. He wants to fly, but most of the villagers don't help. They treat him as an outsider and eventually kick him out. Accompanied by his adoptive sister Ratchet (a gadgeteer genius), he makes the journey to the capital, the creatively-named Avian City.

Along the way he finds a mentor hermit who teaches him to fly. It turns out that Goldbeak is the long-lost nephew of the city's mayor. Then he wants to join the Eagle Scouts, an elite flying squad, but their leading member hates his guts. The mayor turns out to have sinister plans...

Furry Halloween recommendation! Night of the Zoopocalypse is a 92-minute film from 2024, co-produced between Canada, France and Belgium by... quite a lot of animation studios (we'll get to that). It was written by James Kee and Steven Hoban, and directed by Rodrigo Perez-Castro and Ricardo Curtis.

This is an animated comedy horror film for kids. It walks the fine line between those genres with perfect precision (specifically zombie apocalypse), and it works! It appeals to adults too; I'm not a fan of horror at all, and I loved it! Rotten Tomatoes rates it 88% / 82%. I'm not linking to a trailer, because I'd like to keep some things a surprise.

If you're looking to introduce kids to the horror genre, this is the film to do it with. In the past I might have said - reluctantly - Coraline, from the Laika studio. Most of their animated films tend to get... dark, but I'd also say they veer into the grotesque, and that's not so fun. Zoopocalypse doesn't do that. It's got slobber and slime here and there, yet surprisingly, no blood. And still, it works!

The basic premise is that a meteor fragment lands in a zoo during the night, turning an animal into a contagious, evil zombie monster who soon converts most of the other animals, except for a small group who must figure out how to survive. There are no humans in the movie, aside from some families and one zookeeper at the beginning, who leave at closing time.

Welcome to a new episode of Digging Up Positivity, this month we have a very special guest: Chipflake, known for his very cute and silly animations and we will be talking about his upcoming game as well! Furthermore we have some animations, and of course, oh man, we have so many charities, it is really showing that convention season is gearing up! So lets get started!

In a sequel to a pair of stories I wrote many years back (good god, I'm old now), we're now seeing things play out in reverse. Childrens' animation on Canadian television is now on life support or effectively dead, thanks to a slew of channels from Corus Entertainment and WildBrain Studios (representing the vast majority) getting the plug pulled as of September 1, as reported by Montréal broadcaster Steven Faguy's blog.

The Bad Guys 2, directed by Pierre Perifel, is the latest theatrical release from DreamWorks Animation, and is the sequel to 2022's The Bad Guys, which has gone on to become very popular with furries. The titular "Bad Guys" are a gang of "scary" animal ex-thieves featuring Mr. Wolf (voiced by Sam Rockwell), Mr. Snake (voiced by Marc Maron), Miss Tarantula a.k.a. "Webs" (voiced by Awkwafina), Mr. Shark (voiced by Craig Robinson) and Mr. Piranha (voiced by Anthony Ramos), plus Diane Foxington (voiced by Zazie Beetz), the current fox governor of the state of California and also secretly an ex-thief known as the "Crimson Paw", who, unlike the Bad Guys, was never caught. Having given up their lives of crime last movie, this movie begins with the Bad Guys living the trials and tribulations of ex-cons.

The movie is already available for digital purchase, despite the movie only being out a little over two weeks. However, DreamWorks Animation has been playing Moneyball recently, spending about half as much as most of the other major studios on their theatrical releases, so they've already made back most of their money domestically, and are in the black (more or less) counting international grosses. It's not a big hit, but it is a "base" hit, and that's what DreamWorks is aiming for. DreamWorks Animation has never gotten past the billion mark (Shrek 2, way back in 2004, was the closest), and the company seems to have accepted this fact. If anything, when they make a "big swing" anymore, it's an Oscar play rather than box office, like last year's The Wild Robot, which ultimately did not win (once again, Shrek is DreamWorks's only Best Animated Feature, despite being the second most nominated studio in the category).

But the point of bringing up this "inside baseball" bit about box office is that this has already been earmarked as a DreamWorks franchise. Ironically, they were bumped by The Wild Robot in the studio's logo sequence this year, but that seems to be more about DreamWorks wanting to avoid having them appear in front of their own movie than lack of confidence. I'm very confident there will be a The Bad Guys 3, and am looking forward to it, because both movies have been a lot of fun.

Welcome to a new episode of Digging Up Positivity! In this episode:

• A very special guest from Honduras
• Animation news
• An upcoming furry indy game
• And of course a whole load of charity!

So let’s get started!

What furry animated films might be coming out since our last list? (You can find some non-furry films discussed in the comments section.) As usual it's difficult to know for certain what's coming up, since a lot of films show up with unpredictable marketing, or might never reach completion, or might be a Warner Bros tax write-off.

Let's start with a little non-furry news! Ne Zha 2 (China, 2025) now holds the record for being the highest-grossing animated film ever, having earned over $2.2 billion. KPop Demon Hunters (Sony, 2025) on Netflix got over 33 million views in two weeks, and is still going strong.

The news site Cartoon Brew has a new owner and chief editor, who hopefully will be less snooty and won't accidentally create Brony fandom. Director Brad Bird is now over at SkyDance and might finally get to make Ray Gunn, a project he's wanted to do for 30 years.

Laika isn't leaking any information about Wildwood. DreamWorks' The Bad Guys 2 is just around the corner, and Zootopia 2 (Disney, 2025) is aiming at a Late November release for U.S. Thanksgiving and any cinema foolish enough to be in range of Midwest FurFest.

Nimona (trailer) is a 99-minute American animated movie released in 2023. It was eventually directed by Nick Bruno and Troy Quane, with a script by Robert Baird and Lloyd Taylor (plus additional writers), and was adapted from a webcomic/graphic novel by ND Stevenson. Originally it was produced by Blue Sky Studios, whose parent company was acquired by Disney before the project was finished. Disney cancelled it, likely due to its overt LGBTQ+ themes, and closed down Blue Sky to focus on their own, pre-existing animation studios. Luckily, they were willing to let Netflix acquire the rights, and it was completed by DNEG Animation and Annapurna Pictures.

And I am the wrong person to be reviewing this movie.

In my years of writing reviews, this is the second time this has happened. The first time was when Kyell Gold sent me a copy of Green Fairy to review. By no fault of Kyell's, or the story itself, aspects of the book set off multiple buttons in my head due to personal experiences from my past. This caused my brain to mis-map story elements, and it didn't work for me. I tried writing a review, and I couldn't bring myself to publish it at the time. It wasn't fair to the book, nor to Kyell's writing craft.

And so now I'm facing a similar dilemma with Nimona. This time, I'm going to attempt a review, but without all of my internal brain slop. You'll be getting some of it, but believe me when I say I'm leaving a lot out. (Deep breaths. Focus on the positive.) At this point the film is two years old and I'm assuming that most folks here have seen it, so I'm not going to be shy about major plot details.

However, despite my personal opinions, let me be clear: If you haven't watched this film, it's worth a watch. It's good. It's just I'm not the audience it's for. And that's ok! I still appreciate it for what it is. Stop reading here to avoid spoilers.

Welcome to the April edition of Digging Up Positivity, this month we are interviewing two amazing beans from the virtual world, however their friendship influenced their lives much more than anyone expected!

We also feature a new furry game, some lovely animation news and of course, our charities, because my dear friend, we sure had a lot of those in April, so lets gooo!

On the menu today is: Cult Of (The) Lamb with a side of Science Dog.

Sound good? Well then, let's partake of a somewhat kosher dinner of allegory. Notice that these works have firm connections to other media. As is only right, we'll open with the appetizer.

Welcome to the April[sic - should have been March] edition of Digging Up Positivity, this month:

• An update on all the furry charities around the world
• How Coyote vs Acme got saved from the Shelf
• Cattbutt controllers (who writes this stuff)
• And our special guest is the amazing pie-tactic Duino Duck!

But first, lets start it with our charity update!

"We'll meet again, don't know where, don't know when, but I know we'll meet again some sunny day."
-Chikn Nuggit, "An episode made for Tik Tok in case the app gets banned for real"

"I missed."
-Pepé Le Pew, "For Scent-imental Reasons"

Animation, at least in America, feels a bit weird right now. Maybe a bit unhealthy, but not in a "sick and dying" kind of way, but in a "your diet is messed up" kind of way. My most recent review besides this one is Flow, a micro-budget independent movie from Latvia made with Blender, while The Day the Earth Blew Up is the latest iteration of major studio Warner Bros.'s most famous IP, featuring marketable characters older than World War II. And yet, somehow, the former review feels like an unnecessary noting of something everyone was already aware of anyway, while this review feels more like a spotlight on a small unknown that deserves a wider audience.